This is another one you can file under “ideas that popped into my head and wouldn’t go away until I did them.”
I alluded in my previous post to having to look at a lot of Superman material while helping out with a recent Big Bang Comics project. In the course of doing that, this idea occurred to me: the Golden Age Superman going up against Cthulhu. And it wouldn’t let go.
Finally, I had to do it. It’s not the first time I’ve tried to draw this version of Superman. You can see it not only in the art I did as a kid (which I included with the previous post linked above), I also took a shot at him just prior to DC’s “New 52” era. So I’ve always had a soft spot for that version of the character.
To put the Golden Age Superman up against Cthulhu, I’m having to bend reality a bit in order to make it happen. In the real world at this point in time, Superman’s opponents were still basically regular non-powered humans. They all were pretty much “one and done.” In the real Action Comics #13, they made their first attempt at introducing a recurring villain, the Ultra-Humanite (though he was not yet in the later albino gorilla form most fans are familiar with). At that point, he was just a very smart old bald guy in a wheelchair. I think they were going for a character who might serve as Superman’s Moriarty, his brains against Superman’s brawn.
I’m not sure why Siegel and Shuster hadn’t yet put Superman up against a super-villain at this point. I guess they were still feeling their way, figuring out the rules as they went along. After all, Superman was the first of his superpowered kind, blazing the trail for a host of other heroes. Messrs. S&S did take a crack at that kind of weird cosmic horror in one of their earlier strips, Dr. Occult, and Siegel made use of it also in the Spectre. Clearly they were aware of that pulp genre, and were even fans of it to some extent. So maybe in another world, they might have thought to pit Superman against Cthulhu.
Also in the real world, Action #13 wasn’t published with an October 1939 cover date. It came out earlier. I just liked the conceit of the 13th issue coming out in October. Call it artistic license.
You might find the version of Cthulhu here a little different from what you’re used to. I elected to ignore any later (post-1930’s) depictions, and stuck with a couple of sketches I found done by H.P. Lovecraft himself in 1934. I figure something like that is most likely what Shuster would’ve had access to. A lot of modern interpretations like to give Cthulhu two eyes and brow ridges, but I liked how the six eyes Lovecraft drew him with made him weirder and less human-looking.
Hope you enjoyed it, and thanks for stopping by!
I have to wonder what effect the murder of Jerry Siegel’s father had in his early Superman stories in terms of the sorts of villains that appeared? As to Cthulhu, there is no greater malevolence. Always lurking, ready to enter your existence. That ending seems to hardly be connected to any particular behavior of the victim. This is an another example of what will happen next in the chronology of the story. Can Superman take on that sort “animal” of possibly a greater dimension than we live?
Very clever on your part to mash up the two perspectives of human choice may I dare, taking action even in hopeless situations or as opposed to laying down and rolling over.
I appreciate your efforts at historical accuracy of the art. And the it’s timely fitting to the present.
Each of us viewing your cover Mark can now walk away and create our stories. The teacher, that would be you, has given us tag line with which to work. Thanks.
Writer Brad Meltzer once raised the point about Siegel’s father being shot, and then him later going on to create a character who was a bulletproof man. I’m sure that conscious or not, things you’ve experienced, learned or seen like that affect you. Just like there are other fairly profound concepts bound up in Superman that I’m not sure Siegel and Shuster were fully aware of, which other writers have delved into pointing out.
Glad you like the cover. At the end of the day, I’m just trying to entertain, get people musing about how a story like this might go in their own head.
Thanks, I must say, and entertain you do. I am going to search for the Meltzer comment. Fascinating stuff regarding the creation of a bullet proof character. Interesting to note in this link that Meltzer was the first to go directly to the family to find out what actually happened. I am going to drop the link in for anyone else who might not know of the Meltzer search. But once again, only Lovecraft and now you can capture the interior horror personified in this case by Lois. And you successfully inspired me to muse. Thanks. https://bradmeltzer.com/Books/The-Book-of-Lies
I should’ve remembered the comment was in connection with that book. Funny enough, I did illustrations for it! Brad Meltzer was looking for someone who could do a series of illustrations in Joe Shuster’s style which would be part of the story, and a friend pointed him my way. I’ve got one of the panels I did posted on the Galleries portion of my site here: https://marklewisdraws.com/galleries/Miscellaneous/Panel-2-final_Web
Sweet! I found a copy of the book and look forward to reading it and now for more than the story.
Enjoy! Brad was a nice guy to work with, and afterwards he bought all the originals from me.