Category Archives: Animation

Ani­ma­tion-relat­ed work.

“I’m Not Batman!”

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Golden-Batman-for-Web-by-Mark-LewisI know what you’re think­ing. You’re look­ing at my draw­ing and going, “Hey! He goofed up! He col­ored that draw­ing of Bat­man yel­low!” Nope! It’s because it’s not Batman.

Some­time back, in cruis­ing around the inter­net and fol­low­ing var­i­ous links, I stum­bled across an arti­cle on a pop cul­ture site called Top­less Robot, talk­ing about a num­ber of Kore­an car­toon char­ac­ters who might hit the view­er with a sense of, mmm, déjà vu, shall we say. One that some­how stuck with me was the Gold­en Bat­man (or sim­ply the Gold­en Bat, as he was some­times referred to).

Dif­fer­ences between Bat­man and the Gold­en Bat­man don’t start and end with their cos­tumes. They gave Gold­en Bat­man the pow­er of flight (which sort of makes sense for a char­ac­ter named after a crea­ture who flies), as well as super-strength (shades of the old Bat­man sto­ry “Bat­man– The Super­man of Plan­et X”!). And that’s not all! Gold­en Bat­man can fire laser beams from his fin­gers. What do you think of that, Caped Crusader?

You can actu­al­ly find the Gold­en Bat­man car­toon on YouTube in five parts, if you’re curi­ous enough to see it. Dubbed into Span­ish though, odd­ly enough. Seem­ing­ly not avail­able in Eng­lish, for some reason.

The Captain That Split the Scene

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Captain Marvel Split! by Mark LewisIt won’t come as any sur­prise to long­time vis­i­tors of my site to hear this, but most of my friends know that when you say the words “Cap­tain Mar­vel” to me, my default set­ting is to think of the orig­i­nal Faw­cett char­ac­ter. How­ev­er, this ain’t him!

This Cap­tain Mar­vel is an android. His com­ic debuted in 1966, pub­lished by M.F. Enter­pris­es, 13 years after Faw­cett pub­lished their last adven­ture of the orig­i­nal Cap­tain Marvel.

So what does this Cap­tain Mar­vel do? He seems to have a lot of the usu­al super­hero pow­ers: strength, flight, etc. But his real call­ing card is that when he says his mag­ic word (“Split!”), he can detach parts of his body at will and have them fly around and do his bid­ding. A unique pow­er, to be sure, but more than a lit­tle odd. To rejoin, he speaks his oth­er mag­ic word, “Xam!”

In look­ing for a fresh take on this Cap­tain, I thought it was such an odd­ball con­cept that it might have been bet­ter-suit­ed to Sat­ur­day Morn­ing car­toons. So I start­ed to re-imag­ine it as the kind of semi-comedic super­hero adven­ture car­toon that back then would’ve fit in well along­side Han­na-Bar­bera shows like Franken­stein Jr., The Impos­si­bles, or Atom Ant. Since those shows appeared as Gold Key comics, that seemed a good place for my re-imag­ined Cap­tain Mar­vel too.

Heads Up!

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Heads 1A sug­ges­tion was made to me recent­ly that it would be good if I were to do some kind of a post here that dis­played a num­ber of dif­fer­ent styles togeth­er, all at once. So this is what I came up with: a series of head shots, of dif­fer­ent types of char­ac­ters in dif­fer­ent styles.

It’s a pret­ty good exer­cise for an artist, I found. It makes you stretch a lit­tle bit, and it can be fun to see what you come up with. I think I may try this again at some point. Or maybe even a vari­a­tion on the theme: one char­ac­ter, dif­fer­ent styles. There’s a whole lot you can do with this idea.

She’s a Wow!

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Wow Comics 12 ReworkedHere’s a recreation/reinterpretation of the cov­er of Wow Comics #12, fea­tur­ing Mary Mar­vel. You can com­pare it with the orig­i­nal here.

