Tag: Marvel Comics

…And an Encore!

Well, we just com­plet­ed anoth­er Jack Kir­by Trib­ute Month (curat­ed and cre­at­ed by Howard Simp­son). I guess you could call this the bonus round. Like last year, I decid­ed to try to assem­ble all of these into one, big image. With the excep­tion of yes­ter­day’s “wild card” round, which was not a Jack Kir­by cre­ation, so it does­n’t belong here. Plus 30 images just group togeth­er a lot eas­i­er than 31!

See­ing all of these togeth­er, I’m struck by how busy the end result is! There’s a lot going on. I guess that’s a result of my try­ing to give each pan­el a sense of nar­ra­tive, as if they were each ran­dom­ly plucked from the midst of larg­er stories.

A lot­ta work there! See­ing them all togeth­er makes me real­ize that. But it’s cool see­ing them all in this context.

Will I do this again next year? We’ll see. I may tweak my process a lit­tle bit. I did this year, by adding the nar­ra­tive aspect.

I hope you’ve enjoyed this trip with me, found it fun and inspirational.

Some Enchantress Evening

If you’ve been fol­low­ing along, you know I’ve been doing Jack Kir­by Trib­ute Month. This has been Asgard Week, fea­tur­ing char­ac­ters from Jack­’s Jour­ney into Mystery/Thor run. And our final vis­i­tor from Asgard this week is the Enchantress!

Her first appear­ance (in Jour­ney into Mys­tery #103) was a fun sto­ry, team­ing her with the Exe­cu­tion­er. Chic Stone’s inks worked well there, espe­cial­ly with a char­ac­ter like the Enchantress. Only a cou­ple years lat­er, it was reprint­ed in the Thor King-Size Spe­cial #1 (AKA Thor Annu­al #2).

The Enchantress’ col­or scheme was a lit­tle dif­fer­ent in her first appear­ance. Instead of the over­all green scheme, her cos­tume includ­ed bright magen­ta! Also, they made her a plat­inum blonde. I liked that idea; it was kind of a unique touch that got lost when they lat­er went with a more con­ven­tion­al blonde col­or. So I made her a plat­inum blonde again here.

Tomor­row’s a new week and a new theme! Tune in tomor­row to see.

“Cross the Rainbow Bridge of Asgaaaard,…”

Jack Kir­by Trib­ute Month, and we’re in the back end of Asgard Week. You knew it was inevitable that at some point, the prompt would have to be Thor!

Many of the char­ac­ters I’ve been draw­ing here, I’ve nev­er attempt­ed before. I can’t say that about Thor, though. I’ve drawn him a few times.

Way back when I was try­ing to break into comics, I remem­ber work­ing up a sam­ple page fea­tur­ing Thor. One of the pan­els fea­tured a close-up of an angry Thor, yelling just pri­or to leap­ing on his foe while swing­ing his ham­mer. I had heard that com­ic artists some­times shot pho­to ref­er­ence, so I shot a Polaroid of myself mak­ing the face I want­ed, try­ing to get it just right. The end result was a Thor face that looked a lit­tle too much like me! The les­son as an artist is that using pho­to ref­er­ence, you have to be real­ly care­ful that it does­n’t take over.

I’ve gath­ered that some Sil­ver Age fans back when Thor was first com­ing out made the con­nec­tion that he was kind of Mar­vel’s equiv­a­lent to Super­man: being able to fly, hav­ing super-strength and vir­tu­al invul­ner­a­bil­i­ty. There’s also the aspect of him hav­ing been sent to Earth by his father. A less obvi­ous cor­re­la­tion might be between Thor and the orig­i­nal Cap­tain Mar­vel, as both char­ac­ters make a big mag­i­cal trans­for­ma­tion to get from their civil­ian iden­ti­ties to their hero­ic ones.

Tomor­row’s the finale of Asgard Week. Who’s it going to be? You’ll have to come back to find out!

No, I Am Not Coming with You!

This is now the 22nd day of this year’s Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son), and we’re work­ing our way through Asgard Week. Today’s prompt is Hela, god­dess of Death! Hela presents a strik­ing visual!

