Author Archives: Mark

Do the Frankenstomp!

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It’s that time of year again! Hal­loween! And long-time vis­i­tors to my site might recall that I have some­thing of a loose tra­di­tion of doing Franken­stein-themed stuff in hon­or of the hol­i­day. Here’s this year’s: a sin­gle from the ’60s by the Orloks, doing the Frankenstomp.

There was a big pop cul­ture fas­ci­na­tion with mon­sters in the ’60s, like­ly spurred ini­tial­ly at least in part by TV sta­tions look­ing to fill time, and resort­ing to run­ning old mon­ster movies. They caught on with young view­ers and cre­at­ed a demand for more, result­ing in all kinds of games, mod­els, TV shows, cartoons…and even nov­el­ty 45’s like this.

I’m a big fan of this kind of mid-cen­tu­ry art style (and the style of graph­ic design that goes with it). It’s very sil­hou­ette- and shape-ori­ent­ed. I must con­fess, it does­n’t come entire­ly nat­ur­al to me to try to draw this way (it’s like throw­ing a car in hard reverse, after years of try­ing so hard to get vol­ume and dimen­sion into all my work). But it’s fun to at least attempt it like this every now and then.

Enjoy, and Hap­py Halloween!

Oh, Venus…!

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I dis­cov­ered just before the start of this month that there’s some­thing of a social media thing going on at the moment with Big Bang Comics char­ac­ters. #Big­Bang­To­ber appar­ent­ly. As an ear­ly con­trib­u­tor to Big Bang (ear­ly and often, in a vari­ety of ways), I felt like maybe I should con­tribute to the cause. So over on LinkedIn, I’ve been post­ing a num­ber of my old Big Bang pieces.

The attached is one I always want­ed to col­or, but nev­er had the chance to, until now. It’s a faux Gold­en Age cov­er, done as one of many for one of the “Big Bang His­to­ry of Comics” issues. Mod­eled after The Ster­anko His­to­ry of Comics books, Gary Carl­son need­ed a lot of cov­ers to fill out the pages. This was one I came up with. Pen­cils, let­ter­ing (and of course, col­or­ing) are mine. Inks were by Jeff Mey­er, who did a great job of help­ing fur­ther the H.G. Peter art look I was going for here. (I came up with the name “P.G.Harris” as kind of Big Bang’s H.G. Peter equivalent).

Thanks for looking!

Monkey Business

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Lancelot Link cover based on Steranko's Nick Fury, Agent of S.H.IE.L.D #6 cover.Hm. How best to explain this thing?

Peri­od­i­cal­ly online, you see that age-old ques­tion pop up again: “Where do ideas come from?” Just speak­ing for myself, they can strike at very odd times. This one hit me as I was dri­ving up I‑5 one day to go vis­it a friend. Just, “boom,” there it was in my brain. And as I’ve men­tioned before, some­times an idea will just lodge itself in my brain, and I can’t get it out unless I actu­al­ly do it. So here it is.

Some of you will know that Lancelot Link, Secret Chimp was a live action Sat­ur­day morn­ing show where they put a bunch of chim­panzees in cos­tumes and filmed them. I think I read some­where that they gave them food or some kind of chew­ing gum to get their mouths mov­ing, and then the voice actors would lat­er dub in their parts, try­ing to get some sem­blance of lip sync. I’m pret­ty sure it’s not exact­ly a show you could do today, for a num­ber of reasons.

Many will also real­ize that this is a re-cre­ation/rein­ter­pre­ta­tion of the cov­er of Nick Fury, Agent of S.H.I.E.L.D. #6, by Jim Ster­anko. Apolo­gies to Mr. Ster­anko, whom I have noth­ing but respect for, but I had to get this out of my brain!

It’s a Gold Key cov­er, and not Mar­vel, because Gold Key was the com­pa­ny who held pret­ty much all the comics licens­es to all the Sat­ur­day morn­ing shows at this point. They actu­al­ly pub­lished Lancelot Link comics back then. Those who’ve seen the show might be won­der­ing, “What’s with the red hair? He did­n’t have that on TV.” The artists drew him that way in the com­ic (I’m guess­ing to make him more visu­al­ly iden­ti­fi­able among all the oth­er chimps in the sto­ries), so I fol­lowed their lead.

