Tag Archives: Marvel Comics

Stretching the Point

We’re at Day Eight of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the King in his birth month. A new ele­ment this year is each week hav­ing a theme, this week’s being the Fan­tas­tic Four. If you’ve been fol­low­ing along the pre­vi­ous days, you might be able to guess today’s prompt: Mr. Fantastic.

Reed Richards as Mr. Fan­tas­tic is the bril­liant scientist/inventor and leader of the FF. A fun aspect of the orig­i­nal Jack and Stan run on Fan­tas­tic Four were those scenes where Reed was inten­sive­ly work­ing in his lab over some wild Kir­by-designed piece of equip­ment. I kind of had that in mind when doing this drawing.

If you’ve seen the orig­i­nal run by Jack and Stan, you might rec­og­nize that the way Jack drew Reed kind of mor­phed over the time he was doing the book. Mr. Fan­tas­tic start­ed off a bit thin­ner in the face ini­tial­ly, but got a lit­tle more “robust” lat­er on. I ref­er­enced how Reed looked dur­ing the mid­dle issues of the run here, which many con­sid­er to be the prime peri­od for the book.

The week’s theme is not over! Hav­ing cov­ered the FF them­selves, tune in tomor­row to see who’s up next.

Ever-Lovin’ Blue-Eyed

We’ve reached the sev­enth day of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. A cool new aspect he’s intro­duced is themed weeks, where each day’s prompts fit with­in that theme.

If you’ve been fol­low­ing along, this week’s theme is the Fan­tas­tic Four. Today’s prompt is the Thing.

Ben Grimm as the Thing is a char­ac­ter who might appear fair­ly sim­ple and straight­for­ward on the sur­face, but if you’ve read the orig­i­nal run by Jack and Stan, you real­ize there’s more to him than meets the eye. He can be fun­ny, but there’s also under­ly­ing pain and regret, being stuck in this mon­strous form. Lat­er cre­ators have some­times lost that aspect, focus­ing more on the comedic elements.

The Thing is not an easy char­ac­ter to draw! I had a bit of a strug­gle here before I felt like I had it rea­son­ably correct.

Hope you approve. Tune in tomor­row to see who’s next!

He Thinks He’s Hot Stuff!

It’s Day Six of the sec­ond annu­al Jack Kir­by Trib­ute Month, we’re in the midst of Fan­tas­tic Four week, and today’s prompt is the Human Torch.

In his ini­tial appear­ances, he was per­haps a bit too form­less. Jack quick­ly fig­ured this out, and cod­i­fied what we now think of as his clas­sic look. From time to time, some sub­se­quent artists have tried to get cre­ative and find oth­er ways to draw him, but some­how he does­n’t look like him­self when you get too far removed from the tem­plate Jack set.

As men­tioned ear­li­er, I’m try­ing to get some sense of nar­ra­tive into these shots. Where exact­ly is he? Some­place unusu­al, no doubt. Feels like a sto­ry there.

Hope you like what I’ve done here. Tune in tomor­row if you’d like to see who’s up next!

Now You See Her,…

By now you know I’m par­tic­i­pat­ing in the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to mark the month of Jack­’s birth (he would turn 107 lat­er this month if he were still with us).

The new thing Howard’s intro­duced this year is weeks that have an over­all theme to each day’s prompts, and this week’s theme is the Fan­tas­tic Four. I did a group shot yes­ter­day, and today’s prompt (the first of the indi­vid­ual shots) is the Invis­i­ble Woman.

At first, her only pow­er was to turn invis­i­ble. But I think Jack and Stan real­ized pret­ty quick­ly that this did­n’t quite give her enough to ful­ly hold her own with the rest of the group. So they had her devel­op an addi­tion­al pow­er: the abil­i­ty to cre­ate force fields. That did the trick.

Sue Storm was orig­i­nal­ly known as the Invis­i­ble Girl, and it was­n’t until John Byrne’s run on Fan­tas­tic Four in the ’80s (sec­ond best in my opin­ion only to Jack and Stan’s orig­i­nal run!) that she was re-chris­tened the Invis­i­ble Woman. Byrne came up with some of the most cre­ative uses for her pow­ers that had ever been seen, and man­aged to show once and for all that she was a force to be reck­oned with!