Like some oth­er char­ac­ters in the book, it seemed to take a lit­tle bit before she devel­oped a real “fixed” form. It seems she only appeared four times dur­ing Jack­’s run. I don’t have a copy of her ini­tial appear­ance in Jour­ney into Mys­tery #102 (I think in a “Tales of Asgard” back­up),  but when I looked up her sec­ond appear­ance in Thor #133, I was sur­prised. Not only is the draw­ing a bit dif­fer­ent, the col­or scheme does­n’t even include any green in it! It was­n’t until #150 that we got what most peo­ple have come to think of as her clas­sic design.

I’d nev­er tried to draw Hela before, and it was an inter­est­ing chal­lenge to wrap my head around her design, fig­ure out a way to under­stand it so I could draw it. One lib­er­ty I took was the green lips. They did­n’t do that in her appear­ance in #150, but it felt right to me. It’s like it gives her an even more “oth­er­word­ly” feel.

I had fun with this one, so I hope you like it too. Come back tomor­row to see who vis­its us next from Asgard!

Milady

This makes Day 21 now of this year’s Jack Kir­by Trib­ute Month. And we’re work­ing our way through Asgard week, fea­tur­ing char­ac­ters who appeared dur­ing Jack­’s Jour­ney into Mystery/Thor run. Today’s prompt is the Lady Sif!

Ini­tial­ly, the Thor strip in Jour­ney into Mys­tery had a run­ning sub­plot that Thor loved the mor­tal Nurse Jane Fos­ter, who worked for him in his human iden­ti­ty of Dr. Don Blake. Thor’s father Odin had trou­ble with this idea, and Jack and Stan got a lot of “soap opera” style mileage out of this rela­tion­ship for a long time. But some­thing like this could only be car­ried on for so long, with­out it becom­ing tiresome.

So they found a sat­is­fy­ing way to resolve this sto­ry­line in Thor #136, “To Become an Immor­tal!” I don’t want to spoil the sto­ry for those who haven’t read it for them­selves yet, but at the end, Sif shows up. And from that point on, she became a reg­u­lar sup­port­ing char­ac­ter in the book, as the sto­ries became more epic.

An inter­est­ing thing is that Sif’s look kind of fluc­tu­ates a bit more than you’d think. She looks dif­fer­ent­ly on the splash page of issue #137 than she did at the end of #136. Her cos­tume had a lot more detail. She starts off in #137 with a full hel­met sur­round­ing her head (with orna­men­tal wings, no less!), which over time morphs into more of a small hel­met pro­tect­ing just the top of her head, before van­ish­ing entire­ly. Her cos­tume becomes very sim­pli­fied over time too. For my ver­sion, I brought in a lit­tle bit of the orig­i­nal detail, just to make it more interesting.

Tune in tomor­row to see who’s next for Asgard Week!

Big Daddio

We’ve made it to day 20 of this year’s Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son). The theme has been Asgard this week: char­ac­ters who appeared dur­ing Jack Kir­by’s run on Jour­ney into Mystery/Thor. And today’s prompt is none oth­er than Odin!

Fans will know that Odin is the ruler of all Asgard, and Thor’s father. If you’ve read a lot of the Lee/Kirby sto­ries, you’re aware that their rela­tion­ship is com­pli­cat­ed, to say the least.

An inter­est­ing aspect to Odin is that visu­al­ly, apart from hav­ing a sol­id frame and the white hair and beard, he has no fixed look! Pret­ty much every time you see him, his attire is dif­fer­ent. And more often than not, it’s quite ornate! In comics, this is very unusu­al. But appar­ent­ly Jack liked the chal­lenge of com­ing up with some­thing dif­fer­ent for Odin each time you saw him. It was­n’t just from issue to issue; some­times his appar­el would change from scene to scene in the same story!

