Tag: Jack Kirby

From the Bunker Labelled Command D

Here’s Day 19 of the month-long Jack Kir­by Trib­ute, in hon­or of his birth­day this month. Suggested/sponsored by Howard Simp­son, it’s open to all cre­atives, and you can find peo­ple’s work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt reads, “Draw a char­ac­ter or scene from Jack Kir­by’s Kaman­di series.” I chose to depict Kaman­di him­self, along with his friend Ben Box­er in his armored-up form. They’re going down into some bust­ed-up Sub­way, maybe in search of some­thing or some­one, obvi­ous­ly on their guard. On Earth A.D. (After Dis­as­ter), you can’t be too careful!

I have a lot of affec­tion for the Kaman­di book and the char­ac­ter. And it seems like I’m not alone in that. A num­ber of peo­ple around my age seem to have a sim­i­lar affec­tion for the book. And of all Jack­’s post-Fourth World titles he did for DC, Kaman­di sold the best and last­ed the longest, con­tin­u­ing on in oth­er hands for a good while even after Jack left and went back to Marvel.

I think there must have been some­thing in the air at the time. Not just Plan­et of the Apes, but oth­er films (like Logan’s Run) and sci fi that had a fas­ci­na­tion with dystopias that came about after our cur­rent world col­lapsed for one rea­son or another.

On a per­son­al lev­el, I came across Kaman­di just about the time I was begin­ning to rec­og­nize indi­vid­ual artists and remem­ber their names. I’d seen some of Kir­by’s work ear­li­er, but had not been quite old enough for his name to reg­is­ter with me just yet. This was the right time, and the right book. I became a full-fledged Kir­by nut after this. Not hav­ing any con­nec­tion to wider fan­dom as a kid and an aspir­ing artist, I had this naive thought that, “Kir­by’s get­ting old­er. He’s got­ta be like in his 50’s! Even­tu­al­ly he’s going to retire, and some­one will need to pick up the baton from him! Maybe it should be me!”

Of course, I had no idea just how many oth­er fan artists there were out there who had sim­i­lar ideas of try­ing to be the next Kir­by. I went through a lengthy “Jack Kir­by phase” as a young artist, not real­ly under­stand­ing the under­ly­ing “why” of what he did yet. I just saw the sur­face, loved the ener­gy and the imag­i­na­tion, and thought it was what comics should be. Even­tu­al­ly I grew out of my fix­a­tion on try­ing to draw like him, but I can still see Kir­by as a com­po­nent of my artis­tic DNA, whether any­one else can or not. Kir­by and his work still mat­ter a great deal to me. Which is why I’m par­tic­i­pat­ing in this Tribute!

Any­way, hope you like my shot at Kaman­di, and please come back for tomor­row’s image!

You Wouldn’t Like Him When He’s Angry!

We’ve made it now to Day 18 of Howard Simp­son’s month-long online cel­e­bra­tion of Jack Kir­by! It’s open to all cre­atives, and you can find their work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt was Ori­on, from the book New Gods. Though he’s most def­i­nite­ly on the side of New Gen­e­sis and fight­ing against Apokolips, he has his demons! His sto­ry is inter­twined with Scott Free/Mister Mir­a­cle’s, and rather than spoil it for you, you can read about it in “The Pact” (New Gods #7).

It was fun to try to cap­ture some of the “angry ener­gy” Ori­on often has in this draw­ing. Hope you enjoy! Please tune in again tomorrow.

Just Don’t Get on Her Bad Side!

It’s now Day 17 of Howard SImp­son’s month-long trib­ute to Jack Kir­by! Can you believe it? If you’d like to see what oth­ers are post­ing in order to par­tic­i­pate, you can find that work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Big Bar­da. Part of Kir­by’s Fourth World saga at DC, she was a key sup­port­ing char­ac­ter in Mis­ter Mir­a­cle, first appear­ing in issue #4. Raised on Apokolips to be part of a group of war­riors called the Female Furies, she lat­er met Scott Free (Mis­ter Mir­a­cle) and fell in love with him. Even­tu­al­ly, she fol­lowed Scott to Earth.

Bar­da’s bat­tle armor is one of those Kir­by cos­tumes with a lot of detail. It’s con­sis­tent in the broad strokes, but has a ten­den­cy to morph a bit from page to page or pan­el to pan­el as far as the spe­cif­ic details go. I like how it looks, and thought a straight-ahead pre­sen­ta­tion from the front would be the best way to show it.

Hope you like it, and please come back again tomorrow.

It’s a Miracle!

We’ve hit Day 16 of Howard Simp­son’s month-long cel­e­bra­tion of the work of Jack Kir­by! It’s open to all cre­atives, and you can find the work peo­ple are upload­ing to your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

The prompt for the day is Mis­ter Mir­a­cle. The lead char­ac­ter in the com­ic named for him, he was part of the Fourth World saga Jack Kir­by spun over at DC. Known as Scott Free in his civil­ian iden­ti­ty, Mis­ter Mir­a­cle lived here on Earth and worked as an amaz­ing escape artist. Mis­ter Mir­a­cle’s back sto­ry is actu­al­ly pret­ty pro­found. I don’t want to spoil it for those who haven’t read it, but it’s cov­ered in the sto­ries “The Pact” (New Gods #7), and “Himon” (Mis­ter Mir­a­cle #9).

I recall tak­ing a crack at draw­ing Mis­ter Mir­a­cle a few times back in high school, as I was a big fan of the Fourth World mate­r­i­al. It’s been a long time!

Hope you enjoy, and stay tuned!

It’s Dark Outside!

We’re almost halfway there! Day 15 of this month-long trib­ute to Kir­by. Howard Simp­son’s brain­child, it’s open to all cre­atives, and you can find what peo­ple are post­ing on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Dark­seid. The pri­ma­ry antag­o­nist of Kir­by’s Fourth World books at DC, Dark­seid was a real gift Kir­by gave to DC: a vil­lain con­cep­tu­al­ly much larg­er than any oth­er DC had ever had up to this point. It could be argued that with the excep­tion of Galac­tus, Dark­seid even topped most of Kir­by’s pre­vi­ous vil­lain cre­ations for Mar­vel. He was in search of some­thing called the Anti-Life Equa­tion, which would enable him to take over the minds and will of every­one in the Universe!

Hope you like my Dark­seid draw­ing, and feel free to come back and see what’s new tomorrow!

Why So Angry?

We’re at Day 14 of Howard Simp­son’s month-long online cel­e­bra­tion of the work of Jack Kir­by! It’s open to all cre­atives, and you can find the work peo­ple are post­ing by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt: “Draw a mon­ster or an alien cre­at­ed by Jack Kir­by.” There are many pos­si­bil­i­ties out there! As men­tioned pre­vi­ous­ly with Groot, Kir­by did a whole bunch of mon­sters dur­ing the Atlas era. But instead of one of those, I opt­ed for the one you see here: Angry Char­lie. His visu­al called out to me.