Hope you like, and feel free to come back tomor­row to see who’s up next!

Fantastic!

Here’s Day Four of the sec­ond annu­al Jack Kir­by Trib­ute Month, and begin­ning the first full week of August means we also have a new theme this week: the Fan­tas­tic Four. And the first prompt is…the Fan­tas­tic Four?!

Since we also have sep­a­rate prompts for each indi­vid­ual char­ac­ter com­ing up, I thought I might do a “before and after” thing, today being the “before” part of the equa­tion. This was a moment with a lot of dra­ma in their ori­gin sto­ry, so I went with it. I always thought it was cool how Jack chose to ren­der the cos­mic rays as these sort of “lozenge” shapes. Kind of not all that threat­en­ing in them­selves indi­v­d­u­al­ly, but fear­ful because they’re an unknown, and there are so many of them!

I ful­ly admit to appro­pri­at­ing the col­or scheme used in the orig­i­nal ver­sion, because why not? I thought it looked great, and it also kind of reminds me of the almost “pop art” col­or­ing approach used in Alex Ross’ Fan­tas­tic Four: Full Cir­cle (which in my opin­ion is the best ver­sion of these char­ac­ters that I’ve seen in years!).

A note about the FF: while pret­ty much any Mar­vel book Jack had a hand in is worth a look, there are two absolute­ly essen­tial titles he did at Mar­vel that I feel are the tent­posts of his work there, which have to be tak­en into account when apprais­ing that body of work. In them, you see not just an artist and sto­ry­teller work­ing at the height of his craft, but you also get to see some­thing of the man him­self and his inter­ests. Fan­tas­tic Four is one of those books. In it, you get to see Jack­’s fas­ci­na­tion with sci fi, the unknown, and with what might be out there. It’s a theme that runs through much of his work, and we got to see a bit of it pre­vi­ous­ly in Chal­lengers of the Unknown at DC.

I did say two titles, so I’m not going to hold you in sus­pense wait­ing days to hear the sec­ond one. It’s Jour­ney into Mystery/Thor. That’s where you see Jack­’s ongo­ing fas­ci­na­tion with myths and leg­ends, which runs through­out his career.

So who’s first up when we move to the indi­vid­ual mem­bers tomor­row? I’m not going to spoil that. You’ll just have to check in and see!

The Supreme Allied Commando!

Here’s anoth­er fake cov­er I drew for Big Bang’s His­to­ry issues. Not only fresh­ly col­ored, but also inked for the first time! A lot of fake cov­ers need­ed to be gen­er­at­ed for those issues, and there was­n’t time to ink them all. Since they were being print­ed pret­ty small, it was okay if some of them were in pen­cils, as long as they were fair­ly clean and tight.

Gary Carl­son had incor­po­rat­ed into the Badge’s back sto­ry that at a cer­tain point dur­ing WWII, he took up anoth­er name for a time and changed his uni­form accord­ing­ly, going into action as the Supreme Allied Com­man­do. I think this is the first time he’s appeared in col­or in this garb.

Ini­tial­ly when I first tack­led design­ing the Badge, I took my inspi­ra­tion from the heroes Simon and Kir­by cre­at­ed for DC (prob­a­bly the Guardian espe­cial­ly). For this ver­sion, I looked back at what they had been doing with Cap­tain Amer­i­ca, of course.

While Cap­tain Amer­i­ca was a patri­ot­ic super­hero (the prime one peo­ple think of from WWII), I real­ized awhile back that Simon and Kir­by’s Cap sto­ries also had some­thing else going on. There was a def­i­nite influ­ence from the “weird men­ace” pulp genre, with the kind of foes they went up against. It was even on the cov­ers, with the mad sci­en­tists per­form­ing unspeak­able exper­i­ments, evil hench­men, deformed mon­sters, and odd men in hood­ed robes who would some­times throw axes. Strange­ly, I’ve rarely heard any­one else call­ing atten­tion to that influence.