As a result, what I’ve drawn here is inspired by, but not based off of, any one spe­cif­ic out­fit worn by Odin. I pulled my col­or cues from how he was col­ored too (crazy things some­times like the green shad­ows on the blue gloves!). I don’t know that Jack ever hid a face any­where in his designs, but that felt right to me to do that (as kind of a tip of the hat to Walt Simon­son and his Thor run, sec­ond best only to the orig­i­nal. Simon­son would do things like that).

Hope you like my take on Odin, and tune in tomor­row for our next vis­i­tor from Asgard!

Three Is a Magic Number

Here on the 19th day of Jack Kir­by Trib­ute Month, we’ve moved into Asgard week, fea­tur­ing char­ac­ters from Jack­’s Thor run. Today’s prompt is the War­riors Three! In front from left, we have Hogun the Grim and Fan­dral the Dash­ing. Behind them is Volstagg.

As seen in Thor Annu­al #2 from 1966, the War­riors were good friends of Thor. They would often end up going into bat­tle togeth­er. Fan­dral had a dev­il-may-care atti­tude, smil­ing and jok­ing as he bat­tled, seem­ing­ly mod­eled after Errol Fly­nn (per­haps with Fly­n­n’s ver­sion of Robin Hood in mind). Hogun came by his appel­la­tion “the Grim” hon­est­ly, as he rarely smiled or said much in bat­tle (he appeared to be some­thing of a mash-up of Charles Bron­son and Genghis Khan, odd­ly enough). Vol­stagg at this ear­ly point in time was often more of a com­ic relief fig­ure, though lat­er he was shown to be as brave and respect­ed as the rest. He appears to have been inspired by Shake­speare’s Falstaff.

I’d nev­er attempt­ed to draw these char­ac­ters, so it was fun to take a crack at them! Hope you enjoy, and tune in again tomor­row if you’re curi­ous to see who in the Thor cast shows up next!

Sneaky!

We’ve made it to the 18th day of this year’s Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son)! A new week means a new theme: Asgard week, fea­tur­ing char­ac­ters who appeared in Jack­’s run on Jour­ney into Mystery/Thor. And this first day, the prompt is none oth­er than that wily ras­cal, Loki!

Loki made a pret­ty good ongo­ing threat to Thor and Asgard. He was always very crafty in how he went about his schemes, and even man­aged to gain con­trol of Asgard at one point! A lot has hap­pened to the char­ac­ter in the years since, but that “trick­ster” ele­ment has remained a part of his character.

I’ve said this pre­vi­ous­ly, but Jour­ney into Mystery/Thor is an impor­tant book to look at when study­ing the body of Jack­’s Mar­vel work. All his Mar­vel work is worth look­ing at, but I’ve come to the con­clu­sion that there are two books that are the pil­lars of his Mar­vel work, that must be tak­en into account. I’m talk­ing about the Fan­tas­tic Four, and Jour­ney into Mystery/Thor. Those are the two books where you not only see a storyteller/artist work­ing at the top of their craft, you also get to see a glimpse of Jack Kir­by as a per­son, the things that inter­est­ed and moti­vat­ed him. Thor shows the inter­est that Jack had in myths and leg­ends which ran through his career.

It was fun to take a shot at draw­ing a clas­sic-style Loki here. If you’re curi­ous as to who might be next, pop by again tomorrow!

I Can Dig It

It’s now the 10th day of the sec­ond annu­al Jack Kir­by Trib­ute Month, devised by Howard Simp­son to hon­or the cre­ative genius of the King. Howard intro­duced a fun new wrin­kle this year, of themed weeks. This week’s theme has been the Fan­tas­tic Four, and on this last day of the week, the final prompt is the Mole Man.

The Mole Man may not be con­sid­ered the FF’s arch­en­e­my, but he has the dis­tinc­tion of being the very first antag­o­nist they faced in their ori­gin sto­ry. Like many of the FF vil­lains, he had more com­plex­i­ty to him than your aver­age com­ic book vil­lain. He com­mand­ed an army of Moloids (which I’ve includ­ed some of here, free of charge) as well as var­i­ous giant under­ground mon­sters. He was bit­ter, yet not entire­ly unsym­pa­thet­ic, hav­ing been shunned and basi­cal­ly dri­ven away by most of the rest of mankind.