Mary debuted in Cap­tain Mar­vel Adven­tures #18, where Bil­ly Bat­son dis­cov­ered to his sur­prise that he had a twin sis­ter, from whom he’d been sep­a­rat­ed at birth. It turned out that the mag­ic word that turned Bil­ly into Cap­tain Mar­vel also worked to turn Mary Batson/Bromfield into the super­pow­ered Mary Marvel.

Mary’s “visu­al father” was artist Marc Swayze. I was hon­ored to be asked to do an FCA cov­er fea­tur­ing Mary, as a trib­ute to Marc Swayze for what would’ve been his 100th birth­day. It was post­ed here a while back.

Reg­u­lar vis­i­tors to this site have heard me say before that when doing these recre­ations, I like to have some kind of fresh take or approach, so that I’m not just repeat­ing exact­ly what was done before. So imag­ine this, if you can: some alter­nate world, where Faw­cett did­n’t cease pub­lish­ing comics. Instead, they kept on pro­duc­ing new four-col­or adven­tures for Cap­tain Mar­vel and the Mar­vel Fam­i­ly. Maybe at some point in the late ’50s or ear­ly ’60s, Faw­cett licensed Mary to an ani­ma­tion stu­dio for a series, and Wow Comics was relaunched in sup­port. It was kind of what was play­ing in the back of my mind when I did this, at any rate.

I can almost hear the announc­er’s voice: “Boys and Girls! It’s time now for the adven­tures of Mary Mar­vel! The Shaz­am girl!”

Four Bananas Make a Bunch

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Let It SplitI’m sure most of you remem­ber the Banana Splits. They were that famous and influ­en­tial rock band that changed the face of the ’60s with their music; songs that have stood the test of time and are still with us today. Late in the band’s career, things had begun to get hec­tic and stress­ful. The mem­bers’ lives were head­ing in dif­fer­ent direc­tions. They were grow­ing apart; no longer the same wide-eyed kids they were when they start­ed out. But before they called it a day, they put out one final album: Let It Split.

Okay, not real­ly. I just made up all that stuff. Knowl­edge­able vis­i­tors will real­ize that what I’ve done here is a riff off the cov­er of the Bea­t­les’ last album, Let It Be, only recast with the mem­bers of the Banana Splits. Going clock­wise from the upper left, you have Droop­er, Flee­gle, Snorky and Bingo.

Yes, when I was a kid, I would watch The Banana Splits Adven­ture Hour. Fun times. I’ll even admit to hav­ing sent away for the Banana Splits Fan Club Kit. No Sour Grapes Bunch for me! No sir! Sing it with me now: “Tra la la, la la la la,…” 🙂

The State of Careifornia

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Careifornia FlagApolo­gies up front. This was anoth­er of those visu­al ideas that get stuck in your brain, and have to come out. This one’s been lodged in there since one of my rou­tine morn­ing jogs some weeks back, see­ing a Cal­i­for­nia Flag stick­er on the back of some­one’s car. For some rea­son, my brain envi­sioned replac­ing the Cal­i­for­nia griz­zly bear on the flag with a Care Bear. And Grumpy just always seems to lend him­self to things like this.

So why am I draw­ing a Care Bear, this long after hav­ing worked on the prop­er­ty? Well, all I can plead here is that I worked with these char­ac­ters for two sea­sons’ worth of an ani­mat­ed series, as well as on sev­er­al direct-to-video fea­tures (in both 2D and CG). Plus Care Bears also has the dis­tinc­tion of being the only prop­er­ty I’ve done work on for more than one stu­dio. Maybe spend­ing that much time with it, per­haps the lit­tle guys are bound to be still some­where in the nooks and cran­nies of my brain, and they just have to come up for air sometimes.

Plus, the fact that some of the oth­er Care Bears posts I’ve put up here get a fair amount of hits prob­a­bly does­n’t hurt either. 🙂

The Forgotten Ones: Bee-29, the Bombardier

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Bee-29There’s prob­a­bly a lot of ground I should cov­er to explain this one, so I’ll get right to it.