Angry Char­lie was a Kir­by Kreation dur­ing his run on the Jim­my Olsen com­ic for DC, which he’d made part of the titles where he was unfold­ing his “Fourth World” sto­ries, along with For­ev­er Peo­ple, New Gods and Mis­ter Mir­a­cle. Angry Char­lie was a cre­ation of the Evil Fac­to­ry, which was ulti­mate­ly destroyed at the end of that sto­ry. Char­lie was­n’t real­ly bad, and the gang had a soft spot for him, so they took him home with them.

Hope you liked Char­lie, and tune in again tomorrow!

Let’s Not Force the Issue!

Wel­come to the lucky 13th Day of this mon­th’s Jack Kir­by Art Trib­ute, sug­gest­ed by Howard Simp­son! It’s open to all cre­atives, and you should be able to find peo­ple’s work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Sky Mas­ters of the Space Force. Most of the prompts are com­ic book cre­ations, but this one is from a news­pa­per strip, done in the late ’50s, the­o­riz­ing what things might be like in the near future of the dawn­ing Space Age. It’s not a secret that most com­ic book artists back then had aspi­ra­tions of work­ing on a news­pa­per strip. News­pa­per strip artists were seen as more pres­ti­gious by the gen­er­al pub­lic, and it poten­tial­ly paid bet­ter than com­ic books. So I sus­pect when this oppor­tu­ni­ty came up for Kir­by, he was­n’t going to pass it up. Unfor­tu­nate­ly, it ulti­mate­ly did­n’t work out so well for him, but I’m not going to get into all that here.

The strip was a good look­ing one, though it only last­ed a lit­tle over two years (late ’58 to ear­ly ’61). Writ­ten by Dave Wood, it also fea­tured inks by Wal­ly Wood (no rela­tion). As men­tioned in my pre­vi­ous Chal­lengers of the Unknown post, if you’ve nev­er seen the pair­ing of Kir­by and Wood, it’s hard to envi­sion it work­ing. They’re very dif­fer­ent artists. But it works beau­ti­ful­ly! Kir­by’s ener­gy and live­ly lay­outs and imag­i­na­tion are intact, and Wood brings his light­ing and nat­u­ral­ism into it. It’s a great com­bi­na­tion, if you haven’t seen it!

There have been a few col­lec­tions of the Sky Mas­ters strips pub­lished at var­i­ous points, so if you’re curi­ous, you should be able to find one. Well worth the effort!

I feel like a lit­tle of the Kirby/Wood com­bo man­aged to sneak into my trib­ute piece here. At least I hope so. Enjoy, and we’ll see you again tomorrow!

This Is Rather Challenging…

We’re now at Day 12 of Howard Simp­son’s month-long online cel­e­bra­tion of Kir­by, in hon­or of the fact Kir­by was born in August! It’s open to all cre­atives, and you can find the work on your favorite social media plat­forms by using the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt? The Chal­lengers of the Unknown! It’s my under­stand­ing that this was a left­over con­cept from Kir­by’s ear­li­er part­ner­ship with Joe Simon. As real­ized in the pages of DC’s Show­case #6 (on news­stands in Novem­ber of ’56), the char­ac­ters’ ori­gin might sound a lit­tle famil­iar: four peo­ple attempt­ing an aer­i­al voy­age that end­ed in a crash land­ing which could/should have killed them. But they sur­vived, and came away with a great­ly changed out­look on their lives and their pur­pose mov­ing forward.

The ini­tial install­ments in Show­case were writ­ten by Dave Wood (no rela­tion to Wal­ly Wood). Sales were such that after four install­ments there, the Chal­lengers got their own title by ear­ly 1958. Accord­ing to the cred­its in DC’s Archive Edi­tion reprints, Kir­by actu­al­ly wrote some of the ear­ly scripts in the reg­u­lar title himself.

The strip also fea­tured inks by Wal­ly Wood on many install­ments. Wood was an amaz­ing tal­ent all on his own, and if you’ve nev­er seen Kir­by and Wood paired togeth­er, you might find it hard to imag­ine how it could pos­si­bly work. But it does, and amaz­ing­ly well! It’s like you get the best of both artists: the life, ener­gy and imag­i­na­tion of Kir­by’s pen­cils, with the light­ing and nat­u­ral­ism of Wood’s fin­ish­es. If you’ve nev­er seen their pair­ing, you owe it to your­self to check it out.

Hope you enjoy my salute to Kir­by’s Chal­lengers. And stay tuned!

I Am…

It’s now Day 11 of Howard Simp­son’s online Kir­by Cel­e­bra­tion this month, in hon­or of Kir­by’s birth­day. It’s open to all cre­atives, and you can track what they post on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Groot. Now, some of you are prob­a­bly say­ing, “Hey, wait; that does­n’t look like Groot!” That’s because it’s the orig­i­nal ver­sion of the char­ac­ter as he first appeared in Tales to Aston­ish #13.

At that point in time, pre-Fan­tas­tic Four, Kir­by was bat­ting out many, many mon­sters sto­ries, one after the oth­er, for Mar­vel. Issue after issue, month after month, they had to always come up with new ones. Kir­by was up to the chal­lenge, always find­ing inter­est­ing visu­als for all these monsters.

Groot was just anoth­er among this vast horde, along with mon­sters like Romm­bu, ZZu­tak, Googam Son of Goom, and Fin Fang Foom. Fun, but just a one-off mon­ster, like they pret­ty much all were. Groot was large­ly for­got­ten after the super­heroes took over the spot­light, until the cre­ators behind the reimag­ined Guardians of the Galaxy com­ic in 2008 decid­ed to res­ur­rect him as part of that team, and reimag­ine him. Thanks to the Guardians movies, it’s safe to say he’s a lot bet­ter known now than he ever was before. How­ev­er, it’s still fun to remem­ber how Groot start­ed off.

Enjoy, and feel free to come back tomorrow!

Larger Than Life

It’s now Day 10 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by! Open to all cre­atives, you should be able to find the work being gen­er­at­ed on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Galac­tus. He first appeared in the pages of Fan­tas­tic Four, in prob­a­bly one of the best-loved and remem­bered sto­ries of that book, known by most fans as the Galac­tus trilogy.