That’s why all those things are present here. I even came up with names for the two main bad guys that I jot­ted down on the out­side bor­der of my cov­er: Dr. Von Mungler and his hench­man Oggar.

Enjoy! And with the tim­ing of this post­ing, I wish you a Hap­py Inde­pen­dence Day!

Venus Vs. Cupid

Fake comics cover for Big Bang Comics' Venus #169, with Ares looming in the backgroundI’m adding anoth­er to the group of fake cov­ers I had a hand in cre­at­ing some­time back for “The Big Bang His­to­ry of Comics” issues of Big Bang Comics. Cred­its on this one take a lit­tle expla­na­tion. Pen­cils were by Frank Squil­lace, inks and let­ter­ing by me. Frank did a col­or comp on a pho­to­copy with mark­ers, which I marked up with col­or for­mu­la call­outs to cre­ate a col­orist guide.

This cov­er end­ed up being repur­posed as an actu­al Big Bang cov­er for issue #34, with dif­fer­ent trade dress. For that instance, I believe some­one at Image actu­al­ly gen­er­at­ed the col­or file used to print it, based on the col­or guide we’d pro­vid­ed. I don’t think I actu­al­ly did that one myself in Pho­to­shop, because after much search­ing, I don’t seem to have a file for it. Which means the ver­sion you see here has been total­ly recol­ored by me from scratch in Pho­to­shop, ref­er­enc­ing the col­or guide. I tweaked the ren­der­ing in a few spots to plus what was in the print­ed ver­sion a lit­tle bit, so a sharp eye might spot some of those differences.

I sus­pect most vis­i­tors will imme­di­ate­ly real­ize that Frank and I were shoot­ing for a Jack Kir­by style here. I always thought of Big Bang as sort of “comics his­to­ry through a fun­house mir­ror.” It’s known that when Jack Kir­by jumped from Mar­vel to DC, they offered him any book he want­ed. Jack was­n’t com­fort­able with putting any­one out of work, so he said, “give me your least-sell­ing book.” That’s how Jim­my Olsen end­ed up as part of Jack­’s Fourth World Saga at DC. Any­one who’s stud­ied Jack­’s work knows he had a life­long fas­ci­na­tion with myths and leg­ends. So I thought, what if instead of Jim­my Olsen, Jack had tak­en on Won­der Woman? In Big Bang terms, that would’ve trans­lat­ed to Joe Kingler (Big Bang’s Kir­by equiv­a­lent) tak­ing on the char­ac­ter Venus.

This is the first time this has appeared in col­or with the orig­i­nal Venus mast­head. Hope you enjoy it!

Behind the Badge Again

Fake Comic Cover for Red Hot Comics #17, with Big Bang Comics' the Badge and His RookiesI explained last time how, when Big Bang Comics did a cou­ple issues focused on the fic­ti­tious his­to­ry of the com­pa­ny (mim­ic­k­ing Ster­anko’s His­to­ry of Comics vol­umes), they need­ed a whole bunch of fake cov­ers to pull it off and make it all feel believ­able. Here’s anoth­er one from the bunch I generated.

I drew this back then, inked (I believe) by Jeff Mey­er. And now for the first time, appear­ing in col­or! It’s fun to final­ly see this real­ized in this form, after hav­ing it exist only in black and white for all these years.

I’m not exact­ly sure where the idea for this cov­er came from. Per­haps I was think­ing about Simon & Kir­by’s kick-off run of Cap­tain Amer­i­ca, which seemed to draw a lot of inspi­ra­tion from the “weird men­ace” genre of pulps (an ingre­di­ent I’m sur­prised that most peo­ple don’t seem to pick up on). I kin­da wish I could read “The Vam­pire of Var­ney Street!”

I had fun doing this. Hope you enjoy it!