While I have (on rare occa­sion) pre­vi­ous­ly attempt­ed to draw some of the oth­er FF char­ac­ters I’ve drawn this week, this is the first time I’ve ever tried to draw the Mole Man. It was fun!

And that wraps up Fan­tas­tic Four week. Tomor­row’s a new week, and a new theme!

You’re All Doomed!

Today makes Day Nine of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the cre­ative genius of Jack Kir­by dur­ing his birth month. We’re in the first full week of the month, and the theme for this week is the Fan­tas­tic Four. Today’s prompt is Dr. Doom.

Vic­tor Von Doom views him­self as being above oth­er men. And yet (though he’d deny it), he’s clear­ly threat­ened by Reed Richards’ genius. He’s a bit more com­plex of a char­ac­ter than your aver­age supervil­lain. Kir­by has been quot­ed as say­ing he was inspired in part by The Man in the Iron Mask, and was try­ing to make him “the clas­sic con­cep­tion of Death,” with­out a hint of mer­cy, by mask­ing him in cold, unmer­ci­ful steel. He viewed Doom as being para­noid, and Doom’s per­fec­tion­ism was what ulti­mate­ly tripped him up and bent his mind.

Dr. Doom’s mask is kind of tricky to draw! It sort of morphs a bit between pan­els and appear­ances, so hope­ful­ly I’ve done it jus­tice here.

Tune in tomor­row for the finale of Fan­tas­tic Four week!

Stretching the Point

We’re at Day Eight of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the King in his birth month. A new ele­ment this year is each week hav­ing a theme, this week’s being the Fan­tas­tic Four. If you’ve been fol­low­ing along the pre­vi­ous days, you might be able to guess today’s prompt: Mr. Fantastic.

Reed Richards as Mr. Fan­tas­tic is the bril­liant scientist/inventor and leader of the FF. A fun aspect of the orig­i­nal Jack and Stan run on Fan­tas­tic Four were those scenes where Reed was inten­sive­ly work­ing in his lab over some wild Kir­by-designed piece of equip­ment. I kind of had that in mind when doing this drawing.

If you’ve seen the orig­i­nal run by Jack and Stan, you might rec­og­nize that the way Jack drew Reed kind of mor­phed over the time he was doing the book. Mr. Fan­tas­tic start­ed off a bit thin­ner in the face ini­tial­ly, but got a lit­tle more “robust” lat­er on. I ref­er­enced how Reed looked dur­ing the mid­dle issues of the run here, which many con­sid­er to be the prime peri­od for the book.

The week’s theme is not over! Hav­ing cov­ered the FF them­selves, tune in tomor­row to see who’s up next.

Ever-Lovin’ Blue-Eyed

We’ve reached the sev­enth day of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. A cool new aspect he’s intro­duced is themed weeks, where each day’s prompts fit with­in that theme.

If you’ve been fol­low­ing along, this week’s theme is the Fan­tas­tic Four. Today’s prompt is the Thing.

Ben Grimm as the Thing is a char­ac­ter who might appear fair­ly sim­ple and straight­for­ward on the sur­face, but if you’ve read the orig­i­nal run by Jack and Stan, you real­ize there’s more to him than meets the eye. He can be fun­ny, but there’s also under­ly­ing pain and regret, being stuck in this mon­strous form. Lat­er cre­ators have some­times lost that aspect, focus­ing more on the comedic elements.

The Thing is not an easy char­ac­ter to draw! I had a bit of a strug­gle here before I felt like I had it rea­son­ably correct.

Hope you approve. Tune in tomor­row to see who’s next!

He Thinks He’s Hot Stuff!

It’s Day Six of the sec­ond annu­al Jack Kir­by Trib­ute Month, we’re in the midst of Fan­tas­tic Four week, and today’s prompt is the Human Torch.

In his ini­tial appear­ances, he was per­haps a bit too form­less. Jack quick­ly fig­ured this out, and cod­i­fied what we now think of as his clas­sic look. From time to time, some sub­se­quent artists have tried to get cre­ative and find oth­er ways to draw him, but some­how he does­n’t look like him­self when you get too far removed from the tem­plate Jack set.

