Category Archives: Animation

Ani­ma­tion-relat­ed work.

Harvey Girls Forever! Part 6

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So I talked a bit about work­ing on this show in my ear­li­er five posts about it (which should be eas­i­ly find­able here on the site). The last two sea­sons are now on Net­flix, which means I can final­ly show my sto­ry­board revi­sion work from those episodes!

As I men­tioned before, my work kind of has an unin­ten­tion­al “tell.” You can usu­al­ly spot it by the “non-pho­to blue” under­draw­ing, unless the direc­tor chose to remove it. I’m only includ­ing a sam­ple of this new work here with this post. You can find even more in the Har­vey Girls For­ev­er! sec­tion of my Sto­ry­board Revi­sion port­fo­lio, on the Gal­leries side of my site.

One fun aspect of these last two sea­sons was that we got to bring Richie Rich (“The Poor Lit­tle Rich Boy”) into the show, as part of our reg­u­lar cast. With Richie’s resources, that opened up a whole lot more sto­ry pos­si­bil­i­ties, and things got even wilder!

It was a real priv­i­lege to be select­ed to work on this project, as one of the first revi­sion­ists they hired. The ini­tial draw for me was get­ting to revis­it these char­ac­ters I remem­bered from Har­vey Comics, in a form that was slight­ly updat­ed for mod­ern audi­ences. But as with any­thing in ani­ma­tion, that’s only part of what makes for a good expe­ri­ence on a show. I also got to meet and work with some very tal­ent­ed folks, all of whom brought a lit­tle of them­selves to the project. They all had a part in mak­ing this show the unique and spe­cial project it was.

Much love and respect always, fel­low Har­vey Kids!

“What Have I Done??”

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So back when I first start­ed this site, I had in mind cre­at­ing a tra­di­tion of doing Franken­stein-relat­ed art for Hal­loween, when I had time. It’s been awhile since I did one. So here you go!

Mil­ton the Mon­ster is one of those car­toons from my child­hood that I’ve always looked back on fond­ly. Cer­tain car­toon prop­er­ties are well-remem­bered and seem to come back for revivals every so often. Mil­ton is one of those car­toons that seems to have slid into obscu­ri­ty, unfor­tu­nate­ly. Most car­toon fans either don’t remem­ber it, or have nev­er heard of it.

For those who don’t know about the show, the con­cep­t’s right there in the show’s theme song! Take a look. I had­n’t watched the show in a long time, so doing this cov­er was an excuse to watch some episodes and refresh my mem­o­ry. Yes, it’s def­i­nite­ly lim­it­ed TV ani­ma­tion, and the jokes can get a lit­tle corn­ball, but I still get a kick out of it. If some­one were to actu­al­ly do a revival of this show, it would be a blast to be involved!

Search­ing for actu­al char­ac­ter mod­els to draw from, I could­n’t find any. I have a sense that TV ani­ma­tion in the ’60s some­times had a much broad­er inter­pre­ta­tion of “on-mod­el” than what it does now, or even when I start­ed work­ing in ani­ma­tion in the ear­ly ’90s. It’s sur­pris­ing to see how much the look of the char­ac­ters on this show can fluc­tu­ate from episode to episode, depend­ing on the animator.

And of course, this had to be a Gold Key cov­er. They actu­al­ly did pub­lish one issue of a Mil­ton the Mon­ster com­ic back in the mid-’60s. If you were a kid in the ’60s and want­ed to buy a com­ic book fea­tur­ing your favorite ani­mat­ed character(s), Gold Key had the rights pret­ty much sewn up to all of them!

Any­way, I hope you enjoy this. And Hap­py Halloween!

Harvey Girls Forever! Part 5

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The day is final­ly here! Net­flix has released sea­son 2 of Har­vey Girls For­ev­er! (for­mer­ly known as Har­vey Street Kids). The kids are run­ning around loose and free!

I’ve been wait­ing to be able to post some of my board revi­sion work on the show. Due to respect­ing  the NDA (Non-Dis­clo­sure Agree­ment) I orig­i­nal­ly signed, I was unable to post any of this work until the sea­son came out and I got clear­ance to post some of it. Which I just received today! I am very hap­py to be able to final­ly post this work!

I’m only post­ing a few scenes here up front. There’s a lot more of them to see over in the Sto­ry­board Revi­sion Port­fo­lio on the Gal­leries side of my site here.

My board revi­sion work kind of has an unin­ten­tion­al “tell.” You can usu­al­ly spot it by the “non-pho­to” blue under­draw­ing (unless the direc­tor chose to remove it). I fig­ure hav­ing that there does­n’t hurt, because it shows the ani­ma­tors what the thought process was behind the draw­ing, and that maybe it might even make for bet­ter animation.

I was the first revi­sion­ist hired on Har­vey Girls, and I got to do a lot of fun, goofy, cre­ative stuff. Despite some of the bumps in the road along the way (every show has them), it was a priv­i­lege to be a part of this series. I got to work along­side a whole bunch of real tal­ent­ed and cre­ative folk…some of whom I had worked with on a pre­vi­ous series, oth­ers who I met for the first time on this show.

