Author Archives: Mark

Harvey Girls Forever! Part 3

Wel­come back to our countdown/celebration! Har­vey Girls For­ev­er! starts a new sea­son this Fri­day, May 10th, on Net­flix! I’ve been putting up Post-It draw­ings I did dur­ing breaks, while I was on the show.

Two for you today! Audrey as Furiosa, and Tiny as Shaft.

Audrey was always fun to draw on the show. It took me no time at all to fig­ure out who she was: that kid who was total­ly impul­sive and ener­getic, fun to be around…and prob­a­bly would get you into some trou­ble. But you’d sure have fun while doing it!

And Tiny was a lot of fun too, for dif­fer­ent rea­sons. He was the kid who was a lit­tle small­er than every­one else, and could­n’t wait to be big. Despite his size though, he already had a big heart. Seemed like fun to have him cos­play­ing as Shaft (though most like­ly his par­ents would­n’t have let him see that movie yet).

Tune in tomor­row for anoth­er install­ment!

Harvey Girls Forever! Part 2

Wel­come back to my lit­tle countdown/celebration of the return of Har­vey Girls For­ev­er!, return­ing to Net­flix this Fri­day, May 10th!

Here’s anoth­er Post-It draw­ing, done dur­ing a break on the show. As I men­tioned yes­ter­day, Post-It draw­ings like this are a fun way of tak­ing ideas that lodge them­selves in your brain and clear­ing them out by get­ting them on paper.

This time it’s the Bow! The Bow was always some­thing of a crew favorite. I guess it was some­thing to do with the fact she’s the type of per­son who march­es to her own beat, and does­n’t care what any­one else thinks.

Reg­u­lar vis­i­tors to my site might recall that I’ve done a play on the OBEY stick­ers before, but the Bow sort of seemed to loan her­self to this too.

Thanks for tun­ing in! More to come tomor­row.

Harvey Girls Forever! Part 1

So com­ing up this Fri­day, May 10th, Net­flix debuts the next sea­son of Har­vey Street Kids, now re-titled Har­vey Girls For­ev­er! By way of celebrating/counting down, I thought it might be fun to post some of the Post-It draw­ings I did of some of the char­ac­ters dur­ing breaks.

It’s been awhile since I put up any Post-It draw­ings. I’ve prob­a­bly felt too com­pelled to have to always put up fin­ished work here. Post-It draw­ings like this used to be a lot more com­mon sight when ani­ma­tion stu­dios still worked on paper. It’s not as com­mon now, but our sto­ry­board revi­sions crew had some­thing of a wall of Post-It draw­ings like this going while we were on the show. Kind of a fun way to get goofy ideas out of your head by get­ting them onto paper.

Just Dot today. If you’ve watched the show, the idea of her cos­play­ing as Spock makes a lot of sense.

Stay tuned! More to come tomor­row.

Captains All!

Some of you will rec­og­nize this as a re-cre­ation/rein­ter­pre­ta­tion of the cov­er of Whiz Comics #2, first appear­ance of the orig­i­nal Cap­tain Mar­vel in the Gold­en Age.

This was inspired by a sto­ry a friend told me a few weeks back. Like me, his default set­ting when some­one says “Cap­tain Mar­vel” is to think first of the Faw­cett Comics orig­i­nal. His wife does­n’t par­tic­u­lar­ly read a lot of comics, but she’s famil­iar with the char­ac­ter through him. Recent­ly, he and his wife were out at the movies. They were look­ing at the posters for com­ing attrac­tions. One was for Mar­vel’s Cap­tain Mar­vel film. My friend’s wife looked at the poster and was puz­zled. “Um, why is Cap­tain Mar­vel a girl?”

Look­ing around online, there seems to be more than one per­son out there who’s a lit­tle con­fused as to why these dif­fer­ent char­ac­ters have the same name. I’ve seen forums where this ques­tion’s been asked. Peo­ple who know what’s going on try to explain, only to per­haps go into too much detail, caus­ing the eyes of those who asked the ques­tion to glaze over and regret their hav­ing asked. So I’m not going to get into all that here.

This just appealed to my sense of fun to make this swap. It’s not like I haven’t made a char­ac­ter swap like this before! I’ve even swapped pub­lish­ers on this one. In my mind, this would’ve been pub­lished by Timely/Marvel. I even gave the Cap­tain a new/old logo, in line with the kind of logos they used back then.