This image end­ed up being a lot more com­pli­cat­ed to exe­cute than I had orig­i­nal­ly envi­sioned in my mind. Some­times I think I must have some kind of a masochis­tic streak as an artist. Often I’ll get deep in the midst of things like this, find it more com­plex and involved than I expect­ed, and think, “Why do I always do this to myself?” I’m sure I can’t be the only artist who does this.

Hope you enjoy my silli­ness here!

One More for the Road!

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Recent vis­i­tors to my site in August will know that I was doing the online Jack Kir­by Trib­ute every day, the brain­child of Howard Simp­son. it was a blast par­tic­i­pat­ing, refresh­ing my appre­ci­a­tion all over again for all the great work Kir­by did over the years.

I stuck to a very spe­cif­ic for­mat with all of these: por­traits in a small square, col­ored with the lim­it­ed palette used in the old comics most of these char­ac­ters orig­i­nal­ly appeared in, even down to the dot pat­terns. And I had in mind that the end goal was to be able to assem­ble them all into one com­pos­ite image. I was­n’t sure how that would work out, but here’s how it did!

This was kind of just a per­son­al challenge/exercise in tak­ing the Trib­ute a step fur­ther. Not sure what hap­pens with it beyond this point.

Hope you enjoyed the ride!

A Jolly Old Time!

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We’ve made it! Day 31 of our month-long online Jack Kir­by trib­ute, in hon­or of his birth­day this month (back on the 28th). The brain­child of Howard Simp­son, you can find the work of par­tic­i­pants on your favorite social media plat­forms via the hash­tag #Kir­b­yArt­Trib­ut­es.

The prompt for this last day reads, “Draw your own orig­i­nal char­ac­ter. The King would want you to cre­ate char­ac­ters you own.” So I present: the Jol­ly Jaunter!

The rea­son I went with him is that he was a char­ac­ter I orig­i­nal­ly came up with back when I was 14 or 15, when I was heav­i­ly into a phase of try­ing to draw like Kir­by. Kind of a sil­ly, satir­i­cal British super­hero. I’m not sure where he came from exact­ly, as at that point, it was­n’t as if I had seen much of jack­’s humor work (like Fight­ing Amer­i­can) yet. Wher­ev­er it came from, the idea struck my fun­ny­bone, and I had to draw it. Buried deep in my files, I still had the drawing!

It was a lit­tle odd, revis­it­ing a draw­ing and a char­ac­ter I had done when I was that young. How often do you do that? Obvi­ous­ly 14/15-year-old me had­n’t both­ered to dig up ref­er­ence for how a Union Jack flag real­ly works, or real­ly thought through how the col­or would work. What can I say? The idea amused me at the time. But there you go!  For what it’s worth, the Jol­ly Jaunter is ™ & © Mark Lewis.

Thanks for look­ing, and for fol­low­ing all my Kir­by Trib­utes this month!

On to Victory!

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We’re get­ting close to the end! Day 30 of our month-long online Jack Kir­by Art Trib­ute. Suggested/sponsored by Howard Simp­son, you can find the work online on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

I’m going off-menu again today. The prompt sug­gests doing a “Kir­by Col­lage,” of the type Jack was known for doing in his spare time, some­times even find­ing ways to use them in his comics. But I could­n’t think of a way to do that and have it fit in the­mat­i­cal­ly with the rest of what I’m doing. So instead, I chose to draw Cap­tain Victory.

This was the title that launched a brand new com­ic com­pa­ny in the ear­ly ’80s, Pacif­ic Comics. As men­tioned yes­ter­day, the fact that Jack Kir­by was doing a com­ic for a new start­up pub­lish­er and not for Mar­vel or DC again, was a Big Deal. It was thought that the “Big Two” were real­ly the only game in town, so it can’t be over­stat­ed that this was big news.

One of the rea­sons Kir­by was will­ing to do this was con­tained right there in the indi­cia in the front of the book: “™ & © Jack Kir­by.” This was­n’t some­thing he was ever like­ly to get from Mar­vel or DC, and I’m sure the var­i­ous frus­tra­tions he’d had with both pub­lish­ers at dif­fer­ent points over the years were also part of his inter­est in going inde­pen­dent again (like he and Joe Simon had tried once before with Mainline).