The Fan­tas­tic Four car­ried the tag “The World’s Great­est Com­ic Mag­a­zine” on its cov­ers. While it was most­ly Stan Lee play­ful­ly doing pro­mo­tion­al hype, more often than not dur­ing the book’s ini­tial run  by Kir­by and Lee, it was truth in adver­tis­ing. Galac­tus as a char­ac­ter was some­thing very dif­fer­ent. I don’t think any­thing like him had ever been seen before in a super­hero com­ic. Not just a street thug or a reg­u­lar human guy in a super suit, he was more a force of nature, vir­tu­al­ly god­like. He pre­sent­ed a real chal­lenge to the sto­ry­tellers. How can you defeat an antag­o­nist like that?

Sur­pris­ing­ly, I real­ized this is the first time I’ve ever attempt­ed to draw Galac­tus! I’m not gonna lie; it was a lit­tle intim­i­dat­ing to tack­le him. His visu­al, while there are cer­tain con­sis­ten­cies, also fluc­tu­ates a great deal from com­ic to com­ic. Even his col­or­ing seems to change over his appearances!

Any­way, I felt like he came out okay, to my relief. Hope you enjoy it, and hope­ful­ly you might stop in here again tomorrow!

Surfin’ Is the Only Life, the Only Life for me, Now Surf…Surf…

Here’s Day 9 of Howard Simp­son’s month-long online Kir­by Cel­e­bra­tion, dur­ing Kir­by’s birth month of August. Open to all cre­atives, you should be able to find oth­er peo­ple’s work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Sil­ver Surfer, who first appeared in Fan­tas­tic Four dur­ing what may be that book’s best-loved and remem­bered sto­ry­line, the Galac­tus tril­o­gy. He was­n’t any­thing that was in any plot that Stan Lee and Jack Kir­by had dis­cussed, and Stan else­where has acknowl­edged that he was sur­prised when he ini­tial­ly saw the pen­ciled pages to dis­cov­er him. Jack explained that he felt a char­ac­ter as con­cep­tu­al­ly big and god­like as Galac­tus ought to have some kind of her­ald to accom­pa­ny and pre­cede him, hence the Surfer.

Stan was so tak­en with the Surfer, he made him his own, and even­tu­al­ly spun him off into his own title. Not work­ing with Kir­by, but John Busce­ma. It’s a high­ly regard­ed book (and char­ac­ter), but Stan’s con­cep­tion was dif­fer­ent from what Jack orig­i­nal­ly intend­ed. Where Stan had the Surfer pre­vi­ous­ly exist­ing as Nor­rin Rad, who sac­ri­ficed him­self and his iden­ti­ty to save his plan­et, Jack thought of the Surfer as a being who was basi­cal­ly cre­at­ed out of noth­ing, and was learn­ing as he trav­eled. That’s def­i­nite­ly how things read in his ini­tial appear­ance as part of the Galac­tus trilogy.

Any­way, I hope you enjoy my shot at the Surfer. Tune in again tomorrow…

Isn’t It Romantic?

We’re now on Day 8 of Howard Simp­son’s month-long Jack Kir­by cel­e­bra­tion! Open to all cre­atives, you should be able to find the work of par­tic­i­pants on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Tribute.

Today’s prompt is less spe­cif­ic than those we’ve had thus far. It’s “Romance Comics.” If you don’t already know it, you may be sur­prised to hear that the genre of romance comics was cre­at­ed and pio­neered by none oth­er than Joe Simon and Jack Kir­by! So it’s no head-scratch­er that Howard chose this as a prompt. S&K came up with the very first romance com­ic, Young Romance, and sold the con­cept to Crest­wood Pub­li­ca­tions. The com­ic was a huge hit on news­stands, sell­ing 92% of its print run! Of course, sales suc­cess like that breeds imi­ta­tors, which soon fol­lowed from the oth­er pub­lish­ers. But the orig­i­nal S&K sto­ries had a lot more sub­stance going for them, the imi­ta­tors most­ly pale and infe­ri­or in comparison.

My choice to rep­re­sent romance comics was to depict the one char­ac­ter S&K told more than one sto­ry about. Toni Ben­son first appeared in Young Romance #1, in the sto­ry “I Was a Pick-up.” Appar­ent­ly they liked her char­ac­ter well enough that they thought it was worth revis­it­ing her in a sec­ond tale, “The Town and Toni Ben­son,” in Young Romance #10.

I hope you enjoy, and stay tuned!

On the Hunt

It’s now Day 7 of Howard Simp­son’s month-long online Kir­by Cel­e­bra­tion! It’s open to all cre­atives. You should be able to find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Tribute.

Today’s prompt is comics’ orig­i­nal Man­hunter! Cre­at­ed by Joe Simon and Jack Kir­by for DC Comics back in the Gold­en Age. Though DC had Paul Kirk as a non-cos­tumed char­ac­ter pre­vi­ous­ly, Simon and Kir­by rein­vent­ed him as a super­hero. They had the char­ac­ter put his pre­vi­ous skills as a game hunter to work now hunt­ing crim­i­nals (many of which were cre­ative­ly ani­mal-themed). Start­ing in Adven­ture Comics #73 in 1942, S&K did a total of eight install­ments. It was pop­u­lar enough that it con­tin­ued beyond that in oth­er hands for quite awhile, but it was­n’t the same.

Kir­by took a shot at a revived ver­sion of Man­hunter when he returned to DC in the ear­ly ’70s, in a First Issue Spe­cial (Kir­by did a few of those, debut­ing new con­cepts that unfor­tu­nate­ly did­n’t go any further).

DC appar­ent­ly liked the Man­hunter name, because peri­od­i­cal­ly they dust­ed it off and did oth­er things with it. One of the more notable of them tied into Simon and Kir­by’s Paul Kirk Man­hunter: a strip cre­at­ed by Archie Good­win and Walt Simon­son (his first work that put him on the map with most fans). It ran as a back­up sto­ry in Detec­tive Comics, which Good­win was edit­ing at the time. Well worth check­ing out, it’s been col­lect­ed a num­ber of times if you haven’t seen it.

But this is about the S&K Gold­en Age orig­i­nal! Hope you enjoy it. Stay tuned!

Mr. Sandman…

We’re at Day 6 of Howard Simp­son’s month-long Jack Kir­by cel­e­bra­tion online, in hon­or of Jack­’s birth­day. It’s open to all cre­atives, and you should be able to find any posts on your favorite social media plat­form via the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Sand­man and Sandy. Sand­man was actu­al­ly not a Simon and Kir­by cre­ation! Orig­i­nal­ly cre­at­ed by writer Gard­ner Fox and artist Bert Christ­man for DC back in the Gold­en Age, he had more of a pulp char­ac­ter appear­ance, run­ning around in a suit and hat, wear­ing a gas mask and gassing crooks with his gas gun. He pre-dat­ed many oth­er super­heroes, first appear­ing in 1939 in Adven­ture Comics #40 and The New York World’s Fair Comics #1.