Much love and respect always, to Bren­dan, Ali­ki and all my fel­low Har­vey Kids on the crew! I’m proud of the work we did (and glad I can final­ly post some of mine)!

Harvey Girls Forever! Part 4

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Here’s install­ment #4, of my countdown/celebration of the return of Har­vey Girls For­ev­er! to Net­flix, this Fri­day May 10th!

Today’s Post-It draw­ings are a pen­cil draw­ing of the Bow, and Tiny dressed up as Frankenstein.

Unlike the oth­er draw­ings I’ve been post­ing, this draw­ing of the Bow seemed like it should stay in pen­cil. It seemed to give it a bit of the feel­ing of an engrav­ing some­how, or an Edward Gorey drawing.

And Tiny, always want­i­ng to be taller, is of course wear­ing a Franken­stein cos­tume. Specif­i­cal­ly, it’s based on Dick Briefer­’s comedic take that he did for a bit back in the Gold­en Age of comics. I did­n’t mess up the draw­ing on the mask; that’s how he drew the nose, way up high like that! I kind of talked a bit about Briefer­’s Franken­stein here.

That’s it for these Post-It draw­ings. If things go accord­ing to plan, I should be able to post some of my board revi­sion work from Har­vey Girls For­ev­er! tomor­row at some point.

Harvey Girls Forever! Part 3

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Wel­come back to our countdown/celebration! Har­vey Girls For­ev­er! starts a new sea­son this Fri­day, May 10th, on Net­flix! I’ve been putting up Post-It draw­ings I did dur­ing breaks, while I was on the show.

Two for you today! Audrey as Furiosa, and Tiny as Shaft.

Audrey was always fun to draw on the show. It took me no time at all to fig­ure out who she was: that kid who was total­ly impul­sive and ener­getic, fun to be around…and prob­a­bly would get you into some trou­ble. But you’d sure have fun while doing it!

And Tiny was a lot of fun too, for dif­fer­ent rea­sons. He was the kid who was a lit­tle small­er than every­one else, and could­n’t wait to be big. Despite his size though, he already had a big heart. Seemed like fun to have him cos­play­ing as Shaft (though most like­ly his par­ents would­n’t have let him see that movie yet).

Tune in tomor­row for anoth­er installment!

Harvey Girls Forever! Part 2

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Wel­come back to my lit­tle countdown/celebration of the return of Har­vey Girls For­ev­er!, return­ing to Net­flix this Fri­day, May 10th!

Here’s anoth­er Post-It draw­ing, done dur­ing a break on the show. As I men­tioned yes­ter­day, Post-It draw­ings like this are a fun way of tak­ing ideas that lodge them­selves in your brain and clear­ing them out by get­ting them on paper.

This time it’s the Bow! The Bow was always some­thing of a crew favorite. I guess it was some­thing to do with the fact she’s the type of per­son who march­es to her own beat, and does­n’t care what any­one else thinks.

Reg­u­lar vis­i­tors to my site might recall that I’ve done a play on the OBEY stick­ers before, but the Bow sort of seemed to loan her­self to this too.

Thanks for tun­ing in! More to come tomorrow.

Harvey Girls Forever! Part 1

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So com­ing up this Fri­day, May 10th, Net­flix debuts the next sea­son of Har­vey Street Kids, now re-titled Har­vey Girls For­ev­er! By way of celebrating/counting down, I thought it might be fun to post some of the Post-It draw­ings I did of some of the char­ac­ters dur­ing breaks.

It’s been awhile since I put up any Post-It draw­ings. I’ve prob­a­bly felt too com­pelled to have to always put up fin­ished work here. Post-It draw­ings like this used to be a lot more com­mon sight when ani­ma­tion stu­dios still worked on paper. It’s not as com­mon now, but our sto­ry­board revi­sions crew had some­thing of a wall of Post-It draw­ings like this going while we were on the show. Kind of a fun way to get goofy ideas out of your head by get­ting them onto paper.

Just Dot today. If you’ve watched the show, the idea of her cos­play­ing as Spock makes a lot of sense.

Stay tuned! More to come tomorrow.

“This Is the Dawning of the Age of the Croods…”

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So it occurs to me it’s been awhile since I post­ed any of my sto­ry­board revi­sion work. As I’ve said before, the dif­fi­cul­ty with that kind of work is that you’re gen­er­al­ly just adding bits and pieces here and there. But I’ve got a cou­ple sam­ples of scenes from the show Dawn of the Croods that I worked on for Dream­Works. You can kind of spot my work by the non-pho­to blue underdrawing.

One of the things that I’ve found over my time in ani­ma­tion is that every so often you have those projects that stand out…in a good way! They are spe­cial. You have a blast work­ing on them and real­ize, “Ohh! This is why I got into ani­ma­tion!” Dawn of the Croods was one of those for me!