As men­tioned ear­li­er, I’m try­ing to get some sense of nar­ra­tive into these shots. Where exact­ly is he? Some­place unusu­al, no doubt. Feels like a sto­ry there.

Hope you like what I’ve done here. Tune in tomor­row if you’d like to see who’s up next!

Now You See Her,…

By now you know I’m par­tic­i­pat­ing in the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to mark the month of Jack­’s birth (he would turn 107 lat­er this month if he were still with us).

The new thing Howard’s intro­duced this year is weeks that have an over­all theme to each day’s prompts, and this week’s theme is the Fan­tas­tic Four. I did a group shot yes­ter­day, and today’s prompt (the first of the indi­vid­ual shots) is the Invis­i­ble Woman.

At first, her only pow­er was to turn invis­i­ble. But I think Jack and Stan real­ized pret­ty quick­ly that this did­n’t quite give her enough to ful­ly hold her own with the rest of the group. So they had her devel­op an addi­tion­al pow­er: the abil­i­ty to cre­ate force fields. That did the trick.

Sue Storm was orig­i­nal­ly known as the Invis­i­ble Girl, and it was­n’t until John Byrne’s run on Fan­tas­tic Four in the ’80s (sec­ond best in my opin­ion only to Jack and Stan’s orig­i­nal run!) that she was re-chris­tened the Invis­i­ble Woman. Byrne came up with some of the most cre­ative uses for her pow­ers that had ever been seen, and man­aged to show once and for all that she was a force to be reck­oned with!

Hope you like, and feel free to come back tomor­row to see who’s up next!

Fantastic!

Here’s Day Four of the sec­ond annu­al Jack Kir­by Trib­ute Month, and begin­ning the first full week of August means we also have a new theme this week: the Fan­tas­tic Four. And the first prompt is…the Fan­tas­tic Four?!

Since we also have sep­a­rate prompts for each indi­vid­ual char­ac­ter com­ing up, I thought I might do a “before and after” thing, today being the “before” part of the equa­tion. This was a moment with a lot of dra­ma in their ori­gin sto­ry, so I went with it. I always thought it was cool how Jack chose to ren­der the cos­mic rays as these sort of “lozenge” shapes. Kind of not all that threat­en­ing in them­selves indi­v­d­u­al­ly, but fear­ful because they’re an unknown, and there are so many of them!

I ful­ly admit to appro­pri­at­ing the col­or scheme used in the orig­i­nal ver­sion, because why not? I thought it looked great, and it also kind of reminds me of the almost “pop art” col­or­ing approach used in Alex Ross’ Fan­tas­tic Four: Full Cir­cle (which in my opin­ion is the best ver­sion of these char­ac­ters that I’ve seen in years!).

A note about the FF: while pret­ty much any Mar­vel book Jack had a hand in is worth a look, there are two absolute­ly essen­tial titles he did at Mar­vel that I feel are the tent­posts of his work there, which have to be tak­en into account when apprais­ing that body of work. In them, you see not just an artist and sto­ry­teller work­ing at the height of his craft, but you also get to see some­thing of the man him­self and his inter­ests. Fan­tas­tic Four is one of those books. In it, you get to see Jack­’s fas­ci­na­tion with sci fi, the unknown, and with what might be out there. It’s a theme that runs through much of his work, and we got to see a bit of it pre­vi­ous­ly in Chal­lengers of the Unknown at DC.

I did say two titles, so I’m not going to hold you in sus­pense wait­ing days to hear the sec­ond one. It’s Jour­ney into Mystery/Thor. That’s where you see Jack­’s ongo­ing fas­ci­na­tion with myths and leg­ends, which runs through­out his career.

So who’s first up when we move to the indi­vid­ual mem­bers tomor­row? I’m not going to spoil that. You’ll just have to check in and see!

The Supreme Allied Commando!