By 1941, it was appar­ent­ly felt he was out of step with what was going on with DC’s oth­er char­ac­ters, so Mort Weisinger and artist Paul Nor­ris gave him his new pur­ple and yel­low super­hero togs, and added Sandy as a side­kick. Simon and Kir­by picked up the baton from Weisinger and Nor­ris lat­er that year, most def­i­nite­ly putting their stamp on the char­ac­ter! They dumped the cape that Nor­ris had ini­tial­ly giv­en him (mak­ing him look more like an S&K cre­ation), and played around with sto­ries about sleep and dreaming.

Hope you liked my lit­tle trib­ute to the Simon and Kir­by ver­sion of Sand­man and Sandy, and tune in again tomorrow!

Don’t Try This at Home!

We’ve reached the fifth day of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by! Open to all cre­atives, you can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Simon and Kir­by’s Stunt­man. So far, all the char­ac­ters have been ones cre­at­ed for either DC or Time­ly (Mar­vel). S&K cre­at­ed Stunt­man for Har­vey Comics!

It was a fun con­cept. Along with Fred Drake as Stunt­man, you had looka­like actor Don Dar­ing, who fan­cied him­self some­thing of a detec­tive, but had a way of get­ting in over his head. He offered some com­ic relief in the strip. Mean­while, Fred Drake as Stunt­man han­dled all the real heavy lift­ing in solv­ing the cas­es. And then you also had a roman­tic tri­an­gle with Don Dar­ing’s costar, San­dra Syl­van, who did­n’t know Fred even existed.

The strip was qual­i­ty, like every­thing Simon and Kir­by tack­led, but it came out at a bad time. Post-WWII, there was appar­ent­ly less inter­est in super­heroes, and with all the paper rationing no longer in place, there was a glut of titles on the stands. So the sad thing was that they only got three issues out before the plug had to be pulled.

I tried an idea for my Stunt­man por­trait that I thought might be a lit­tle dif­fer­ent and inter­est­ing, depict­ing him in mid-stunt. Hope you enjoy, and see you again tomorrow!

Guarding the Legion

It’s now Day 4 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by! Open to all cre­atives, you can find the work on all social media plat­forms hash­tagged #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Guardian and the News­boy Legion! They’re anoth­er Simon and Kir­by cre­ation which clicked with fans, run­ning from their debut in Star-Span­gled Comics #7, all the way through issue #64.

The News­boys were a group of orphans who lived in Sui­cide Slum. Offi­cer Jim Harp­er became their legal guardian. Frus­trat­ed with red tape, Harp­er also adopt­ed the iden­ti­ty of the Guardian to fight crime off-duty in more direct ways than he could while on-duty. You can’t see much of it here, but the Guardian had a shield shaped like a badge, which he made very effec­tive use of.

Clock­wise from the Guardian cen­tered at the top are Big Words (in the glass­es), Scrap­per (in the cap), Gab­by, and Tom­my Tompkins.

Hope you enjoy, and maybe we’ll see you again here tomorrow!

Allied against the Axis

We’re at Day 3 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by on social media! Open to all cre­atives, you can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Young Allies. I must admit that once you get out­side of Cap­tain Amer­i­ca, the Human Torch and the Sub-Mariner, I am less famil­iar with the Time­ly char­ac­ters than I am with DC’s Gold­en Age offer­ings. Cre­at­ed ini­tial­ly by Joe Simon and Jack Kir­by, the Allies were a kid gang group that appar­ent­ly first appeared in the pages of Cap­tain Amer­i­ca under the name “the Sen­tinels of Lib­er­ty.” They proved pop­u­lar enough to be spun off into their own title. Simon and Kir­by did­n’t stick around for that long.

The Allies were anoth­er kid group who fought the Axis. Led by Cap­tain Amer­i­ca’s side­kick Bucky and the Human Torch’s side­kick Toro, the rest of the group (from upper left) includ­ed Hen­ry “Tub­by” Tin­kle, (-cringe-) “White­wash” Jones, Jef­fer­son “Jeff” Sandervilt, and Per­ci­val Aloy­sius “Knuck­les” O’Toole.

The Young Allies sto­ries haven’t been reprint­ed very much, and for good rea­son. If you both­er to dig up art­work online (like I had to in order to do this draw­ing), you’ll see why. Poor White­wash is treat­ed in this hor­ri­bly racist way in the strip. Not that the oth­er char­ac­ters appeared to be much more than a col­lec­tion of stereo­types either (the fat kid who’s eat­ing all the time, the tough kid who’s always look­ing for a fight, etc.).

Any­way, I hope you enjoy what I did with them. See you again tomorrow!

Commandos Calling

It’s Day 2 of Howard Simp­son’s cel­e­bra­tion of Jack Kir­by on social media! I explained a lit­tle more about it yes­ter­day. It’s basi­cal­ly open to all cre­atives, and if you want to find out what peo­ple are doing on your favorite social media plat­forms, you can use the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Boy Com­man­dos. They were a Simon and Kir­by cre­ation for DC Comics back in the Gold­en Age, and a big sales suc­cess that last­ed well beyond WWII, run­ning from 1942 all the way to 1949. Simon and Kir­by had a lot of suc­cess with kid gangs. The Com­man­dos were a group of orphans from dif­fer­ent coun­tries who fought the Axis, com­mand­ed by Capt. Rip Carter (upper right cor­ner). At the very bot­tom left cor­ner in the der­by is Brook­lyn (I don’t know if he was ever giv­en a last name), and on his right is Jan Haasan from the Nether­lands. Above them are André Chavard of France on the left, and to André’s right is Alfie Twid­gett from England.

I hope you enjoy, and stay tuned for tomor­row’s drawing!

I Have a Vision!

Long­time vis­i­tors to my site will know that I’m a big Jack Kir­by fan! August hap­pens to be the month Jack Kir­by was born, on the 28th. Real­iz­ing this, Howard Simp­son came up with a great idea: a month-long cel­e­bra­tion of Kir­by and his work online, via social media. I believe it’s open to any cre­atives, and the idea is “the more, the mer­ri­er.” If you want to search them all out and see who’s doing what on your favorite plat­forms, they should be hash­tagged #Kir­b­yArt­Trib­ut­es. I haven’t usu­al­ly done a lot of social media chal­lenges, but I could­n’t pass this up. Strap in; it’s going to be a busy month!

