Monthly Archives: October 2012

Frankenstein and Dracula

What? These weren’t the guys you were expecting? đź™‚

Appar­ent­ly back in the mid/late-’60s, some­one at Dell Comics thought it would be a good idea to take some of the clas­sic mon­sters and re-imag­ine them as super­heroes. There had been a sort of resur­gence of inter­est in the old Uni­ver­sal Mon­sters, due to their expo­sure to a new gen­er­a­tion on TV. You cou­ple that with a burst of inter­est around that time in super­heroes from a pop/camp per­spec­tive (thanks to the Bat­man TV show), and you can see the reasoning.

I’ve nev­er actu­al­ly come across one of these books to be able check them out for myself. My aware­ness of them is very lim­it­ed, gleaned only from their occa­sion­al men­tions in places like Roy Thomas’ Alter Ego mag­a­zine, or on var­i­ous blogs or comics sites.

Then why am I draw­ing these char­ac­ters? I guess there’s a fun sense of wonk­i­ness to the whole thing that kind of appeals to me. Sort of like watch­ing Plan 9 from Out­er Space. I thought it would be a kick to just take a crack at these guys and see what it might wind up look­ing like.

Hap­py Halloween!

Zita’s Back!

If you’ve checked in on my site from time to time, you may have seen my post­ing about the graph­ic nov­el Zita the Space­girl last year. My last com­ment on the sub­ject then (direct­ed at author Ben Hatke) was “…I hope you have plans for more Zita in the future.” Thank­ful­ly, the future is now!

I’m a lit­tle late men­tion­ing it, but Leg­ends of Zita the Space­girl (book #2 in the series now) came out last month. Based on the first book, Ben set my expec­ta­tions pret­ty high for this new one. And he did not dis­ap­point! Pret­ty much all the things I said last time hold true of this new book too. I don’t want to just repeat myself, but I would like to make some fur­ther obser­va­tions about Ben’s work here. The book also spurred some thoughts about comics in gen­er­al, which fit this discussion.

I’d men­tioned before how much charm Ben Hatke’s art­work has. There’s a nice, organ­ic loose­ness to his approach. He is unapolo­get­i­cal­ly a car­toon­ist (and I don’t under­stand why in some fan quar­ters, “car­toony” is a pejo­ra­tive. Per­son­al­ly, I’ve always grav­i­tat­ed towards artists who are strong styl­ists). I had­n’t made this asso­ci­a­tion pre­vi­ous­ly, but this time out I real­ized his work was remind­ing me a lit­tle bit of the com­ic Mars by Hempel and Wheat­ley, pub­lished back in the ’80s. While I can’t go so far as to pro­claim Hempel and Wheat­ley’s Mars was an influ­ence on Ben, it seems like visu­al­ly he’s com­ing from a sim­i­lar place. Or per­haps they have some influ­ences in com­mon. Whether there’s any con­nec­tion or not, in both cas­es, the visu­al approach allows for a much wider and more imag­i­na­tive range of char­ac­ters and sit­u­a­tions than per­haps a more real­is­tic take would allow.

And the uni­verse Ben has cre­at­ed for Zita is quite imag­i­na­tive! Lots of strange crea­tures and wild con­cepts going on in this book. With­out giv­ing any­thing away, there are a cou­ple of ideas in there that I think would even do Jack Kir­by proud.

Anoth­er thing I was more con­scious of this time is the fact that Ben is not afraid to do whole sequences with­out any dia­logue or cap­tions. He’s will­ing to let his art­work car­ry the whole bur­den of telling the sto­ry at points, through the action, facial expres­sions and pos­es. I think that’s great, and real­ly kind of brave. Doing a book like this (even as writer/artist), I imag­ine there’s a temp­ta­tion to fall back more on the words to car­ry the weight of your sto­ry. While it might be more of a chal­lenge, it can be much more sat­is­fy­ing in some ways if you can get as much as pos­si­ble of the sto­ry across using just your visu­als. The bot­tom line is that comics is a visu­al medi­um. It is quite pos­si­ble to do a com­ic with no words (in fact, it’s been done sev­er­al times over the years). But it’s not pos­si­ble to do a com­ic with­out pictures.

There’s been a lot of debate in recent years about there not being enough comics that are appro­pri­ate for kids. Often the way peo­ple attempt to address that is to do spe­cif­ic “kids’ comics.” In my opin­ion, that’s a risky way to go. The poten­tial pit­fall in that approach is that there can be a temp­ta­tion dumb things down, and talk down to the kids. Kids aren’t stu­pid. If you think back to when you were a kid, you knew it when peo­ple were talk­ing down to you, and I’ll bet you did­n’t like it any more then than you do now. Per­son­al­ly, I believe the bet­ter approach is to attempt to do “all-ages” comics that work on mul­ti­ple lev­els at once. Bring­ing this back on-top­ic, the Zita books are a good exam­ple of that. A younger read­er will appre­ci­ate them on one lev­el, while old­er read­ers will find themes and aspects that res­onate with them on a whole oth­er lev­el. Much like the best chil­dren’s lit­er­a­ture has always done.

I guess I should talk a lit­tle about the illustration(s) I did to accom­pa­ny this arti­cle (since this site’s sup­posed to be about me draw­ing!). This image is kind of riff­ing off some visu­als and sit­u­a­tions in the book. I don’t want to say too much about the plot and spoil any­thing. But I thought it would be fun to take the poster idea from the book and real­ly do it up, like a full-blown silkscreened poster (inspired by the work of Strongstuff, AKA Tom Whalen).

Any­way, if you like real­ly good all-ages comics, I rec­om­mend you get your hands on this one. If you haven’t already picked up the first vol­ume, Zita the Space­girl, get ’em both!