Tag Archives: Bronze Age

Don’t Be so Angry!

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Today makes day 15 of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. If you’ve been fol­low­ing along, you know the theme this week is the D.N.Aliens from the DNA Project and the Evil Fac­to­ry, as seen in Jack­’s run on Jim­my Olsen. And the prompt for today is Angry Charlie.

Angry Char­lie was a prod­uct and sur­vivor of the Evil Fac­to­ry, but not real­ly bad in him­self. He was more of a chaos agent, act­ing in unpre­dictable ways. His appear­ance was weird and a lit­tle off­putting, yet some­how also man­ag­ing to be kind of cute, in a way. The News­boy Legion (espe­cial­ly Gab­by) kind of adopt­ed him as a pet. Angry Char­lie had an odd propen­si­ty to snack on fur­ni­ture on occasion.

This isn’t the first time I’ve drawn Angry Char­lie! Last year’s Jack Kir­by Trib­ute Month had a prompt for Kir­by’s mon­sters, and out of all the crea­tures I could’ve done, I chose to draw Char­lie. Guess I have a bit of a soft spot for him.

Hope you enjoy, and that you tune in again tomor­row to see the next D.N.Alien!

Takes All Kinds

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Here’s day 14 of of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the month of Jack Kir­by’s birth. The theme this week is the D.N.Aliens of the DNA Project and the Evil Fac­to­ry in Jim­my Olsen. And today’s prompt is Arin, the Armored Man.

Arin only appeared in one short tale, part of a few one-shot extras Jack did under the umbrel­la title, “Tales of the DNA Project.” Arin was cre­at­ed by the Project to be able to live and thrive in the vac­u­um of space. He had with him a red back­pack that…well, I don’t want to spoil the sto­ry for those who haven’t read it. We only get to see him for three pages in Jim­my Olsen #146, so who knows what comes next?

Arin seems to be metal­lic in nature, but he appears dif­fer­ent from the kind of shiny met­al com­pos­ing char­ac­ters like the Sil­ver Surfer. I tried to get that sense here too.

I hope you enjoy my take, and feel free to tune in tomor­row for anoth­er D.N.Alien!

 

Two and Two Is…

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It’s now day 13 of the sec­ond annu­al Jack Kir­by Trib­ute Month, and we’re in the midst of a week themed for the D.N.Aliens from Jack­’s time on Jim­my Olsen. Today’s prompt is the Four-Armed Ter­ror, anoth­er char­ac­ter I’ve nev­er tried to draw before.

The Ter­ror was part of a batch of D.N.Aliens cooked up in secret by the Evil Fac­to­ry to wreak hav­oc on their oppo­site, the DNA Project. Feed­ing on radioac­tive ener­gy, the Four-Armed Ter­ror and his sib­lings came dan­ger­ous­ly close to end­ing the Project in a nuclear fire­ball! But Super­man saved the day at the last moment.

To be hon­est, the Ter­ror was a bit of a chal­lenge to draw. His appear­ance did­n’t seem to be com­plete­ly locked down, and the inks by Vince Col­let­ta did­n’t real­ly help in that regard either. So hope­ful­ly this com­bines enough of what I saw in all those pan­els to work.

Tune in again tomor­row for anoth­er D.N.Alien!

Think of a Number Between One and Ten…

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On day 12 of the sec­ond annu­al Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son), this week’s theme is the D.N.Aliens from Jack­’s time on Jim­my Olsen. Today’s char­ac­ter prompt is Dubbilex.

Dub­bilex was one of the D.N.Aliens from the gov­ern­men­t’s secret DNA Project, intro­duced in Jim­my Olsen. Though per­haps some­what off­putting at first glance, Dub­bilex was actu­al­ly quite friend­ly and intel­li­gent. Though cre­at­ed at the Project, he worked along­side the sci­en­tists, help­ing with research. He was the face of the Project, intro­duced to any vis­it­ing dig­ni­taries who were allowed through their doors. Lat­er in Jack­’s run, Dub­bilex was shown to have devel­oped Telekine­sis too.

I’d nev­er drawn Dub­bilex before (or most of the oth­er char­ac­ters that are prompts for this week). He was fun to take a shot at. Hope you like my take, and that you come back tomor­row to see the next D.N.Alien!