The first prompt is the Gold­en Age ver­sion of the Vision. If most peo­ple are aware of the Vision at all, it’s prob­a­bly Mar­vel’s Sil­ver Age ver­sion of the char­ac­ter. The Gold­en Age ver­sion was pub­lished by Time­ly (the name Mar­vel was known by dur­ing most of the Gold­en Age), and despite some visu­al sim­i­lar­i­ties with the Sil­ver Age ver­sion, he was a dif­fer­ent char­ac­ter. Instead of being an android, this Vision was a super­nat­ur­al being who could trav­el into and out of our world via smoke.

I’ve set cer­tain para­me­ters of my own for my con­tri­bu­tions this month. They’re all going to be for­mat­ted like this, basi­cal­ly por­traits in small squares. I’ve also elect­ed to stick to the lim­it­ed old school col­or palette that com­ic books used on their inte­ri­or pages for many years. There’s a method to my mad­ness that will hope­ful­ly pay off at the end of the month, if I can pull off what I’d like to accomplish.

Hope you enjoy! Stay tuned!

The Captain and the King

If you’ve vis­it­ed my site before, you might know that awhile back I was dubbed the de fac­to “cov­er edi­tor” for FCA (the Faw­cett Col­lec­tors of Amer­i­ca), a “mag­a­zine with­in a mag­a­zine,” appear­ing in Roy Thomas’ Alter Ego (pub­lished by TwoM­or­rows). Occa­sion­al­ly, I actu­al­ly do a cov­er myself (like the one you see here). This time, I not only did the cov­er for this upcom­ing issue, I also wrote the article!

The issue of Alter Ego in ques­tion is focused on comics creator/writer/artist Jack Kir­by. Most of you know that he did work for Mar­vel and DC, and maybe you’re even aware that he did a hand­ful of work for oth­er pub­lish­ers too. But per­haps you don’t know that he also did work for Faw­cett, and fair­ly ear­ly on! That’s what my arti­cle is about. FCA Edi­tor P.C. Hamer­linck knows I’m a big Kir­by fan, so he reached out and asked me if I’d like to write this.

When most peo­ple think of the orig­i­nal Cap­tain Mar­vel, they prob­a­bly recall the work of C.C. Beck (whom I am also a big fan of). But many don’t know that Joe Simon and Jack Kir­by also worked on Cap­tain Mar­vel, and very ear­ly on in his existence.

I go into more detail in the arti­cle, but the short ver­sion is that Faw­cett could see they had some­thing big going on with Cap­tain Mar­vel in Whiz Comics (a title he shared with oth­er char­ac­ters), and they real­ized it would be a real­ly good idea to also have a reg­u­lar ongo­ing solo title fea­tur­ing Cap­tain Mar­vel. Faw­cett’s first stab at this appears to be a book called Spe­cial Edi­tion Comics. They did­n’t do anoth­er one of those, and my guess is that Beck told them he could­n’t do both that and Whiz Comics by him­self sus­tain­ably over the long haul, so they regrouped.

Deter­mined to find a way to make this hap­pen, their next attempt was Cap­tain Mar­vel Adven­tures, and for the first issue, they reached out to the star comics team of Joe Simon and Jack Kir­by. Simon and Kir­by were already work­ing full time for anoth­er pub­lish­er, but they took on this chal­lenge (work­ing after hours) with­out let­ting any­one know about it back on the day job.

The result is some­thing I deal with in the arti­cle, but when it came time for a cov­er for this issue of FCA, I had some thoughts. The real cov­er to Cap­tain Mar­vel Adven­tures #1 strikes me as look­ing odd­ly like an after­thought, as if the edi­tors went, “Whoops! This needs to go to press now, and we for­got to have any­one do a cov­er!” I thought at first that it might be just a pho­to­stat of an exist­ing Cap­tain Mar­vel run­ning fig­ure, but P.C. Hamer­linck was told by Beck him­self that some­one came to him one day in the office, said they need­ed this draw­ing “right now,” and he just did it. The cov­er does­n’t even have a prop­er logo! They just slapped some type­set­ting across the front of it.

So my thought was, “What if instead of being an appar­ent last minute after­thought, they had Kir­by do the cov­er?” One of the sto­ries in par­tic­u­lar seemed to lend itself pret­ty well to the kinds of cov­ers he was draw­ing around this time peri­od, so that’s what I went with. I’ve done draw­ings like Kir­by before (you can find some of them around here on my site). But this cov­er was a real chal­lenge, because in this com­ic, Kir­by and Simon were try­ing hard to do their ver­sion of Beck. So in effect, I had to imi­tate an artist while he was imi­tat­ing anoth­er artist! I’ve nev­er done that before. It was a bit of a brain-bender.

I hope you like the result, and if you’re inter­est­ed in read­ing the whole sto­ry, check out the article! 

“Don’t Try to Con Me!”

Hm. How to explain this? It’s a par­o­dy of the cov­er of X‑Men #4, obvi­ous­ly (with all apolo­gies to Jack Kir­by!). Yes, it’s pret­ty sil­ly stuff. And there’s a rea­son I did it.

Back before I start­ed my ani­ma­tion career, I kin­da thought I was going to make comics my life’s work. I had just fin­ished get­ting as much train­ing at Art Cen­ter as I could afford on my own dime, and set about launch­ing my comics career in earnest. I hon­est­ly don’t remem­ber now exact­ly how we end­ed up cross­ing paths, but I was in con­tact with Don Chin, who was at that time pub­lish­ing comics under the names Par­o­dy Press and Enti­ty Comics. His inde­pen­dent titles were actu­al­ly doing pret­ty decent num­bers. I was­n’t going to get rich doing this work, but every career has to start some­where, right?

As you’d expect from the name, Par­o­dy Press was all about lam­poon­ing exist­ing comics. One of the projects I agreed to do for Don was a par­o­dy of the X‑Men, called X‑Cons. The book had sto­ries from sev­er­al peri­ods in the his­to­ry of the char­ac­ters. I pen­ciled the open­ing chap­ter, fea­tur­ing the debut of the Sil­ver Age ver­sion of the team: Pro­fes­sor Ex, Dum­b­kophs, Beast­ie Boy, the Anglo, Sno-Cone and Jean­nie Okay (AKA Mar­velous Girl).

I did oth­er projects for Don too, but over time the mar­ket for these books began to dry up, until some projects I’d worked on did­n’t even get enough orders to go to press. At that point, I thought maybe I need­ed some­thing that might pay a bit stead­ier, so I put some feel­ers out and wound up get­ting into ani­ma­tion. Fun­ny to think about it now, in this con­text, but my very first job in ani­ma­tion? Char­ac­ter mod­el cleanup on X‑Men: the Ani­mat­ed Series.

