Tag Archives: Comic Cover Recreation/Reinterpretation

Now That’s Just Darling!

Darling Romance #1 ReworkedHey, every­body! It’s anoth­er com­ic cov­er recreation/reinterpretation. This time, it’s the cov­er of issue #1 of Archie Comics’ Dar­ling Romance. You can see the orig­i­nal cov­er here.

I’ve per­son­al­ly nev­er been all that big a col­lec­tor of romance comics, though the best of them have had some real­ly great artists. An inter­est­ing bit of his­to­ry: the guys who pio­neered the genre? None oth­er than Joe Simon and Jack Kir­by! Those who are only famil­iar with the more two-fist­ed, action-packed side of their work might be sur­prised to hear this, but it’s true. They launched the first romance com­ic, Young Romance, in 1947. And in the wake of its sales suc­cess, many oth­er pub­lish­ers fol­lowed suit with their own romance titles.

Simon and Kir­by’s work in this genre is unsur­pris­ing­ly ener­getic and live­ly. Many of the sto­ries go places one would­n’t typ­i­cal­ly expect a romance com­ic sto­ry to go. If you get the chance to see some of these sto­ries for your­self, it’s worth the time. I’m told it can be hard to track down the orig­i­nal comics, but thank­ful­ly, there are reprints avail­able in books like Young Romance: the Best of Simon & Kir­by’s Romance Comics, and it looks as though there might be oth­er sources on the way too.

Maybe I should talk a lit­tle bit about this Dar­ling Romance cov­er. I know noth­ing at all about this com­ic, but the cov­er image spoke to me. I thought it would be fun to take the orig­i­nal pho­to cov­er and do a draw­ing instead, push the mod­el’s looks even more in the direc­tion of Bet­tie Page. Also, I felt like giv­ing the whole thing a pulpi­er, hard­er-edged look. Just for fun. 🙂

She’s a Wow!

Wow Comics 12 ReworkedHere’s a recreation/reinterpretation of the cov­er of Wow Comics #12, fea­tur­ing Mary Mar­vel. You can com­pare it with the orig­i­nal here.

Mary debuted in Cap­tain Mar­vel Adven­tures #18, where Bil­ly Bat­son dis­cov­ered to his sur­prise that he had a twin sis­ter, from whom he’d been sep­a­rat­ed at birth. It turned out that the mag­ic word that turned Bil­ly into Cap­tain Mar­vel also worked to turn Mary Batson/Bromfield into the super­pow­ered Mary Marvel.

Mary’s “visu­al father” was artist Marc Swayze. I was hon­ored to be asked to do an FCA cov­er fea­tur­ing Mary, as a trib­ute to Marc Swayze for what would’ve been his 100th birth­day. It was post­ed here a while back.

Reg­u­lar vis­i­tors to this site have heard me say before that when doing these recre­ations, I like to have some kind of fresh take or approach, so that I’m not just repeat­ing exact­ly what was done before. So imag­ine this, if you can: some alter­nate world, where Faw­cett did­n’t cease pub­lish­ing comics. Instead, they kept on pro­duc­ing new four-col­or adven­tures for Cap­tain Mar­vel and the Mar­vel Fam­i­ly. Maybe at some point in the late ’50s or ear­ly ’60s, Faw­cett licensed Mary to an ani­ma­tion stu­dio for a series, and Wow Comics was relaunched in sup­port. It was kind of what was play­ing in the back of my mind when I did this, at any rate.

I can almost hear the announc­er’s voice: “Boys and Girls! It’s time now for the adven­tures of Mary Mar­vel! The Shaz­am girl!

…Suddenly a White Rabbit…”

Marvel Team-Up #131 ReworkedYou’re see­ing a rein­ter­pre­ta­tion here of the cov­er to Mar­vel Team-Up #131. I must con­fess that I know absolute­ly noth­ing about the White Rab­bit, or how much of a con­nec­tion she has to the char­ac­ter that appeared in the Lewis Car­roll book Alice’s Adven­tures in Won­der­land. I don’t have a clue about Frog-Man either. I’ve nev­er read this comic.

So why did I do this cov­er? Sim­ple: when I saw the orig­i­nal, I thought there was some­thing fun here that could be rein­ter­pret­ed. If you look around my site, you’ll see that I do things like this on occa­sion. I even got to do it once for the late, lament­ed Cov­ered Blog before they called it a day. Though they’re no longer doing cov­er rein­ter­pre­ta­tions there, I think the idea is still worth pur­su­ing from time to time here.

While more or less straight recre­ations can be fun too, tak­ing an orig­i­nal cov­er and try­ing to find a fresh angle or spin to put on it can be even more fun. In this case, I thought ren­der­ing it in a dif­fer­ent style to make the humor­ous intent of the sto­ry more obvi­ous would be a fun thing to do. And it seemed appro­pri­ate to use the Mar­vel Pop Art Pro­duc­tions cor­ner box with it.

For once, that’s pret­ty much all there is to say for this one!

Hey Franky! I’m Seein’ Double!”