Jolly and Green

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We’re at Day 11 of the sec­ond annu­al Jack Kir­by Trib­ute Month, start­ing the sec­ond full week of the month. A new week means a new over­all theme: D.N.Aliens (from the DNA Project and the Evil Fac­to­ry in Jim­my Olsen). Today’s prompt is the Giant Jim­my Olsen.

When Jack Kir­by decid­ed it was time to leave Mar­vel for green­er pas­tures and jumped over to DC, it was a Big Deal! Report­ed­ly, Jack was offered his pick of any DC book he want­ed. Jack though was very much a work­ing man at heart; while he was an artist, he was also very con­scious of the fact he was work­ing hard to pro­vide for his fam­i­ly as best he could. And he was mind­ful that oth­er artists were in the same boat, so he was ret­i­cent to get any­one boot­ed from a reg­u­lar assign­ment that helped to pay their bills. As a result, when offered his choice of any book in the DC line, Jack said, “Give me your worst-sell­ing title,” since he would­n’t be putting any­one out of work by doing that. This is how Jim­my Olsen (of all books) wound up being an inte­gral part of Jack­’s Fourth World Saga at DC.

I’m sure that any reg­u­lar Jim­my Olsen fans’ heads were prob­a­bly spin­ning, over all the wild, crazy action and con­cepts Jack threw at them. DNA? Cloning? The Hairies? The Moun­tain of Judg­ment? In some ways, Jack was prob­a­bly a bit too far ahead of his time for DC, or for most read­ers then. It was­n’t until years lat­er that sub­se­quent Super­man cre­ative staff seemed to final­ly catch up with Jack and revis­it­ed some of his concepts.

Even before Jack took on the book though, there was some­thing of a tra­di­tion of Jim­my Olsen under­go­ing strange changes or trans­for­ma­tions from time to time (look up Giant Tur­tle Boy, for exam­ple). Bring­ing DNA into the sto­ry­telling mix allowed Jack to put a fresh spin on this idea. The Giant Jim­my Olsen was genet­i­cal­ly engi­neered from DNA sam­ples tak­en from Jim­my by the Evil Fac­to­ry. He was cre­at­ed to break into the DNA Project , kill Super­man and destroy the Project.

I don’t know if Jack was respon­si­ble for his col­oration, but some­one must have amused them­selves by col­or­ing Giant Jim­my green, which gave him some­thing in com­mon with a cer­tain big, strong, rag­ing (ahem!) Incred­i­ble char­ac­ter at anoth­er company.

Hope you enjoy, and tune in again tomor­row to see the next D.N.Alien!

Buncha Dingbats!

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We’re at day three of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son! The week’s theme (at least for the three days that fall into August) has been char­ac­ters cre­at­ed by Jack who appeared in DC’s 1st Issue Spe­cial. Today’s prompt is the Ding­bats of Dan­ger Street! From left to right up top are Good Looks, Krunch, and Bananas. At low­er right is Non-Fat.

As men­tioned pre­vi­ous­ly, I nev­er saw any copies of 1st Issue Spe­cial on the spin­ner rack when it was first pub­lished, but lay­ing hands on copies years lat­er did­n’t prove to be too cost­ly. Appear­ing in 1st Issue Spe­cial #6, the Ding­bats is kind of a quirky strip. You get to see Jack­’s sense of humor, but there’s also a bit of an edge to it too, the sense things are dangerous.

Jack and Joe Simon were the pio­neers of the “kid gang” genre in the Gold­en Age, find­ing fun and dra­ma in pulling togeth­er dis­parate per­son­al­i­ties who might rub each oth­er the wrong way on occa­sion, but ulti­mate­ly had each oth­er’s backs. They came up with the Young Allies, Boy Com­man­dos, the News­boy Legion, the Boy Explor­ers, and Boys’ Ranch (maybe oth­ers that I’m not think­ing of at the moment). So this was Jack­’s lat­er attempt at anoth­er group in that vein. Maybe there’s a bit of the Bow­ery Boys in there, or maybe it’s just Jack­’s own expe­ri­ence of grow­ing up in a tough neighborhood.

