This is anoth­er one of those things where I was look­ing at some­thing, and an idea popped into my head that I had to do in order to get it out of my brain. A fake cov­er, sort of a “What if DC gave Shel­don May­er a ded­i­cat­ed Red Tor­na­do com­ic back in the Gold­en Age?”

This hap­pened as I was re-read­ing DC’s JSA All-Stars Archives (Vol­ume 1), fea­tur­ing solo sto­ries of sec­ondary and ter­tiary char­ac­ters who showed up with the Jus­tice Soci­ety in All-Star Comics at one point or anoth­er. And part of that col­lec­tion was a batch of sto­ries fea­tur­ing Shel­don May­er’s Scrib­bly, the Boy Car­toon­ist, where the Red Tor­na­do debuted.

Ini­tial­ly, the first Red Tor­na­do char­ac­ter I encoun­tered in comics as a kid was a com­plete­ly dif­fer­ent char­ac­ter! He was an android, and had become part of the Sil­ver Age Jus­tice League. When not in his hero­ic iden­ti­ty, this Sil­ver Age ver­sion of the Red Tor­na­do was in the midst of learn­ing how to be more human (a bit like Mar­vel’s the Vision). After a lit­tle while, I learned of the pri­or exis­tence of the orig­i­nal Red Tor­na­do, a hero­ic iden­ti­ty adopt­ed by Ma Hun­kel in Shel­don May­er’s Scrib­bly the Boy Car­toon­ist install­ment for All-Amer­i­can Comics #20.

The Red Tor­na­do was played for fun and laughs, in that ear­ly era when super­heroes were still some­times called “mys­tery men.” And as mod­ern super­hero comics seem deter­mined to take them­selves ever more death­ly seri­ous, I find myself becom­ing ever more appre­cia­tive of comics that are fun. After all, I think “fun” is a big part of why most of us got into read­ing comics in the first place!

I should talk a bit about Shel­don May­er, cre­ator of the Red Tor­na­do. May­er was a rar­i­ty for the Gold­en Age: an artist, writer and edi­tor all in one. He worked briefly as an edi­tor for the McClure Syn­di­cate (for M.C. Gaines), where he came across Siegel and Shus­ter’s unsold Super­man strip, which he “fell in love with.” He talked it up so much to any­one who would lis­ten, he even­tu­al­ly con­vinced Gaines to take it up to Har­ry Donen­feld, who was look­ing for orig­i­nal strips to run in a new com­ic they were going to call Action Comics. To use a cliché phrase (one appro­pri­ate in this case), “the rest is history.”

A num­ber of Gold­en Age artists cred­it­ed May­er as being very help­ful to them as an edi­tor. Being a writer and artist, he had a per­spec­tive that oth­er edi­tors did­n’t. May­er on his own as a writer and artist did a lot of fun, cre­ative comics! I recent­ly dis­cov­ered that the Scrib­bly strip he did for All-Amer­i­can Comics (where he cre­at­ed the Red Tor­na­do) even­tu­al­ly got its own title for awhile post-WWII. Prob­a­bly his best-known and longest-run­ning title would be Sug­ar and Spike, about two babies who com­mu­ni­cat­ed in baby talk that adults were unable to under­stand. In the ear­ly ’70s, he also wrote and drew a num­ber of large for­mat Col­lec­tors’ Edi­tion comics fea­tur­ing Rudolph the Red-Nosed Rein­deer for DC. I kind of feel like I need to see if I can get some more of May­er’s work in my collection!

DC nev­er did a ded­i­cat­ed Red Tor­na­do title, but when I was read­ing that mate­r­i­al in the Archive Edi­tion I men­tioned up top, I came across the splash pan­el that kicked off the Scrib­bly install­ment for All-Amer­i­can Comics #23, and real­ized that it would work great as a cov­er. Hence the attri­bu­tion (though I put my own lit­tle spin on the idea).

Hope you like this, and that you’re enjoy­ing the hol­i­day season!