Fast-for­ward to recent­ly: Don got back in touch. He told me he wants to do a reprint of the X‑Cons book, with addi­tion­al mate­r­i­al and in col­or this time. He was curi­ous if I might be game to con­tribute some­thing, per­haps a vari­ant cov­er. It hap­pened to be good tim­ing. We talked about it, and you see the result here. Sil­ly, but fun. I did two ver­sions: reg­u­lar, and extra-crispy!

When Don gets his cam­paign up and run­ning for those inter­est­ed in this book, I’ll update and post a link here.

Come Sail Away!

I’m sure many of you out there have heard of Sailor Moon. The inter­est­ing thing is that this char­ac­ter has been around for longer than most peo­ple real­ize. Back in the mid-/late-’70s, Mar­vel Comics licensed the rights to the char­ac­ter, and Jack Kir­by did a com­ic. Col­lec­tors who know about it often have a hard time turn­ing up copies of this book. This is a scan of a pan­el from that rare comic…

…Not buy­ing it? Okay, I con­fess; I just told you a big, fat, stinky lie. Jack Kir­by nev­er drew Sailor Moon (at least, not to my knowl­edge!). This is me. There’s appar­ent­ly this inter­net meme that all the cool kids are doing, where you take this one par­tic­u­lar image of Sailor Moon and draw it in your style. It occurred to me that it might be fun to put a spin on it and do it Jack Kir­by style.

One oth­er con­fes­sion: Sailor Moon is a bit after my time. Grow­ing up, the Japan­ese ani­ma­tion that I got to see on TV were things like Speed Rac­er, Kim­ba the White Lion and (my favorite of these) Tobor the 8th Man (I often get a lot of blank looks when I men­tion that one). Even though I’m prob­a­bly late to this par­ty, I thought it might be fun to get in on this meme.

Black Panther’s First Cartoon Appearance?

Like a lot of peo­ple, I’m look­ing for­ward to the release of Black Pan­ther, the lat­est Mar­vel movie this Fri­day, Feb­ru­ary 16th. This last week­end, I had an email from my first boss when I start­ed work­ing in ani­ma­tion, Lar­ry Hous­ton (whom I also con­sid­er a friend). Lar­ry was the producer/director of the orig­i­nal X‑Men: the Ani­mat­ed Series (as it seems to have become known now). I did char­ac­ter mod­el clean-up on the series, and a fair amount of char­ac­ter design too, along the way.

Lar­ry point­ed my atten­tion to a video on YouTube some­one had assem­bled, of Black Pan­ther’s var­i­ous ani­mat­ed appear­ances. Right up front was his cameo appear­ance on an episode of X‑Men.

That sparked a mem­o­ry. I went back to look, and sure enough: I’d had the priv­i­lege of being the one who got to draw the mod­el for that appear­ance, which I’ve post­ed here! If I’m not mis­tak­en, I think it might well be Black Pan­ther’s first ever appear­ance in a cartoon.

I can’t take cred­it for the idea of putting T’Chal­la in there. It was Lar­ry’s idea. Lar­ry felt very strong­ly (as did the rest of us on the show) that, tak­ing place in the Mar­vel uni­verse, we would like­ly see oth­er Mar­vel char­ac­ters from time to time. Because that was always kind of a Mar­vel Comics trade­mark! Occa­sion­al­ly the pow­ers-that-were got a lit­tle anx­ious over who might hold the rights to var­i­ous char­ac­ters, so some­times things got labeled a lit­tle… dif­fer­ent­ly. In this case, the script we were work­ing on at the time required we show some African mutant refugees, and we felt this was as good a time as any to give T’Chal­la a cameo. Hence, “African Mutant Refugee #3.”

With­in the con­fines of the style of our show, I tried to get some hints of Kir­by in there. Because, why not?

Update – Feb­ru­ary 28, 2018: It’s fun­ny how things work. Aaron Couch, Heat Vision Edi­tor for The Hol­ly­wood Reporter, did an inter­view with Lar­ry Hous­ton about Black Pan­ther and the X‑Men car­toon. Lar­ry point­ed him here to my site, and Aaron want­ed to ask me a ques­tion or two also. The end result wound up part of this arti­cle. Thanks again for your inter­est, Aaron!

Kirby 100, Part 4

This is the fourth and final install­ment in my cel­e­bra­tion of Jack Kir­by’s 100th birth­day this month. Which hap­pens to be today!

Like most of the oth­ers I’ve post­ed, today’s draw­ing came my way years back as a pho­to­copy of Kir­by’s pen­cils, from a sketch­book orig­i­nal­ly done for his wife Roz. It was lat­er repro­duced and pub­lished in book form as Jack Kir­by’s Heroes and Vil­lains. Like the oth­ers I’ve post­ed, this was a draw­ing that looked to me like it might be fun to take a crack at ink­ing it. So I did. And recent­ly col­ored it up for post­ing here.

This char­ac­ter (Ser­si) comes from a com­ic called The Eter­nals, which was one of a hand­ful of titles Kir­by pro­duced dur­ing his last stint at Mar­vel in the mid- to late-’70s. The seeds of this com­ic seem to have come from a very pop­u­lar book around this time by Erich von Däniken, enti­tled Char­i­ots of the Gods?. The book con­jec­tured that alien astro­nauts had vis­it­ed our world in the dis­tant past, and were mis­tak­en­ly thought by us to be gods. It’s easy to see how an idea like this could be fuel for Kir­by’s vivid imag­i­na­tion. Add to it Kir­by’s fas­ci­na­tion with myths and leg­ends, and he cooked up a very enter­tain­ing sce­nario from these ingredients.

Cer­tain sto­ries from Eter­nals still stand out in my mind. The saga of Karkas and the Reject, for exam­ple, which sub­vert­ed the usu­al assump­tions read­ers made about new char­ac­ters based on first impres­sions. Or “The Rus­sians are Com­ing!” in #11, or “The Astro­nauts!” in #13. Even in this lat­er stage of his career, Kir­by still had the goods.

If you caught onto the fact that each of my “Kir­by 100” posts has been in chrono­log­i­cal order of when the char­ac­ter first appeared, give your­self a gold star!

I men­tioned ear­li­er on that Kir­by’s work is very impor­tant to me. He was one of the ear­li­est com­ic book artists whose name and style impact­ed on me, and I was com­pelled to seek out his work. He may not nec­es­sar­i­ly have invent­ed all the “visu­al gram­mar” of draw­ing super­hero comics, but he cer­tain­ly per­fect­ed it! If an artist want­ed to do super­hero comics that had impact, it would have been a mis­take not to learn from Kir­by’s work.

Super­hero comics were not the only kind of mate­r­i­al he did, though. Kir­by worked in almost every genre of Amer­i­can comics, and brought the same inven­tive­ness and dynam­ic ener­gy to what­ev­er he did. He man­aged to cre­ate vital work in every decade, span­ning from the Gold­en Age of comics all the way up into the ’80s.

