Formerly Frightful, Now Inhuman…

We’ve now reached Day 13 of this year’s Jack Kir­by Trib­ute Month, curat­ed by Howard Simp­son. The prompt for today is Medusa, of the Inhumans!

I’ve drawn Medusa a cou­ple of times for a pre­vi­ous Jack Kir­by Trib­ute Month (here and here). She was first intro­duced in Fan­tas­tic Four as a mem­ber of the Fright­ful Four, dis­cov­ered by the Wiz­ard and brought onto the team. But a bit lat­er, it was decid­ed that she would fit in even bet­ter as part of a new con­cept, the Inhu­mans. It’s no secret that most comics in those days were done spon­ta­neous­ly, on the fly, and some­times it took them a bit to fig­ure out the best ways to employ new char­ac­ters. When done well (in instances like Medusa), it made for good sto­ry material.

Try­ing to think of a new way to depict Medusa from what I’d done pre­vi­ous­ly, I thought it might be kind of fun to have her get­ting the upper hand on the Wiz­ard. Clear­ly he’s not hap­py about the situation!

Hope you like my take on Medusa. Feel free to come back and see who’s next tomor­row, if you like.

2 thoughts on “Formerly Frightful, Now Inhuman…”

  1. I appre­ci­ate your back­sto­ry intros to your dai­ly posts dur­ing Kir­by Month. Par­tic­u­lar­ly with this sort of com­ment… “It’s no secret that most comics in those days were done spon­ta­neous­ly, on the fly, and some­times it took them a bit to fig­ure out the best ways to employ new char­ac­ters.” As a kid read­ing these comics, it was a ques­tion nev­er asked. You could ask maybe in let­ters columns, but rarely did you think to do that. As cons were cre­at­ed, you were bet­ter able to get to the meat of the mat­ter for these kinds ques­tions: how, what, where, when and why. Good old Jack needs to also be con­grat­u­lat­ed for being on the ground floor of that effort as well.

    Thank you, kind sir.

    Wiz­ard looks a lit­tle har­ried. Being foli­cal­ly chal­lenged to a cer­tain degree any hair before hur­ried…https://www.dailymotion.com/video/x8gup56

    1. I think orig­i­nal­ly, they did­n’t want fans ask­ing these kinds of ques­tions. If while read­ing the books, a fan felt like what they were read­ing had been made up on the fly, that would take them out of the sto­ry, and would mean the cre­ators had­n’t done their job well. The goal was to make it feel like they knew where they were going all along.
      I’d say it’s in lat­er years, as adult read­ers, we can think about those ques­tions of who was ini­tial­ly think­ing of which cre­ative direc­tion to go. But their orig­i­nal goal was to make it all feel “seam­less,” not raise ques­tions in read­ers’ minds about changes of direc­tion creatively.

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