The sto­ry of Cap­tain Vic­to­ry and his Galac­tic Rangers was inspired at least in part by Jack watch­ing E.T. and think­ing that “first con­tact” was not like­ly to be so benign. In fact, con­sid­er­ing some of the things that hap­pened when explor­ers came from Europe to the “New World,” Jack thought more like­ly it could go hor­ri­bly wrong..for us! And that was the seed of the story.

Front and cen­ter you’ve got Cap­tain Vic­to­ry. Behind him to the left is Major Klavus, and to the right is Tarin.

Hope you like it. One more to go!

Silver Star

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This is Day 29 of our month-long Jack Kir­by Trib­ute online. The brain­child of Howard Simp­son, you’ll be able to find the work of par­tic­i­pants on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

I actu­al­ly post­ed today’s prompt (a Jack Kir­by por­trait) yes­ter­day, in hon­or of Jack­’s birth­day. So today is catch­ing up with yes­ter­day’s prompt: Sil­ver Star.

There are sev­er­al unique things about this char­ac­ter. One is (if I’m not mis­tak­en) the sto­ry start­ed off as a screen­play, and Jack turned it into this lim­it­ed series (The cov­ers have a bul­let read­ing “A Visu­al Nov­el.”). I believe Jack orig­i­nal­ly thought in terms of his Fourth World series at DC as an epic sto­ry that would come to a def­i­nite con­clu­sion, but he was­n’t allowed to do that then. Lim­it­ed series, or minis­eries, just weren’t some­thing comics pub­lish­ers did yet in those days. If a book was a suc­cess, they want­ed it to just keep going and going as long as possible.

The oth­er thing about Sil­ver Star was the fact it was not pub­lished by Mar­vel or DC! Pacif­ic Comics was a start­up pub­lish­er look­ing to estab­lish them­selves as a sol­id alter­na­tive in the mar­ket­place. Though Jack had done work for oth­er pub­lish­ers over the years, at this point in time the “Big Two” were thought to be the only real game in town. So the news that no less a per­son­age than Jack Kir­by him­self was going to cre­ate new comics for a new pub­lish­er was a Big Deal. It can’t be over­stat­ed how big that news was at the time. Pacif­ic kicked things off with Cap­tain Vic­to­ry (stay tuned), but Sil­ver Star was Jack­’s next offer­ing through them.

And this part is impor­tant: the indi­cias for both books read “™ & © Jack Kir­by.” This was some­thing he was­n’t going to get at either Mar­vel or DC, so I’m sure it mat­tered a great deal to him. Jack­’s inspi­ra­tion for the name appears to have come from the Sil­ver Star Medal award­ed by the US mil­i­tary for val­or in com­bat. In fact, in the sto­ry, Jack has Mor­gan Miller gain­ing the nick­name from his squad after he’s been award­ed the Sil­ver Star.

In the back­ground of this image is the antag­o­nist of the sto­ry, Dar­ius Drumm. I’ve nev­er tried to draw these char­ac­ters before, so that was a bit of a chal­lenge. I’m still not quite sure just how Sil­ver Star’s hel­met works…

Hope you enjoy, and please tune in again tomorrow!

The King

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It’s the 28th Day of our month-long online Jack Kir­by Trib­ute, suggested/sponsored by Howard Simp­son. You can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is sup­posed to be Jack­’s Sil­ver Star char­ac­ter, but I’m tak­ing the lib­er­ty of shift­ing things around a lit­tle bit. Instead, I’m doing tomor­row’s prompt: “Jack Kir­by por­trait— Draw a por­trait of Jack Kir­by him­self.” My rea­son­ing is because today is actu­al­ly Jack Kir­by’s birth­day! Born in 1917, this would be his 106th birth­day today (if my math is right). So I feel like post­ing the por­trait today is appro­pri­ate. A con­fes­sion: I’m not real­ly a por­trait kind of artist. It took some work to get this to where I felt com­fort­able with it, but I did get there.

The King’s lega­cy lives on in all the great work he left us, and all the cre­ative inspi­ra­tion he’s pro­vid­ed. There are some artists who make you feel like giv­ing up, break­ing your pen­cils and walk­ing away, because you’ll nev­er be as good as they are. But then there are artists like Kir­by who, although you know you can’t do what he did, there’s some­thing in the work that fires you up and inspires you to go and create!

I hope you like my attempt at por­trai­ture here, and tune in again tomor­row to see my shot at Sil­ver Star.