Part of it was def­i­nite­ly the mate­r­i­al. It was so much fun get­ting to do some of the out­right goofy things we did. I loved mak­ing con­tri­bu­tions to the char­ac­ters’ act­ing. But the oth­er part of it was the peo­ple. We had a real­ly great bunch of peo­ple on that show! It was such a good expe­ri­ence, all the way around.

To my Croods Croo: all the best! Love and respect always,

Mark

Black Panther’s First Cartoon Appearance?

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Like a lot of peo­ple, I’m look­ing for­ward to the release of Black Pan­ther, the lat­est Mar­vel movie this Fri­day, Feb­ru­ary 16th. This last week­end, I had an email from my first boss when I start­ed work­ing in ani­ma­tion, Lar­ry Hous­ton (whom I also con­sid­er a friend). Lar­ry was the producer/director of the orig­i­nal X‑Men: the Ani­mat­ed Series (as it seems to have become known now). I did char­ac­ter mod­el clean-up on the series, and a fair amount of char­ac­ter design too, along the way.

Lar­ry point­ed my atten­tion to a video on YouTube some­one had assem­bled, of Black Pan­ther’s var­i­ous ani­mat­ed appear­ances. Right up front was his cameo appear­ance on an episode of X‑Men.

That sparked a mem­o­ry. I went back to look, and sure enough: I’d had the priv­i­lege of being the one who got to draw the mod­el for that appear­ance, which I’ve post­ed here! If I’m not mis­tak­en, I think it might well be Black Pan­ther’s first ever appear­ance in a cartoon.

I can’t take cred­it for the idea of putting T’Chal­la in there. It was Lar­ry’s idea. Lar­ry felt very strong­ly (as did the rest of us on the show) that, tak­ing place in the Mar­vel uni­verse, we would like­ly see oth­er Mar­vel char­ac­ters from time to time. Because that was always kind of a Mar­vel Comics trade­mark! Occa­sion­al­ly the pow­ers-that-were got a lit­tle anx­ious over who might hold the rights to var­i­ous char­ac­ters, so some­times things got labeled a lit­tle… dif­fer­ent­ly. In this case, the script we were work­ing on at the time required we show some African mutant refugees, and we felt this was as good a time as any to give T’Chal­la a cameo. Hence, “African Mutant Refugee #3.”

With­in the con­fines of the style of our show, I tried to get some hints of Kir­by in there. Because, why not?

Update – Feb­ru­ary 28, 2018: It’s fun­ny how things work. Aaron Couch, Heat Vision Edi­tor for The Hol­ly­wood Reporter, did an inter­view with Lar­ry Hous­ton about Black Pan­ther and the X‑Men car­toon. Lar­ry point­ed him here to my site, and Aaron want­ed to ask me a ques­tion or two also. The end result wound up part of this arti­cle. Thanks again for your inter­est, Aaron!

“X” Marks the Spot

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I think I’ve men­tioned this here before, but my first job in ani­ma­tion was work­ing on X‑Men: The Ani­mat­ed Series. And recent­ly (due to inter­est expressed by some of my cur­rent col­leagues at work), I’ve had occa­sion to dig out the box con­tain­ing my copies of some of the work I kept from that series. This led to my re-encoun­ter­ing a sto­ry­board sequence I’ve always thought of as “Wolver­ine down in the Sub­way.” I thought per­haps it (and the sto­ry behind it) might be of interest.

My boss on X‑Men was Producer/Director Lar­ry Hous­ton. You’d be hard-pressed to find a bet­ter first boss in ani­ma­tion to teach you the ropes. Lar­ry and Will Meugniot co-direct­ed the first sea­son, but by the time I was hired at the start of the sec­ond sea­son, Lar­ry was the one still run­ning with the baton. If you liked the series, Lar­ry deserves a siz­able por­tion of the cred­it for that. He was a big time comics fan him­self, and was com­mit­ted to doing the absolute best job he could with the time and resources that he’d been given.

To get back to this sto­ry­board sequence, this was part of an episode in which Pro­fes­sor Xavier suf­fered some kind of psy­chic schism, and a sort of dark ver­sion of his psy­che broke loose and was run­ning free, cre­at­ing prob­lems for the X‑Men. It’s long enough ago now, I for­get some of the specifics. Lar­ry found he need­ed a sort of addi­tion­al bridg­ing sequence that was­n’t called for in the script, so he set about to cre­ate it him­self, sto­ry­board­ing it on the fly. It start­ed off with Wolver­ine down in the sub­way, unknow­ing­ly encoun­ter­ing this dark ver­sion of Prof. X. As Lar­ry board­ed the sequence, it kind of grew and took on a life of its own. He could­n’t stop!

When he final­ly fin­ished, Lar­ry asked me to do the cleanup over his pen­ciled board. The art­work was very clear, but in com­ic art terms he had what might be con­sid­ered break­downs, and I was being asked to embell­ish them. Fun! And that’s the board sequence I’ve post­ed here. “Wolver­ine down in the Sub­way.” Except for the next-to-last page (122, inked by Frank Squil­lace, because we were com­ing up against the dead­line), it’s all my embell­ish­ment over Lar­ry’s board­ing. We were all pret­ty hap­py with how the final board here came out!