Though DC only pub­lished the one sto­ry, there were at least two more issues of Ding­bats Jack drew, which were ulti­mate­ly “writ­ten off.” If you want to see those (in col­or, no less!), I high­ly rec­om­mend get­ting your­self a copy of TwoM­or­rows’ Ding­bat Love, which final­ly brings to light a lot of mate­r­i­al Jack did for DC in those days that pre­vi­ous­ly nev­er got to see the light of day.

If you’ve seen the one pub­lished issue, you might at first think, “He col­ored Non-Fat wrong!” Nope! DC got it wrong in the orig­i­nal com­ic! Jack intend­ed that Non-Fat be African-Amer­i­can. There’s even a draw­ing he did of the cast where there are brief descrip­tive notes for each char­ac­ter, and next to Non-Fat, Jack wrote, “Non-Fat is an eager beaver Black kid.” Appar­ent­ly the col­orist who han­dled that issue of 1st Issue Spe­cial did­n’t get that memo!

Like with the oth­er 1st Issue Spe­cial char­ac­ters, this is the first time I ever tried to draw these guys. Hope you enjoy! Stay tuned for tomor­row, and a new theme!

He Always Gets His Man…or at Least He Did that One Time

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This is day two of the online sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by artist Howard Simp­son. Like last year, I intend to try to par­tic­i­pate in the fun, and see if I can’t hit each day’s prompt.

As men­tioned yes­ter­day this (short) week’s theme is the three issues of DC’s 1st Issue Spe­cial that fea­tured cre­ations by Jack. Today’s prompt is the ver­sion of Man­hunter that appeared in 1st Issue Spe­cial #5.

This is a dif­fer­ent take on Man­hunter from what Jack and his part­ner Joe Simon had done back in the Gold­en Age, and was also dis­tinct from the crit­i­cal­ly acclaimed ver­sion Archie Good­win and Walt Simon­son had done a cou­ple years ear­li­er as a reg­u­lar back­up strip in Detec­tive Comics. I don’t want to spoil any­thing for those who haven’t yet had a chance to read Jack­’s ver­sion here by say­ing too much, even this many years removed. But I found this take to have sort of a clas­sic, pulpy inspi­ra­tion that I enjoyed. If this had gone on to a series, I would’ve been along for the ride, to see where Jack would’ve tak­en it.

Like I men­tioned yes­ter­day, though I nev­er saw this title on the spin­ner rack when it orig­i­nal­ly came out, I found it not too expen­sive when I went look­ing for it sev­er­al years later.

I’d nev­er tried to draw this ver­sion of Man­hunter, so it was fun to do that. I did­n’t men­tion this yes­ter­day, but some­thing I’m try­ing to do with all of these this time out is to cre­ate some sense of nar­ra­tive, the feel­ing that each of these might be a moment from the midst of a sto­ry. I did some of that last year, but I want to try to con­scious­ly do more of it this year.

Stay tuned for tomorrow’s!

Carrying the Weight of the World

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It’s August, and that means it’s also the sec­ond annu­al Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son). Basi­cal­ly there are char­ac­ter prompts for each day. I par­tic­i­pat­ed in this last year (you can find what I did here on the site), and I’m going to try and do them all again this year.

A new wrin­kle for this year’s Kir­by Trib­ute Month is that each week has a spe­cif­ic theme. There are only three days that fall with­in August this first week, and the theme is Kir­by’s issues of DC’s 1st Issue Spe­cial. Today’s prompt is Atlas, who appeared in 1st Issue Spe­cial #1.

I nev­er saw this com­ic on the spin­ner rack back when it came out, but like most of the oth­er issues of this title, it was­n’t too cost­ly to buy when I final­ly came across a copy years lat­er. Atlas is set in an ancient time, seem­ing­ly before writ­ten his­to­ry, and to me feels a bit like Jack­’s take on a Conan the Bar­bar­ian type of char­ac­ter. Like the vast major­i­ty of Jack­’s work, you get to the end of that issue, and it feels like there’s a lot of poten­tial, if he had been giv­en the green light to con­tin­ue the story.

I’d nev­er tried to draw Atlas before, so it was fun to do this! Hope you enjoy, and stay tuned for tomor­row’s entry!