Frankenstein 23 ReworkedWe’re com­ing up on anoth­er Hal­loween here, and it seems I’ve devel­oped some­thing of a tra­di­tion of doing some kind of Franken­stein piece when that hap­pens. Instead of doing just one this time though, you’ll see I got ambi­tious and actu­al­ly did two com­ic cov­er recre­ation­s/rein­ter­pre­ta-tions. Which seemed appro­pri­ate, giv­en the sub­ject mat­ter. I’ll explain.

If you ask most comics fans around my age which comics artist comes to mind first when they think of Franken­stein’s mon­ster, you’ll prob­a­bly get names like Bernie Wright­son or Mike Ploog. But fans whose aware­ness goes back a bit far­ther might give you anoth­er name: Dick Briefer.

Briefer­’s asso­ci­a­tion with the char­ac­ter in print was not only longer than any­one else’s (run­ning from issue #7 of Prize Comics through #68, as well as 33 issues of his own mag­a­zine), but he did three dis­tinct­ly dif­fer­ent ver­sions of the char­ac­ter! He start­ed with a straight hor­ror ver­sion, spin­ning right out of Mary Shel­ley’s orig­i­nal Franken­stein sto­ry. Kind of a gut­sy thing, to do an ongo­ing hor­ror fea­ture in a com­ic in those ear­ly days. From what I’ve read on the sub­ject thus far, there’s a good case to be made that it was the first of its kind.

Frankenstein #1 ReworkedThen lat­er, in 1945 it was decid­ed to retool the fea­ture as a humor­ous strip. The new, humor­ous Franky hit news­stands in Franken­stein #1. You might think it would be hard for some­one so involved with a dif­fer­ent ver­sion of the char­ac­ter to retool their vision so dras­ti­cal­ly, but Briefer did it. And the fans bought it.

That ver­sion ran its course in 1949, then in ’52 (when the ’50s wave of hor­ror comics was under way), Briefer was called to bring the mon­ster back to life yet again! Pick­ing up after the last issue of his pre­vi­ous incar­na­tion with #18, Briefer brought back a more seri­ous ver­sion of the mon­ster. This new ver­sion though was not sim­ply a revival of Briefer­’s ear­li­est ver­sion of the char­ac­ter. For one thing, the art I’ve seen thus far tends to be much more open for col­or. And the few sto­ries I’ve seen to date seem to play up more of the mon­ster’s pathos than Briefer did back when he first worked with the character.

I must con­fess that only recent­ly have I been learn­ing about Dick Briefer and his version(s) of Franken­stein, but it’s been fun learn­ing (I hope those who are more knowl­edge­able about this strip than I cur­rent­ly am will for­give any inac­cu­ra­cies here). Thank­ful­ly, though we no longer live in comics’ Gold­en Age, we do live in what could be con­sid­ered the Gold­en Age of comics reprints! Many old strips (like Franken­stein) that were pre­vi­ous­ly inac­ces­si­ble unless you had lots of dis­pos­able funds to buy back issues, are now being col­lect­ed and reprint­ed in qual­i­ty hard­cov­er edi­tions and trade paper­backs. A Briefer Franken­stein book is one of those that I would hope to lay hands on soon.

Oh, before I close, I guess I should get to specifics about what I did here. My Franken­stein #23 is a rein­ter­pre­ta­tion of Briefer­’s, and you can see his orig­i­nal here. Briefer­’s orig­i­nal ver­sion of Franken­stein #1 can be seen here.

Hap­py Halloween!

Good Garbage!”

FCA Goodguy CoverFirst things first: yes, this is anoth­er FCA cov­er illus­tra­tion, which will appear in the Jan­u­ary 2014 issue of Roy Thomas’ Alter Ego, on stands in Decem­ber. And no: this is not Cap­tain Marvel!

The char­ac­ters here are Goodguy and his neme­sis, Dr. Sin. Pri­or to being asked to do this cov­er, I must con­fess I was unfa­mil­iar with them. They were cre­at­ed by fan artist Alan Jim Han­ley. As a young comics fan, I had no clue that there were that many oth­er peo­ple out there who also loved old comics, let alone that there were fans who did their own comics! So I nev­er came across the exis­tence of this strip back then.

My title for this post comes from Goodguy’s peri­od­ic catch­phrase, his equiv­a­lent of Cap­tain Mar­vel’s and Bil­ly Bat­son’s “Holy Moley!” Though we did­n’t wind up incor­po­rat­ing it into the cov­er direct­ly, my post here seemed a good place to use it.

In doing the cov­er, I had the oppor­tu­ni­ty to read a cou­ple of Goodguy sto­ries. Fun stuff! Along with his sense of humor, Han­ley clear­ly had a lot of love for old comics, and old comics char­ac­ters. I would­n’t mind see­ing some more.

Oh; I should men­tion too that the FCA issue I did this cov­er for also reprints a com­plete Goodguy sto­ry, appear­ing in col­or for the very first time. Yours tru­ly did the coloring.