Here’s anoth­er fake cov­er I drew for Big Bang’s His­to­ry issues. Not only fresh­ly col­ored, but also inked for the first time! A lot of fake cov­ers need­ed to be gen­er­at­ed for those issues, and there was­n’t time to ink them all. Since they were being print­ed pret­ty small, it was okay if some of them were in pen­cils, as long as they were fair­ly clean and tight.

Gary Carl­son had incor­po­rat­ed into the Badge’s back sto­ry that at a cer­tain point dur­ing WWII, he took up anoth­er name for a time and changed his uni­form accord­ing­ly, going into action as the Supreme Allied Com­man­do. I think this is the first time he’s appeared in col­or in this garb.

Ini­tial­ly when I first tack­led design­ing the Badge, I took my inspi­ra­tion from the heroes Simon and Kir­by cre­at­ed for DC (prob­a­bly the Guardian espe­cial­ly). For this ver­sion, I looked back at what they had been doing with Cap­tain Amer­i­ca, of course.

While Cap­tain Amer­i­ca was a patri­ot­ic super­hero (the prime one peo­ple think of from WWII), I real­ized awhile back that Simon and Kir­by’s Cap sto­ries also had some­thing else going on. There was a def­i­nite influ­ence from the “weird men­ace” pulp genre, with the kind of foes they went up against. It was even on the cov­ers, with the mad sci­en­tists per­form­ing unspeak­able exper­i­ments, evil hench­men, deformed mon­sters, and odd men in hood­ed robes who would some­times throw axes. Strange­ly, I’ve rarely heard any­one else call­ing atten­tion to that influence.

That’s why all those things are present here. I even came up with names for the two main bad guys that I jot­ted down on the out­side bor­der of my cov­er: Dr. Von Mungler and his hench­man Oggar.

Enjoy! And with the tim­ing of this post­ing, I wish you a Hap­py Inde­pen­dence Day!

Venus Vs. Cupid

Fake comics cover for Big Bang Comics' Venus #169, with Ares looming in the backgroundI’m adding anoth­er to the group of fake cov­ers I had a hand in cre­at­ing some­time back for “The Big Bang His­to­ry of Comics” issues of Big Bang Comics. Cred­its on this one take a lit­tle expla­na­tion. Pen­cils were by Frank Squil­lace, inks and let­ter­ing by me. Frank did a col­or comp on a pho­to­copy with mark­ers, which I marked up with col­or for­mu­la call­outs to cre­ate a col­orist guide.

This cov­er end­ed up being repur­posed as an actu­al Big Bang cov­er for issue #34, with dif­fer­ent trade dress. For that instance, I believe some­one at Image actu­al­ly gen­er­at­ed the col­or file used to print it, based on the col­or guide we’d pro­vid­ed. I don’t think I actu­al­ly did that one myself in Pho­to­shop, because after much search­ing, I don’t seem to have a file for it. Which means the ver­sion you see here has been total­ly recol­ored by me from scratch in Pho­to­shop, ref­er­enc­ing the col­or guide. I tweaked the ren­der­ing in a few spots to plus what was in the print­ed ver­sion a lit­tle bit, so a sharp eye might spot some of those differences.

I sus­pect most vis­i­tors will imme­di­ate­ly real­ize that Frank and I were shoot­ing for a Jack Kir­by style here. I always thought of Big Bang as sort of “comics his­to­ry through a fun­house mir­ror.” It’s known that when Jack Kir­by jumped from Mar­vel to DC, they offered him any book he want­ed. Jack was­n’t com­fort­able with putting any­one out of work, so he said, “give me your least-sell­ing book.” That’s how Jim­my Olsen end­ed up as part of Jack­’s Fourth World Saga at DC. Any­one who’s stud­ied Jack­’s work knows he had a life­long fas­ci­na­tion with myths and leg­ends. So I thought, what if instead of Jim­my Olsen, Jack had tak­en on Won­der Woman? In Big Bang terms, that would’ve trans­lat­ed to Joe Kingler (Big Bang’s Kir­by equiv­a­lent) tak­ing on the char­ac­ter Venus.