In doing research for a recent project (which you’ll find out about at a lat­er date), I was point­ed towards a web­site fea­tur­ing com­ic book char­ac­ters that are now report­ed­ly in the pub­lic domain. While going through all those char­ac­ters, it struck me that there was mate­r­i­al there which might be worth min­ing for future blog posts. As a result, this will be the first of a series of posts on “For­got­ten Ones,” which I may do from time to time.

For this inau­gur­al out­ing, I chose Bee-29, the Bom­bardier. Bee-29 is unique because so far as I know, he’s the only bee super­hero! He only made a few appear­ances back in 1945, but one of them was in a com­ic named for him. In the inter­ests of sav­ing col­umn space, if you’d like to read the entry for Bee-29 on the Pub­lic Domain Super Heroes site, you can check it out here.

If you’ve vis­it­ed this site much, you’ve prob­a­bly picked up on the fact I often like to try to find an angle to approach a char­ac­ter like this, some kind of a dif­fer­ent spin I can put on it instead of just repro­duc­ing some­thing ver­ba­tim. So I thought, “What if in some alter­nate world, Han­na-Bar­bera had picked up the rights to this char­ac­ter?” Going down that path lead to my attempt at an HB ver­sion of Bee-29 on the faux Gold Key cov­er you see here, since Gold Key han­dled most of the car­toon-based comics back in the day.

Let me go on record here and say that I am def­i­nite­ly a fan of the clas­sic Han­na-Bar­bera look. Yes, I grew up watch­ing those shows, but it’s more than that. Years ago when Han­na-Bar­bera was locat­ed on the 14th floor of the Impe­r­i­al Bank Build­ing in Sher­man Oaks, mul­ti­ple times a day I would walk by these great framed cels from shows like The Flint­stones and The Jet­sons, hang­ing on the walls in the hall­way. I saw how well-designed all those char­ac­ters were, and how strong­ly sil­hou­ette-ori­ent­ed they were. The HB design­ers took the restric­tions of lim­it­ed ani­ma­tion and small TV screens, and actu­al­ly turned them into strengths.

I’ve not had a lot of oppor­tu­ni­ty to attempt that clas­sic HB look, so this was a chance to ven­ture onto that play­ground a lit­tle bit. And I’d be remiss if I did­n’t tip my hat here and say thanks to my good friend Mark Chris­tiansen, who is tru­ly a clas­sic HB master.

“We’ve Got You Covered!”

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Per­haps some of you read­ing this might be famil­iar with the Cov­ered Blog. If not, it’s a site where artists are chal­lenged to take an exist­ing, pub­lished com­ic book cov­er and rein­ter­pret it. The results can be inter­est­ing, and I thought it might be fun to take a shot at doing one.

I chose to rework the cov­er of Dell Comics’ Dick Tra­cy Month­ly #13, cov­er-dat­ed Jan­u­ary 1949 (If you’re curi­ous to com­pare, you can view the orig­i­nal side-by-side with mine over on Cov­ered here). But I did­n’t do it in one of my usu­al styles. Instead, I real­ized that Chester Gould’s style on Dick Tra­cy was pret­ty 2D and graph­ic to begin with, and that it might be fun to push it just a lit­tle fur­ther into look­ing some­thing like a Flash ani­ma­tion style.

I worked on a Flash-ani­mat­ed direct-to-video fea­ture, Hydee and the Hy Tops, and enjoyed it very much. The look of Flash is fun, and I would wel­come the oppor­tu­ni­ty to work on anoth­er project in that vein. I have a lot of respect for artists like Craig McCrack­en and Lau­ren Faust who do that kind of work very well. So it seemed like this would be a good oppor­tu­ni­ty to stretch some artis­tic mus­cles and try some­thing new.