The Fourth Host

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This is Day 27 of the month-long online Jack Kir­by Trib­ute, suggest/sponsored by Howard Simp­son. If you’d like to see what oth­er cre­ators might be doing, you can use the hash­tag #Kir­b­yArt­Trib­ut­es.

The prompt for today sim­ply reads “The Celes­tials.” These char­ac­ters come from Jack Kir­by’s The Eter­nals book, one of the new titles he cre­at­ed when he returned to Mar­vel in the mid-’70s. As men­tioned in oth­er posts, it appears to me that at this point in his career, Jack just want­ed to have his own cor­ner where he could be left alone to do his own thing, and to let oth­ers do their own thing, no one get­ting in any­one’s way.

The Eter­nals seemed to be Jack tak­ing inspi­ra­tion from the Erich Von Däniken book, Char­i­ots of the Gods?, which the­o­rized vis­its by alien astro­nauts to our world in ancient times, shap­ing and influ­enc­ing the growth of our cul­ture. It was fuel for Kir­by to tell an epic sto­ry about three groups of human­i­ty: the Eter­nals (whom many myths are built around), nor­mal mankind, and the Deviants. Watch­ing and stand­ing in judg­ment over all are the Celes­tials, and the begin­ning of the book saw their return to Earth as the Fourth Host.

Kir­by’s designs for the Celes­tials were some of the most imag­i­na­tive char­ac­ter visu­als he’d ever come up with. Beings almost beyond com­pre­hen­sion, they did­n’t even have what you would be able to call faces.

It was­n’t pos­si­ble to draw all the Celes­tials here in this space. There are just way too many of them. So I opt­ed to draw the three I found the most visu­al­ly inter­est­ing. Arishem the Judge is front and cen­ter. On the left is Nez­zar the Cal­cu­la­tor, and on the right is Eson the Searcher.

Hope you enjoy, and please feel free to tune in again tomorrow!

Cap and Bucky

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It’s Day 26 of the Kir­by Art Trib­ute, suggested/sponsored by Howard Simp­son. You can find the work of those par­tic­i­pat­ing on your social media plat­form of choice by using the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Cap­tain Amer­i­ca and Bucky. Cre­at­ed by Joe Simon and Jack Kir­by for Time­ly (Mar­vel) back in the Gold­en Age, they had a huge hit on their hands. While Cap­tain Amer­i­ca and Bucky are most­ly thought of as being patri­ot­ic heroes who fought the Axis, I dis­cov­ered some­thing inter­est­ing on re-read­ing their ear­ly tales: with all the mon­sters etc. they went up against, Cap and Buck­y’s sto­ries seem to be very much inspired by the “weird men­ace” pulp genre. If you think about it, the Red Skull and how they wrote him at that point would’ve fit in very well in a “weird men­ace” pulp sto­ry. Which is why I opt­ed to make this a night scene.

Joe and Jack only did the first ten issues of Cap­tain Amer­i­ca Comics, after which they left Time­ly. They believed that pub­lish­er Mar­tin Good­man was not liv­ing up to their prof­it-shar­ing agree­ment, so they jumped over to DC where they cre­at­ed a slew of char­ac­ters like Guardian and the News­boy Legion, the Boy Com­man­dos, and their ver­sions of Man­hunter and Sand­man.

Jack had two oth­er runs with Cap­tain Amer­i­ca. The sec­ond one was in the ’60s, after Time­ly had turned into Mar­vel and “Stanand­Jack” was often treat­ed as if it was one word. That run had some­thing of a James Bond/secret agent feel, hav­ing Cap work­ing close­ly with Nick Fury and S.H.I.E.L.D. Jack­’s third run was when he returned to Mar­vel in the mid-’70s, and that was him work­ing solo that time.

An aside: Cap­tain Amer­i­ca was­n’t Joe and Jack­’s only shot at a patri­ot­ic hero. In the ’50s, they also did Fight­ing Amer­i­can and his side­kick, Speed­boy. An inter­est­ing aspect of that strip is that it start­ed off as a straight anti-com­mu­nist super­hero adven­ture, but then piv­ot­ed fair­ly rapid­ly into a very fun­ny super­hero satire, pre-dat­ing the camp craze of the ’60s.

That’s it for today. Feel free to pop by again tomorrow!