If for some rea­son you’re not famil­iar with Kir­by, do your­self a favor, and start delv­ing into the work of this tru­ly unique and impor­tant cre­ator! You are in for a treat!

Hap­py 100th, Mr. Kir­by! And a very heart­felt “thank you” for cre­at­ing so many great char­ac­ters and sto­ries that still live and inspire today. You were tru­ly one of a kind!

Kirby 100, Part 3

Wel­come back to anoth­er install­ment, cel­e­brat­ing Jack Kir­by’s 100th birth­day this month!

This time out is Thor. Again, the pen­cil draw­ing came my way years back in the form of a pho­to­copy, and I believe the orig­i­nal source was a sketch­book Jack did for his wife Roz, which ulti­mate­ly saw print as a book enti­tled Jack Kir­by’s Heroes and Vil­lains. It was yet anoth­er Kir­by draw­ing that caught my eye, and looked like it would be fun to try ink­ing. Fresh­ly col­ored for show­ing here.

When I first got to a point where I had suf­fi­cient funds to begin attempt­ing to col­lect more back issues of Kir­by’s Mar­vel work, I tend­ed to not seek out Jour­ney into Mys­tery (where Thor first appeared) or Thor issues. I just did­n’t like the inks as much as I did the inks over Kir­by on his oth­er strips. How­ev­er, as I read more about Kir­by’s work (and espe­cial­ly his Thor work), I real­ized that I was miss­ing out.

Kir­by’s Thor work is sig­nif­i­cant, because in it you see not only a bril­liant comics artist and sto­ry­teller doing a great job. You also see some­thing of Kir­by the man, and his inter­ests. Just as in Fan­tas­tic Four you can see Kir­by’s fas­ci­na­tion with the unknown, what’s out there, in Thor you see Kir­by’s fas­ci­na­tion with myth and leg­end (a touch­stone through­out his career). I feel that while all of Kir­by’s Mar­vel work is great, both Fan­tas­tic Four and Thor are the two main tent posts of his work dur­ing that peri­od which can’t be disregarded.

I tried in col­or­ing this to evoke the kind of col­or palette you see in those old Thor comics. It was fun!

Hap­py Kir­by 100! One more to go, if I can man­age it.

Kirby 100, Part 2

We’re back for anoth­er install­ment, cel­e­brat­ing Jack Kir­by’s 100th birth­day this month!

This time out, it’s the Chal­lengers of the Unknown. The pen­cils for this draw­ing came into my hands years back as a pho­to­copy. I believe the orig­i­nal came from a sketch­book Kir­by filled for his wife Roz, which saw print (in un-inked form) as a book enti­tled Jack Kir­by’s Heroes and Vil­lains. It looked like it would be fun to take a crack at ink­ing this draw­ing, so I did. And just recent­ly col­ored it for its appear­ance here.

There are a num­ber of inkers who got the oppor­tu­ni­ty to han­dle Kir­by’s pen­cils over the years. I like a num­ber of them for dif­fer­ent rea­sons (though if forced to, I could name a favorite). In the case of Chal­lengers, this strip is one of the rare instances of of Kir­by being inked by Wal­ly Wood. If you haven’t seen the pair­ing before, it’s kind of hard to imag­ine, but you’re in for a treat. Wal­ly Wood was a great artist in his own right, and the com­bi­na­tion of Kir­by and Wood on Chal­lengers (also on the syn­di­cat­ed news­pa­per strip Sky Mas­ters of the Space Force) plays to both artists’ strengths. Check it out, if you get the chance.

Chal­lengers is also sig­nif­i­cant in that it’s also pos­si­ble to view the strip as a dry run for the Fan­tas­tic Four: both are teams of four who go off on a flight at great risk, some­how sur­vive it, then in the wake of that expe­ri­ence, decide that it’s their call­ing to look into the unknown. There’s even an ear­ly Chal­lengers sto­ry where one mem­ber devel­ops flame pow­ers briefly!

There’s more to come, before the end of the month.

Hap­py Kir­by 100th!

Kirby 100, Part 1

This month would be Jack Kir­by’s 100th birth­day, and though things have been busy for me late­ly, I’m going to try to post some things this month by way of celebrating.

Most vis­i­tors here like­ly already know who Jack Kir­by is. I don’t think it’s pos­si­ble to over­state his impor­tance as a comics artist and cre­ator. So many of the char­ac­ters we’ve been enjoy­ing in the Mar­vel films, more often than not, Kir­by either co-cre­at­ed them or flat-out cre­at­ed them himself.

But you can find all that his­to­ry else­where. The point I want to make here is that Kir­by’s work mat­tered a great deal to me per­son­al­ly. I believe he was the one of the first com­ic book artists who I came to rec­og­nize by his name and his work. When I first came across it, it was pow­er­ful. It was, to my think­ing, comics the way they should be.

I went through a phase in high school where I was try­ing very hard to draw like Jack Kir­by. Not the most uncom­mon thing among fan artists back then, but (this is the embar­rass­ing part) my rea­son­ing was that at some point Mr. Kir­by would retire, and there need­ed to be some­one to pick up the baton. I thought (in my naiveté) maybe that should be me. As I said, it’s embar­rass­ing to admit, but I was young, and this shows how impor­tant I tru­ly felt his work was.

Of course, I grew out of this phase of think­ing I need­ed to be the next Jack Kir­by (A change I’m sure Jack would approve of). But there are still valu­able artis­tic lessons I picked up from study­ing his work that I can see in my work even today.

An expla­na­tion of this piece: years back now, a pho­to­copy of a Jack Kir­by Red Skull sketch came into my hands. Dat­ed 1970, as my trac­ing over his sig­na­ture indi­cates. It was clos­er to a lay­out than the full pen­cils we usu­al­ly see, but some­thing about it spoke to me, com­pelled me to take a crack at ink­ing it. I col­ored it for its appear­ance here.

I’ll be back soon with anoth­er piece.

Hap­py Kir­by 100!

Hey, Mister!

Long­time vis­i­tors to this blog might know that I was a reg­u­lar con­trib­u­tor to Big Bang Comics back in the day. I had lots of fun being a part of that! On his blog over on the Big Bang Comics site, Big Bang co-founder Gary Carl­son has been writ­ing an arti­cle about each issue that came out, in pub­li­ca­tion order. He just made it up to #8, which end­ed up fea­tur­ing a char­ac­ter named Mis­ter U.S. (co-cre­at­ed by writer Nat Gertler and I). You can read all about it here.