The BG por­tion of this cov­er was done using Pho­to­shop, but the rest of it was done in Adobe Illus­tra­tor. If you’ve vis­it­ed my site before, you know I’ve used Illus­tra­tor for a num­ber of dif­fer­ent projects. But this project required car­ry­ing out the final image in a dif­fer­ent way from how I’d done before.

As far as why I chose to rein­ter­pret a Dick Tra­cy cov­er in the first place, I think it might be because I’ve been fol­low­ing the reg­u­lar Dick Tra­cy strip these last sev­er­al months, so Tra­cy was in the back of my mind. The strip’s been reju­ve­nat­ed by Joe Sta­ton and Mike Cur­tis, and I’ve been hav­ing a blast fol­low­ing it. If you get the chance, give it a look!

Hydee Hits the Funny Pages

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I’ve just been giv­en the go-ahead to final­ly spill the beans about a project I worked on ear­li­er this year. It’s what I was talk­ing about in this post. I got to help with the art for a short Hydee and the Hy Tops com­ic, which is to be pro­duced as a give­away. You get to see it all above, for the first time any­where, probably.

Once again, I was giv­en the oppor­tu­ni­ty to col­lab­o­rate with the love­ly and tal­ent­ed Jim Sten­strum (who is try­ing to get togeth­er a site of his own. When that hap­pens, it will be in my blogroll). Jim pen­cilled these pages, while I did all the col­or­ing and let­ter­ing. There were no pen­cils harmed in the mak­ing of this com­ic, as there was no ink­ing in the usu­al sense. The art style has no con­tain­ment lines; just flat areas of col­or, with occa­sion­al bits of col­ored linework only where need­ed. The look of the com­ic was based on what we’d done for the flash-ani­mat­ed Hydee fea­ture, which I don’t think has been released just yet (Though you can see some of the work I did for that here in my Gal­leries).

I enjoyed work­ing with the Hydee char­ac­ters, both in the com­ic and on the fea­ture. The sce­nario was kind of “Josie and the Pussy­cats by way of the Go-Gos, but if they were being formed now for the Dis­ney Chan­nel,” if that descrip­tion makes any sense. And the client was a dream to work with (which, as any­one in ani­ma­tion can tell you, is not some­thing you can expect to hap­pen all that often). I wish all clients were that good to work with! If the oppor­tu­ni­ty pre­sent­ed itself to work with the prop­er­ty again, under the same kind of cir­cum­stances, I would not hes­i­tate to do it. It was fun.

Obey the Bear!

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Okay, I prob­a­bly need to explain about this one. To do that, I need to get into a lit­tle of the “behind the scenes” work­ings of WordPress.

A few months back, I decid­ed it would be a good thing to have some kind of a hit counter for my site, run­ning in the back­ground. The beau­ty of Word­Press is that there’s like­ly a Plu­g­in you can install for just about any pur­pose. I want­ed a Plu­g­in that would give me an idea of how many hits my site was get­ting, where peo­ple were com­ing from, what they were look­ing at, etc. It’s been fas­ci­nat­ing to watch this info accu­mu­late as time goes by. In some cas­es, it’s been sur­pris­ing to see what posts and images get more hits than oth­ers. And one thing that’s turned up is that the Care Bears images on my site have been pret­ty popular.

So, I’m no dum­my; it made sense to per­haps gen­er­ate one more. I revis­it­ed a Post-it draw­ing I did as a goof back when I was work­ing on “Care Bears,” pol­ish­ing it up in Adobe Illus­tra­tor. Some of you will rec­og­nize this as a play on Shep­ard Fairey’s OBEY Giant image, fea­tur­ing the late wrestler André the Giant done up pro­pa­gan­da poster style. Per­haps it’s a bit of an oblique gag to play off that icon­ic imagery with a Care Bear, but have you ever had one of those visu­al ideas that get stuck in your head and won’t go away unless you get them out on paper? You oth­er artists out there know what I’m talk­ing about.

So here you are, for what­ev­er it’s worth. And for those who won­der which Bear this is, I fig­ure it’s prob­a­bly Grumpy. Because he’s cool like that.