Member of the Inker Tribe

Years ago, I thought my life’s career was going to be in comics. My way in appeared to be through ink­ing. To that end, I did what all aspir­ing inkers look­ing to get into comics did at the time: I got my hands on pho­to­copies of pen­ciled pages, then inked them either on vel­lum, or by light-box­ing them onto bris­tol board. While recent­ly dig­ging through some old work, I redis­cov­ered this ink­ing sam­ple that I had total­ly for­got­ten about!

I had gen­er­at­ed a num­ber of ink­ing sam­ples work­ing over sev­er­al dif­fer­ent artists in those days. But for some rea­son, I don’t believe I ever includ­ed this when I sent out copies look­ing for work. Reap­prais­ing it all these years lat­er, it’s bet­ter than some of the oth­er sam­ples I did back then, so I’m not sure why I did­n’t use it. You might rec­og­nize the pho­to­copied lay­out as the work of Jim Star­lin, done for Mar­vel Comics’ War­lock #11 (pg. 14 of the sto­ry). It’s a good, clear lay­out. Pret­ty much all the info you would need as an inker to car­ry it to a fin­ish is there. There are even some sug­ges­tions about lighting.

When I did my inks, I did­n’t have a copy of the fin­ished com­ic to look at. And real­ly, that would’ve defeat­ed the pur­pose, see­ing how the art­work had actu­al­ly been fin­ished. Edi­tors and art direc­tors were look­ing to see how you approach ink­ing, not your pro­cess­ing of some­one else’s inks. And keep in mind, in those days, there was no inter­net where you could go to grab reference.

For post­ing here, I thought it might be fun to also sort of “re-mas­ter” the page, add the speech bal­loons and col­or it, based on how the page appeared in the com­ic. I guess that makes it both some­thing old and some­thing new.

Hope you enjoy!

Monkey Business

Lancelot Link cover based on Steranko's Nick Fury, Agent of S.H.IE.L.D #6 cover.Hm. How best to explain this thing?

Peri­od­i­cal­ly online, you see that age-old ques­tion pop up again: “Where do ideas come from?” Just speak­ing for myself, they can strike at very odd times. This one hit me as I was dri­ving up I‑5 one day to go vis­it a friend. Just, “boom,” there it was in my brain. And as I’ve men­tioned before, some­times an idea will just lodge itself in my brain, and I can’t get it out unless I actu­al­ly do it. So here it is.

Some of you will know that Lancelot Link, Secret Chimp was a live action Sat­ur­day morn­ing show where they put a bunch of chim­panzees in cos­tumes and filmed them. I think I read some­where that they gave them food or some kind of chew­ing gum to get their mouths mov­ing, and then the voice actors would lat­er dub in their parts, try­ing to get some sem­blance of lip sync. I’m pret­ty sure it’s not exact­ly a show you could do today, for a num­ber of reasons.

Many will also real­ize that this is a re-cre­ation/rein­ter­pre­ta­tion of the cov­er of Nick Fury, Agent of S.H.I.E.L.D. #6, by Jim Ster­anko. Apolo­gies to Mr. Ster­anko, whom I have noth­ing but respect for, but I had to get this out of my brain!

It’s a Gold Key cov­er, and not Mar­vel, because Gold Key was the com­pa­ny who held pret­ty much all the comics licens­es to all the Sat­ur­day morn­ing shows at this point. They actu­al­ly pub­lished Lancelot Link comics back then. Those who’ve seen the show might be won­der­ing, “What’s with the red hair? He did­n’t have that on TV.” The artists drew him that way in the com­ic (I’m guess­ing to make him more visu­al­ly iden­ti­fi­able among all the oth­er chimps in the sto­ries), so I fol­lowed their lead.

This image end­ed up being a lot more com­pli­cat­ed to exe­cute than I had orig­i­nal­ly envi­sioned in my mind. Some­times I think I must have some kind of a masochis­tic streak as an artist. Often I’ll get deep in the midst of things like this, find it more com­plex and involved than I expect­ed, and think, “Why do I always do this to myself?” I’m sure I can’t be the only artist who does this.

Hope you enjoy my silli­ness here!