And like many of you, I’m look­ing for­ward to see­ing what Mar­vel has done with their Cap­tain Mar­vel in the movie!

Weird Colors

It was recent­ly point­ed out to me that in Sav­age Drag­on #235, Erik Larsen had reprint­ed a bit of my old Big Bang Comics work. This was orig­i­nal­ly part of a larg­er sto­ry­line (I believe called “The Time­bomber”) spread over three issues, where Erik had loaned Big Bang Edi­tor Gary Carl­son the use of his Sav­age Drag­on char­ac­ter, and Drag­on was being bounced around through time, inter­act­ing with mul­ti­ple Big Bang char­ac­ters in dif­fer­ent eras. 

Gary had me con­tribut­ing to this sto­ry in sev­er­al ways, but the one that’s rel­e­vant here is that I pen­ciled and let­tered a three page seg­ment (nice­ly inked by Patrick Tuller), where Drag­on met up with Big Bang’s Dr. Weird. It orig­i­nal­ly appeared in Big Bang Comics #12. I chose to draw it in the style of Gold­en Age comics artist Bernard Bai­ly, prob­a­bly best known for his work on DC’s Spec­tre and Hour-Man strips. I also attempt­ed to match the let­ter­ing seen on those strips, which I’d assume is Bai­ly’s, but I don’t know for cer­tain.

Back when I was orig­i­nal­ly work­ing on this, there were hopes that the issue might be print­ed in col­or, but it end­ed up in b/w. Because there had been that chance though, I actu­al­ly had done some col­or guides for the seg­ment, and I think I mailed col­or pho­to­copies of them to Gary.

Fast for­ward to this three-pager’s appear­ance in Sav­age Drag­on #235: Final­ly it gets to be seen in col­or! Even if any­one had remem­bered their exis­tence, the copies of my orig­i­nal col­or guides were like­ly nowhere to be found, so this was recol­ored from scratch. I thought per­haps vis­i­tors here might enjoy com­par­ing the two ver­sions, see­ing where some choic­es are the same, and oth­ers are dif­fer­ent.

Just a cou­ple of comments/observations about the new ver­sion. I appre­ci­ate the fact that the col­orist who did this for re-pub­li­ca­tion stuck with the old school col­or palette. When you’re try­ing to do some­thing that looks and feels like a gen­uine old com­ic, noth­ing ruins the illu­sion faster than a col­or approach that isn’t from that time peri­od!

Also, I noticed that a sort of end­ing cap­tion was added at the end of page 3 that was­n’t part of the orig­i­nal. Who­ev­er did it either recy­cled por­tions of the let­ter­ing I had done ear­li­er in the sto­ry to get what they need­ed, or attempt­ed to let­ter it from scratch so that it looked like my faux Bernard Bai­ly let­ter­ing. Either way: again, try­ing to pre­serve the illu­sion that this was the real deal. So: thumbs up for all of that!

 

This Is the Dawning of the Age of the Croods…”

So it occurs to me it’s been awhile since I post­ed any of my sto­ry­board revi­sion work. As I’ve said before, the dif­fi­cul­ty with that kind of work is that you’re gen­er­al­ly just adding bits and pieces here and there. But I’ve got a cou­ple sam­ples of scenes from the show Dawn of the Croods that I worked on for Dream­Works. You can kind of spot my work by the non-pho­to blue under­draw­ing.

One of the things that I’ve found over my time in ani­ma­tion is that every so often you have those projects that stand out…in a good way! They are spe­cial. You have a blast work­ing on them and real­ize, “Ohh! This is why I got into ani­ma­tion!” Dawn of the Croods was one of those for me!

Part of it was def­i­nite­ly the mate­r­i­al. It was so much fun get­ting to do some of the out­right goofy things we did. I loved mak­ing con­tri­bu­tions to the char­ac­ters’ act­ing. But the oth­er part of it was the peo­ple. We had a real­ly great bunch of peo­ple on that show! It was such a good expe­ri­ence, all the way around.

To my Croods Croo: all the best! Love and respect always,

Mark

Junior! Come Down from There!

It’s been awhile since I post­ed any­thing here! Time to rec­ti­fy that.