Just so there’s some­thing to look at here, I’ve put up a col­or guide I did for one of the vari­ant cov­ers. Back in those days, I was­n’t using Pho­to­shop yet, so this was all done using mark­ers and water­col­ors, then mark­ing up the page with the CMYK col­or for­mu­lae I want­ed for each col­or. Aside from that, between Gary and Nat, they’ve cov­ered the rest of the sto­ry pret­ty well, and I don’t want to spoil any­thing here. But it’s worth check­ing out, if you’re curi­ous about the “secret ori­gin” of this issue and how it came to be.

 

20 Years

Kirby WatchmenIt’s come to my atten­tion that today marks 20 years since the pass­ing of Jack Kir­by. That brings a lot of things to mind.

I know where I was when I got the word. I’d start­ed a new career, work­ing in ani­ma­tion, and was not quite into my first full year at it. I was work­ing at Graz Enter­tain­ment on X‑Men, for my first boss in the busi­ness (who I also con­sid­er a men­tor and friend), Lar­ry Hous­ton. In those pre-inter­net days, Lar­ry was the one who first got word, and passed it to us. Obvi­ous­ly, for those of us on the crew who knew and loved Kirby’s work, our minds and our con­ver­sa­tion were occu­pied the rest of the day.

When I got home, I had a sud­den com­pul­sion to go to the long­box­es, and pull out every com­ic I had that Jack Kir­by had worked on. Then I sur­veyed what was left. There were a lot of big holes! I could have gone even fur­ther and pulled out all the titles that he’d had a hand in cre­at­ing, and that would’ve left an even big­ger hole. There would prob­a­bly be few­er comics in the box­es than out of them.

Jack has most def­i­nite­ly left his mark on comics, whether peo­ple want to see it or not. And he’s left behind a great lega­cy of work in all kinds of gen­res that we can still enjoy today. I can say he cer­tain­ly enriched my life with his work.

RIP, Mr. Kir­by. Your work lives on.

“Doc Bruce Banner, Belted by Gamma Rays…”

I was talk­ing with a good friend recent­ly, and he raised a ques­tion. “How come you aren’t draw­ing more of those clas­sic Mar­vel or DC char­ac­ters for your site? You real­ly should be doing more of that stuff.” I had to think about that. There’s real­ly no good rea­son why I haven’t, because I do love that mate­r­i­al. Maybe it’s just one of those things where you’re so close to it, you can’t see it. Or maybe it’s because there are just so many oth­er things I also want to do. Any­way, this post is an attempt to start rec­ti­fy­ing the situation.

It seemed like it might be fun to take a shot at the Hulk. Sur­pris­ing­ly, I haven’t real­ly drawn him all that often. Hulk’s been around awhile. He’s achieved that rar­efied stra­ta of comics char­ac­ters where even many non-comics-read­ers know who he is (thanks to the recent movies, the TV show, and even the Hulk episodes of the “Mar­vel Super Heroes” car­toons back in the ’60s).

There’ve been a num­ber of takes on the Hulk over the years, but if you’ve vis­it­ed my site much, it prob­a­bly won’t sur­prise you to find out that I grav­i­tate towards the ear­ly ver­sion of the char­ac­ter, as visu­al­ized by Jack Kir­by. There’s just some­thing very fun and pri­mal about that Hulk. He felt more like a wild card, unpre­dictable and mon­strous (appro­pri­ate, giv­en all the mon­ster comics Mar­vel was pub­lish­ing not too long before). I thought I’d try to cap­ture some of that ear­ly wild­ness, with­out nec­es­sar­i­ly com­plete­ly aping Kir­by. While it can be a lot of fun to do that, it seemed like a good idea to try to keep a lit­tle more of myself in there this time.

A big thanks to my friend Mark for sug­gest­ing I expand my horizons!

Before “Before Watchmen”

The image I’m post­ing this time is not a new one (it’s already over in the Gal­leries side of my site), but I’ve had some friends make the case that with DC Comics doing all their “Before Watch­men” books right now, it’s a good time to call atten­tion to it anew here on the front page.

There’s a sto­ry behind this piece. A friend of mine in the ani­ma­tion field, Lance Falk, has these sketch­books he pass­es around. They have art by some amaz­ing artists. Chances are if you can think of some big name artist, Lance very like­ly has art by him or her in one of his books. Way back when we were work­ing on “The Real Adven­tures of Jon­ny Quest” togeth­er, Lance asked if I’d be will­ing to do a sketch for his then-cur­rent book. It’s both huge­ly flat­ter­ing and daunt­ing, once you see the lev­el of work oth­ers have done.

Lance sug­gest­ed he might like to see the Watch­men done as if Kir­by had drawn them. I wound up mak­ing a whole cov­er pro­duc­tion out of it, as if it were done in the mid-’60s. Lance was very hap­py with the end result, and I was huge­ly relieved that it was well-received.

Fast for­ward some months lat­er (maybe even a year), and I find out that this sketch­book had been cir­cu­lat­ing fur­ther. It had crossed orig­i­nal Watch­men artist and co-cre­ator Dave Gib­bons’ path in Lon­don. When I first heard he’d seen the book with my draw­ing in it, I must admit I was tak­en aback. But Lance assured me that Mr. Gib­bons actu­al­ly got a big kick out of what I’d done. Once again, I was huge­ly relieved.

Fast for­ward to more recent times, and the pub­li­ca­tion of Mr. Gib­bons’ book, Watch­ing the Watch­men, which com­piled all kinds of back­ground mate­r­i­al on that piv­otal work. He appar­ent­ly liked this Kir­by Watch­men cov­er well enough, he asked me if I’d mind his includ­ing it in the book. What do you think I said? 🙂

Thanks much, Lance and Mr. Gibbons!

The Ultimate Comic Strip

I see this mon­th’s zip­ping by, and as busy as I am, I’m just not at a point where I can post any­thing cur­rent and new yet. So instead of that, here’s some­thing old that might be of interest.

This was done while I attend­ed Art Cen­ter in Pasade­na, back in the ear­ly ’90s. Some of the specifics are lost to time now, but I had an illus­tra­tion class at the time, and for our final, we were to do a self-por­trait. The para­me­ters of the assign­ment and how you could inter­pret it were wide open.

I was­n’t sure what to do, how to approach it, and was wrack­ing my brains. Until one of my friends in the class made the off­hand com­ment, “Oh, you’ll just do yours as a com­ic, right?” It was one of those fore­head-slap­ping moments. I was too close to it to see the solu­tion myself, though it was the obvi­ous way to go in the eyes of my friends in the class who knew my inter­est in comics.

And this was the result. Though I think I draw a bit bet­ter now (I did this twen­ty years ago now?! Yeesh!), I still kind of like this. I think most artists can relate, at some point or anoth­er. Any­way, enjoy! I hope to have some new cur­rent work to post next time.