Captain Marvel is #1!

Captain Marvel #1 FakeOkay, I real­ize I’ve done a lot of Mar­vel Fam­i­ly-cen­tric posts here late­ly. I hon­est­ly intend­ed that I was going to move away from that this time. But I could­n’t help myself!

My orig­i­nal plan here was to do a straight recreation/reinterpretation of the cov­er of  Cap­tain Mar­vel #1, pub­lished by Mar­vel Comics in 1968 and fea­tur­ing their alien ver­sion of Cap­tain Mar­vel (Kree, to be spe­cif­ic). It was to have been kind of a lit­tle joke, that it would be a Cap­tain Mar­vel, but not the same Cap­tain Mar­vel I usu­al­ly draw. Plus, I’ve always kind of liked the Kree Cap­tain Mar­vel’s orig­i­nal green and white out­fit for some reason.

But then, as I was look­ing at the cov­er, I remem­bered a con­ver­sa­tion I’d had with FCA Edi­tor P.C. Hamer­linck. For those of us with an inter­est in comics his­to­ry (who did what, who pub­lished what, and when), some­times it’s fun to play a game of “What If?” You take events as they hap­pened, then pro­pose a change. It’s like throw­ing a stone into a stream, and see­ing what rip­ples it makes. In this case, P.C. and I once had a con­ver­sa­tion where he threw out the idea, “What if instead of DC pick­ing up the rights to Faw­cett’s Cap­tain Mar­vel, it had been Mar­vel Comics that had made that call?”

That con­ver­sa­tion sud­den­ly came to mind as I looked at the orig­i­nal ver­sion of this cov­er, and real­ized that the pose of the Kree Cap­tain would­n’t take much to rework it slight­ly and make it work just as well for the orig­i­nal Cap­tain Mar­vel. So I got hooked on the idea. This was the result.

Please bear with me for a lit­tle fan­boy indul­gence here: who do I think would’ve been the like­ly can­di­dates to do this book, if Mar­vel had bought the rights back then? Every­one’s obvi­ous first thought would like­ly be Jack Kir­by. How­ev­er, at that point in time, Kir­by’s con­tri­bu­tions to Mar­vel were mov­ing towards being most­ly just between the cov­ers of Fan­tas­tic Four and Thor. I believe it’s more like­ly that some­one from the sec­ond wave of Mar­vel cre­ators com­ing in at that time would’ve been giv­en this assign­ment. Art­wise, at the moment, I’m think­ing per­haps Bill Everett might’ve been the best choice. He had some of that Mar­vel ener­gy going for him, yet he also still had a cer­tain “car­toony-ness” to his work that I think Cap­tain Mar­vel needs.

The writ­ing side of the equa­tion is a no-brain­er. I’m sure Roy Thomas would’ve argued a very strong case for his being the one to get this assign­ment. And I’m think­ing Stan Lee most like­ly would’ve giv­en in and hand­ed the book to him.

We’ve Got You Covered!”

Per­haps some of you read­ing this might be famil­iar with the Cov­ered Blog. If not, it’s a site where artists are chal­lenged to take an exist­ing, pub­lished com­ic book cov­er and rein­ter­pret it. The results can be inter­est­ing, and I thought it might be fun to take a shot at doing one.

I chose to rework the cov­er of Dell Comics’ Dick Tra­cy Month­ly #13, cov­er-dat­ed Jan­u­ary 1949 (If you’re curi­ous to com­pare, you can view the orig­i­nal side-by-side with mine over on Cov­ered here). But I did­n’t do it in one of my usu­al styles. Instead, I real­ized that Chester Gould’s style on Dick Tra­cy was pret­ty 2D and graph­ic to begin with, and that it might be fun to push it just a lit­tle fur­ther into look­ing some­thing like a Flash ani­ma­tion style.

I worked on a Flash-ani­mat­ed direct-to-video fea­ture, Hydee and the Hy Tops, and enjoyed it very much. The look of Flash is fun, and I would wel­come the oppor­tu­ni­ty to work on anoth­er project in that vein. I have a lot of respect for artists like Craig McCrack­en and Lau­ren Faust who do that kind of work very well. So it seemed like this would be a good oppor­tu­ni­ty to stretch some artis­tic mus­cles and try some­thing new.

The BG por­tion of this cov­er was done using Pho­to­shop, but the rest of it was done in Adobe Illus­tra­tor. If you’ve vis­it­ed my site before, you know I’ve used Illus­tra­tor for a num­ber of dif­fer­ent projects. But this project required car­ry­ing out the final image in a dif­fer­ent way from how I’d done before.

As far as why I chose to rein­ter­pret a Dick Tra­cy cov­er in the first place, I think it might be because I’ve been fol­low­ing the reg­u­lar Dick Tra­cy strip these last sev­er­al months, so Tra­cy was in the back of my mind. The strip’s been reju­ve­nat­ed by Joe Sta­ton and Mike Cur­tis, and I’ve been hav­ing a blast fol­low­ing it. If you get the chance, give it a look!