You’re see­ing a cov­er for an upcom­ing issue of FCA. Faw­cett Col­lec­tors of Amer­i­ca is a sort of “mag­a­zine with­in a mag­a­zine,” appear­ing in the pages of Roy Thomas’ Alter Ego, a comics his­to­ry mag­a­zine pub­lished by Twom­or­rows. Roy dubbed me FCA’s de fac­to “cov­er edi­tor” awhile back, and I will glad­ly accept that title!

Pen­cils for this cov­er were by my good friend Vic Dal Chele. Inks/embellishment and col­ors by me. I went with an old school col­or palette, along the lines of what you might have seen used for a cov­er either for an issue of Mas­ter Comics, or Cap­tain Mar­vel Jr. I thought peo­ple might enjoy see­ing it here with­out the mast­head or any of the oth­er type that will be there on the print­ed cov­er.

We tried to cap­ture some­thing of the look of Cap­tain Mar­vel Jr.‘s pri­ma­ry artist, Mac Raboy. Vic’s worked on a lot of shows over the course of his ani­ma­tion career (many of which you would imme­di­ate­ly rec­og­nize), but one of his first was the Shaz­am! car­toon that Fil­ma­tion pro­duced in the ear­ly ’80s. So it’s far from the first time that he’s drawn Cap­tain Mar­vel Jr.!

This will be the cov­er of FCA #214, appear­ing in the pages of Alter Ego #155, out in Octo­ber from Twom­or­rows.

 

Black Panther’s First Cartoon Appearance?

Like a lot of peo­ple, I’m look­ing for­ward to the release of Black Pan­ther, the lat­est Mar­vel movie this Fri­day, Feb­ru­ary 16th. This last week­end, I had an email from my first boss when I start­ed work­ing in ani­ma­tion, Lar­ry Hous­ton (whom I also con­sid­er a friend). Lar­ry was the producer/director of the orig­i­nal X‑Men: the Ani­mat­ed Series (as it seems to have become known now). I did char­ac­ter mod­el clean-up on the series, and a fair amount of char­ac­ter design too, along the way.

Lar­ry point­ed my atten­tion to a video on YouTube some­one had assem­bled, of Black Pan­ther’s var­i­ous ani­mat­ed appear­ances. Right up front was his cameo appear­ance on an episode of X‑Men.

That sparked a mem­o­ry. I went back to look, and sure enough: I’d had the priv­i­lege of being the one who got to draw the mod­el for that appear­ance, which I’ve post­ed here! If I’m not mis­tak­en, I think it might well be Black Pan­ther’s first ever appear­ance in a car­toon.

I can’t take cred­it for the idea of putting T’Chal­la in there. It was Lar­ry’s idea. Lar­ry felt very strong­ly (as did the rest of us on the show) that, tak­ing place in the Mar­vel uni­verse, we would like­ly see oth­er Mar­vel char­ac­ters from time to time. Because that was always kind of a Mar­vel Comics trade­mark! Occa­sion­al­ly the pow­ers-that-were got a lit­tle anx­ious over who might hold the rights to var­i­ous char­ac­ters, so some­times things got labeled a lit­tle… dif­fer­ent­ly. In this case, the script we were work­ing on at the time required we show some African mutant refugees, and we felt this was as good a time as any to give T’Chal­la a cameo. Hence, “African Mutant Refugee #3.”

With­in the con­fines of the style of our show, I tried to get some hints of Kir­by in there. Because, why not?

Update – Feb­ru­ary 28, 2018: It’s fun­ny how things work. Aaron Couch, Heat Vision Edi­tor for The Hol­ly­wood Reporter, did an inter­view with Lar­ry Hous­ton about Black Pan­ther and the X‑Men car­toon. Lar­ry point­ed him here to my site, and Aaron want­ed to ask me a ques­tion or two also. The end result wound up part of this arti­cle. Thanks again for your inter­est, Aaron!

Kirby 100, Part 4

This is the fourth and final install­ment in my cel­e­bra­tion of Jack Kir­by’s 100th birth­day this month. Which hap­pens to be today!

Like most of the oth­ers I’ve post­ed, today’s draw­ing came my way years back as a pho­to­copy of Kir­by’s pen­cils, from a sketch­book orig­i­nal­ly done for his wife Roz. It was lat­er repro­duced and pub­lished in book form as Jack Kir­by’s Heroes and Vil­lains. Like the oth­ers I’ve post­ed, this was a draw­ing that looked to me like it might be fun to take a crack at ink­ing it. So I did. And recent­ly col­ored it up for post­ing here.