This is the first time this has appeared in col­or with the orig­i­nal Venus mast­head. Hope you enjoy it!

Behind the Badge Again

Fake Comic Cover for Red Hot Comics #17, with Big Bang Comics' the Badge and His RookiesI explained last time how, when Big Bang Comics did a cou­ple issues focused on the fic­ti­tious his­to­ry of the com­pa­ny (mim­ic­k­ing Ster­anko’s His­to­ry of Comics vol­umes), they need­ed a whole bunch of fake cov­ers to pull it off and make it all feel believ­able. Here’s anoth­er one from the bunch I generated.

I drew this back then, inked (I believe) by Jeff Mey­er. And now for the first time, appear­ing in col­or! It’s fun to final­ly see this real­ized in this form, after hav­ing it exist only in black and white for all these years.

I’m not exact­ly sure where the idea for this cov­er came from. Per­haps I was think­ing about Simon & Kir­by’s kick-off run of Cap­tain Amer­i­ca, which seemed to draw a lot of inspi­ra­tion from the “weird men­ace” genre of pulps (an ingre­di­ent I’m sur­prised that most peo­ple don’t seem to pick up on). I kin­da wish I could read “The Vam­pire of Var­ney Street!”

I had fun doing this. Hope you enjoy it!

Member of the Inker Tribe

Years ago, I thought my life’s career was going to be in comics. My way in appeared to be through ink­ing. To that end, I did what all aspir­ing inkers look­ing to get into comics did at the time: I got my hands on pho­to­copies of pen­ciled pages, then inked them either on vel­lum, or by light-box­ing them onto bris­tol board. While recent­ly dig­ging through some old work, I redis­cov­ered this ink­ing sam­ple that I had total­ly for­got­ten about!

I had gen­er­at­ed a num­ber of ink­ing sam­ples work­ing over sev­er­al dif­fer­ent artists in those days. But for some rea­son, I don’t believe I ever includ­ed this when I sent out copies look­ing for work. Reap­prais­ing it all these years lat­er, it’s bet­ter than some of the oth­er sam­ples I did back then, so I’m not sure why I did­n’t use it. You might rec­og­nize the pho­to­copied lay­out as the work of Jim Star­lin, done for Mar­vel Comics’ War­lock #11 (pg. 14 of the sto­ry). It’s a good, clear lay­out. Pret­ty much all the info you would need as an inker to car­ry it to a fin­ish is there. There are even some sug­ges­tions about lighting.

When I did my inks, I did­n’t have a copy of the fin­ished com­ic to look at. And real­ly, that would’ve defeat­ed the pur­pose, see­ing how the art­work had actu­al­ly been fin­ished. Edi­tors and art direc­tors were look­ing to see how you approach ink­ing, not your pro­cess­ing of some­one else’s inks. And keep in mind, in those days, there was no inter­net where you could go to grab reference.

For post­ing here, I thought it might be fun to also sort of “re-mas­ter” the page, add the speech bal­loons and col­or it, based on how the page appeared in the com­ic. I guess that makes it both some­thing old and some­thing new.

Hope you enjoy!

Monkey Business

Lancelot Link cover based on Steranko's Nick Fury, Agent of S.H.IE.L.D #6 cover.Hm. How best to explain this thing?

Peri­od­i­cal­ly online, you see that age-old ques­tion pop up again: “Where do ideas come from?” Just speak­ing for myself, they can strike at very odd times. This one hit me as I was dri­ving up I‑5 one day to go vis­it a friend. Just, “boom,” there it was in my brain. And as I’ve men­tioned before, some­times an idea will just lodge itself in my brain, and I can’t get it out unless I actu­al­ly do it. So here it is.

Some of you will know that Lancelot Link, Secret Chimp was a live action Sat­ur­day morn­ing show where they put a bunch of chim­panzees in cos­tumes and filmed them. I think I read some­where that they gave them food or some kind of chew­ing gum to get their mouths mov­ing, and then the voice actors would lat­er dub in their parts, try­ing to get some sem­blance of lip sync. I’m pret­ty sure it’s not exact­ly a show you could do today, for a num­ber of reasons.

