Getting Blitzed

Ear­li­er this year, I was post­ing a num­ber of fake comics cov­ers I’d done for Big Bang Comics’ “His­to­ry Issues” (#24 and #27) that I had new­ly col­ored. Since then, some oth­ers turned up that I did­n’t pre­vi­ous­ly have copies of the fin­ished inks for, which gave me the oppor­tu­ni­ty to final­ly col­or them too. And giv­en that they’re doing #Big­Bang­To­ber again this year, and today’s prompt is Big Bang’s speed­ster, the Blitz, it seemed a good time to post this (final­ly) col­ored ver­sion of the cov­er I drew for All-Blitz #21. It’s a twofer, in that you also get the intro­duc­tion of Speed Queen!

This orig­i­nal­ly appeared (small, in black and white) on pg. 27 of Big Bang Comics #27, AKA “The Big Bang His­to­ry of Comics 2.” The pen­cils, let­ter­ing (and now col­or­ing) are mine. Because of how the con­trib­u­tors were list­ed (and how many years lat­er this is), I’m not entire­ly sure who inked this. Per­haps it was Ed Quin­by? I know he inked one or two oth­er fake cov­ers I did for this project.

As I think I men­tioned before, to do these His­to­ry issues, Gary Carl­son need­ed a WHOLE bunch of cov­ers gen­er­at­ed, so all of us artists had a lot of lat­i­tude to cre­ate stuff. On this one, I was think­ing of how much fun some of those old com­ic cov­ers were when they debuted a new super­heroine, and the name “Speed Queen” popped into my head for a char­ac­ter. Seemed like some­thing they would’ve done back then.

I had also pen­ciled a cou­ple oth­er Gold­en Age Blitz cov­ers, and if good copies of the fin­ished inks for those ever turn up, I’ll prob­a­bly col­or them too. For now: hope you enjoyed this one!

2 thoughts on “Getting Blitzed

  1. Joe musich

    Thanks Mark. I love the white back­ground cov­ers for the con­trast. The duo real­ly stands out. And Speed Queen jump­ing through the paper-cov­ered hoop like a lion is exquis­ite­ly ren­dered. Crash Big Bang Wahoo!

    Reply
    1. Mark Post author

      Thanks! Yeah, I con­sid­ered putting some kind of col­or or gra­di­ent in the back­ground, but noth­ing felt right except to just leave it white. White back­grounds on cov­ers have his­tor­i­cal­ly been done pret­ty spar­ing­ly, but on those occa­sions when it was the right call, it does make things pop.

      Reply

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