This char­ac­ter (Ser­si) comes from a com­ic called The Eter­nals, which was one of a hand­ful of titles Kir­by pro­duced dur­ing his last stint at Mar­vel in the mid- to late-’70s. The seeds of this com­ic seem to have come from a very pop­u­lar book around this time by Erich von Däniken, enti­tled Char­i­ots of the Gods?. The book con­jec­tured that alien astro­nauts had vis­it­ed our world in the dis­tant past, and were mis­tak­en­ly thought by us to be gods. It’s easy to see how an idea like this could be fuel for Kir­by’s vivid imag­i­na­tion. Add to it Kir­by’s fas­ci­na­tion with myths and leg­ends, and he cooked up a very enter­tain­ing sce­nario from these ingre­di­ents.

Cer­tain sto­ries from Eter­nals still stand out in my mind. The saga of Karkas and the Reject, for exam­ple, which sub­vert­ed the usu­al assump­tions read­ers made about new char­ac­ters based on first impres­sions. Or “The Rus­sians are Com­ing!” in #11, or “The Astro­nauts!” in #13. Even in this lat­er stage of his career, Kir­by still had the goods.

If you caught onto the fact that each of my “Kir­by 100” posts has been in chrono­log­i­cal order of when the char­ac­ter first appeared, give your­self a gold star!

I men­tioned ear­li­er on that Kir­by’s work is very impor­tant to me. He was one of the ear­li­est com­ic book artists whose name and style impact­ed on me, and I was com­pelled to seek out his work. He may not nec­es­sar­i­ly have invent­ed all the “visu­al gram­mar” of draw­ing super­hero comics, but he cer­tain­ly per­fect­ed it! If an artist want­ed to do super­hero comics that had impact, it would have been a mis­take not to learn from Kir­by’s work.

Super­hero comics were not the only kind of mate­r­i­al he did, though. Kir­by worked in almost every genre of Amer­i­can comics, and brought the same inven­tive­ness and dynam­ic ener­gy to what­ev­er he did. He man­aged to cre­ate vital work in every decade, span­ning from the Gold­en Age of comics all the way up into the ’80s.

If for some rea­son you’re not famil­iar with Kir­by, do your­self a favor, and start delv­ing into the work of this tru­ly unique and impor­tant cre­ator! You are in for a treat!

Hap­py 100th, Mr. Kir­by! And a very heart­felt “thank you” for cre­at­ing so many great char­ac­ters and sto­ries that still live and inspire today. You were tru­ly one of a kind!

Kirby 100, Part 3

Wel­come back to anoth­er install­ment, cel­e­brat­ing Jack Kir­by’s 100th birth­day this month!

This time out is Thor. Again, the pen­cil draw­ing came my way years back in the form of a pho­to­copy, and I believe the orig­i­nal source was a sketch­book Jack did for his wife Roz, which ulti­mate­ly saw print as a book enti­tled Jack Kir­by’s Heroes and Vil­lains. It was yet anoth­er Kir­by draw­ing that caught my eye, and looked like it would be fun to try ink­ing. Fresh­ly col­ored for show­ing here.

When I first got to a point where I had suf­fi­cient funds to begin attempt­ing to col­lect more back issues of Kir­by’s Mar­vel work, I tend­ed to not seek out Jour­ney into Mys­tery (where Thor first appeared) or Thor issues. I just did­n’t like the inks as much as I did the inks over Kir­by on his oth­er strips. How­ev­er, as I read more about Kir­by’s work (and espe­cial­ly his Thor work), I real­ized that I was miss­ing out.

Kir­by’s Thor work is sig­nif­i­cant, because in it you see not only a bril­liant comics artist and sto­ry­teller doing a great job. You also see some­thing of Kir­by the man, and his inter­ests. Just as in Fan­tas­tic Four you can see Kir­by’s fas­ci­na­tion with the unknown, what’s out there, in Thor you see Kir­by’s fas­ci­na­tion with myth and leg­end (a touch­stone through­out his career). I feel that while all of Kir­by’s Mar­vel work is great, both Fan­tas­tic Four and Thor are the two main tent posts of his work dur­ing that peri­od which can’t be dis­re­gard­ed.

I tried in col­or­ing this to evoke the kind of col­or palette you see in those old Thor comics. It was fun!

Hap­py Kir­by 100! One more to go, if I can man­age it.