Oblivious

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Fake comic cover for Big Bang Comics' Venus #198, with the character Olivia featured on the cover.As has no doubt become clear, I did a lot of fake cov­ers for “The Big Bang His­to­ry of Comics” issues. This one end­ed up being espe­cial­ly fun, for rea­sons you’ll under­stand when I explain who did what.

This cov­er is for the most part my work. I pen­ciled it, let­tered it, and now col­ored it. The inks? By none oth­er than (drum­roll please) Mr. Mike Roy­er him­self! He was Kir­by’s best inker in the ’70s, no ques­tion in my mind. I still kind of can’t believe this hap­pened. More about that in a minute.

Oblivia came about because I was think­ing of those odd char­ac­ters like the Black Rac­er who would sud­den­ly pop up ran­dom­ly out of nowhere in the midst of Jack­’s Fourth World saga at DC. I start­ed think­ing about what Joe Kingler (Big Bang Comics’ equiv­a­lent for Jack) might have done in the con­text of work­ing on Venus, and the name “Oblivia” popped into my head. It seemed to me very much the sort of “play on words” name that Jack often used. So a Venus cov­er fea­tur­ing her did­n’t at all seem out of line.

When I pen­ciled this cov­er, I had no clue who might end up ink­ing it. I prob­a­bly would­n’t have gone ahead and let­tered it if I had known. So when Big Bang’s Gary Carl­son raised a few pos­si­bil­i­ties for inkers, Mike Roy­er being one of them, it was the no-brain­er of all no-brain­ers to say, “Yes!”

I actu­al­ly had the oppor­tu­ni­ty to pick up the fin­ished cov­er in per­son, and was thrilled with the end result. I got to spend a very fun Sun­day after­noon hang­ing out at Mr. Roy­er’s home, con­vers­ing and hear­ing a lot of great sto­ries about his time in comics, work­ing for Dis­ney doing licens­ing art, plus oth­er top­ics. Again, thanks so much, Mr. Royer!

In col­or­ing this, I heav­i­ly ref­er­enced the way all those Fourth World cov­ers at DC were col­ored. That guid­ed me to go in some direc­tions I prob­a­bly would­n’t have gone if I were just col­or­ing this nor­mal­ly on my own (like knock­ing the gang­sters out all in green), but it helped to real­ly get across the right peri­od look.

Thanks for looking!

Member of the Inker Tribe

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Years ago, I thought my life’s career was going to be in comics. My way in appeared to be through ink­ing. To that end, I did what all aspir­ing inkers look­ing to get into comics did at the time: I got my hands on pho­to­copies of pen­ciled pages, then inked them either on vel­lum, or by light-box­ing them onto bris­tol board. While recent­ly dig­ging through some old work, I redis­cov­ered this ink­ing sam­ple that I had total­ly for­got­ten about!

I had gen­er­at­ed a num­ber of ink­ing sam­ples work­ing over sev­er­al dif­fer­ent artists in those days. But for some rea­son, I don’t believe I ever includ­ed this when I sent out copies look­ing for work. Reap­prais­ing it all these years lat­er, it’s bet­ter than some of the oth­er sam­ples I did back then, so I’m not sure why I did­n’t use it. You might rec­og­nize the pho­to­copied lay­out as the work of Jim Star­lin, done for Mar­vel Comics’ War­lock #11 (pg. 14 of the sto­ry). It’s a good, clear lay­out. Pret­ty much all the info you would need as an inker to car­ry it to a fin­ish is there. There are even some sug­ges­tions about lighting.

When I did my inks, I did­n’t have a copy of the fin­ished com­ic to look at. And real­ly, that would’ve defeat­ed the pur­pose, see­ing how the art­work had actu­al­ly been fin­ished. Edi­tors and art direc­tors were look­ing to see how you approach ink­ing, not your pro­cess­ing of some­one else’s inks. And keep in mind, in those days, there was no inter­net where you could go to grab reference.

For post­ing here, I thought it might be fun to also sort of “re-mas­ter” the page, add the speech bal­loons and col­or it, based on how the page appeared in the com­ic. I guess that makes it both some­thing old and some­thing new.

Hope you enjoy!