The Hand of Doom!

Day 16 of Jack Kir­by Trib­ute Month 2025, focused on the Fan­tas­tic Four and relat­ed char­ac­ters. We’ve moved from allies and sup­port­ing char­ac­ters into the rogues’ gallery. And the first prompt is none oth­er than Dr. Doom!

He’s arguably the FF’s arch­neme­sis. Vic­tor Von Doom has a per­son­al his­to­ry with Reed Richards, going back to when they met in col­lege when Doom was there as an exchange stu­dent. His mind rivals Reed’s (though in his arro­gance, Doom would be insult­ed if it was sug­gest­ed in his pres­ence that any­one even came close to being his equal!). He is a mega­lo­ma­ni­ac and per­fec­tion­ist, who can­not tol­er­ate the slight­est flaw. This is part of why he stays masked almost all the time.

The FF had a num­ber of adven­tures dur­ing Jack and Stan’s run where they went up against Doom. And over time, Kir­by gave him­self more artis­tic license to get expres­sive with Doom’s iron mask in show­ing his emo­tions. At times, the imagery could get quite chilling!

I drew Dr. Doom for last year’s Jack Kir­by Trib­ute Month too, and if you like, you can check that out here.

That’s our first vil­lain! Tune in tomor­row to see who comes next!

2 thoughts on “The Hand of Doom!”

  1. The hand of Doom touch­es the Earth. No doubt to per­pe­trate an injus­tice of some wild sort and for some self-serv­ing rea­son. Your take on the Doom­ster this year is even more flaunt­ing­ly impe­ri­ous than ever, par­tic­u­lar­ly since his hand cov­ers a por­tion of moth­er Earth. I can see the next pan­el image of Doom squeez­ing the Earth as that area turns into dust, as his eyes reveal his plea­sure in doing so. Wow. I don’t want to be near that scene. Thanks Mark.

    1. It’s great that my one image could cre­ate that nar­ra­tive moment in your head. Real­ly, that’s what com­ic art is about. Even when doing a sin­gle image like a cov­er, ide­al­ly most of the time, an artist depicts a moment that has a nar­ra­tive feel to it, get­ting the read­er to fill in the blanks in their own mind, and com­pelling them to snap up a copy and buy it off the spin­ner rack (back in the days when comics were everywhere).

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