Many will also real­ize that this is a re-cre­ation/rein­ter­pre­ta­tion of the cov­er of Nick Fury, Agent of S.H.I.E.L.D. #6, by Jim Ster­anko. Apolo­gies to Mr. Ster­anko, whom I have noth­ing but respect for, but I had to get this out of my brain!

It’s a Gold Key cov­er, and not Mar­vel, because Gold Key was the com­pa­ny who held pret­ty much all the comics licens­es to all the Sat­ur­day morn­ing shows at this point. They actu­al­ly pub­lished Lancelot Link comics back then. Those who’ve seen the show might be won­der­ing, “What’s with the red hair? He did­n’t have that on TV.” The artists drew him that way in the com­ic (I’m guess­ing to make him more visu­al­ly iden­ti­fi­able among all the oth­er chimps in the sto­ries), so I fol­lowed their lead.

This image end­ed up being a lot more com­pli­cat­ed to exe­cute than I had orig­i­nal­ly envi­sioned in my mind. Some­times I think I must have some kind of a masochis­tic streak as an artist. Often I’ll get deep in the midst of things like this, find it more com­plex and involved than I expect­ed, and think, “Why do I always do this to myself?” I’m sure I can’t be the only artist who does this.

Hope you enjoy my silli­ness here!

One More for the Road!

Recent vis­i­tors to my site in August will know that I was doing the online Jack Kir­by Trib­ute every day, the brain­child of Howard Simp­son. it was a blast par­tic­i­pat­ing, refresh­ing my appre­ci­a­tion all over again for all the great work Kir­by did over the years.

I stuck to a very spe­cif­ic for­mat with all of these: por­traits in a small square, col­ored with the lim­it­ed palette used in the old comics most of these char­ac­ters orig­i­nal­ly appeared in, even down to the dot pat­terns. And I had in mind that the end goal was to be able to assem­ble them all into one com­pos­ite image. I was­n’t sure how that would work out, but here’s how it did!

This was kind of just a per­son­al challenge/exercise in tak­ing the Trib­ute a step fur­ther. Not sure what hap­pens with it beyond this point.

Hope you enjoyed the ride!

The King

It’s the 28th Day of our month-long online Jack Kir­by Trib­ute, suggested/sponsored by Howard Simp­son. You can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is sup­posed to be Jack­’s Sil­ver Star char­ac­ter, but I’m tak­ing the lib­er­ty of shift­ing things around a lit­tle bit. Instead, I’m doing tomor­row’s prompt: “Jack Kir­by por­trait— Draw a por­trait of Jack Kir­by him­self.” My rea­son­ing is because today is actu­al­ly Jack Kir­by’s birth­day! Born in 1917, this would be his 106th birth­day today (if my math is right). So I feel like post­ing the por­trait today is appro­pri­ate. A con­fes­sion: I’m not real­ly a por­trait kind of artist. It took some work to get this to where I felt com­fort­able with it, but I did get there.

The King’s lega­cy lives on in all the great work he left us, and all the cre­ative inspi­ra­tion he’s pro­vid­ed. There are some artists who make you feel like giv­ing up, break­ing your pen­cils and walk­ing away, because you’ll nev­er be as good as they are. But then there are artists like Kir­by who, although you know you can’t do what he did, there’s some­thing in the work that fires you up and inspires you to go and create!

I hope you like my attempt at por­trai­ture here, and tune in again tomor­row to see my shot at Sil­ver Star.

The Fourth Host

This is Day 27 of the month-long online Jack Kir­by Trib­ute, suggest/sponsored by Howard Simp­son. If you’d like to see what oth­er cre­ators might be doing, you can use the hash­tag #Kir­b­yArt­Trib­ut­es.

The prompt for today sim­ply reads “The Celes­tials.” These char­ac­ters come from Jack Kir­by’s The Eter­nals book, one of the new titles he cre­at­ed when he returned to Mar­vel in the mid-’70s. As men­tioned in oth­er posts, it appears to me that at this point in his career, Jack just want­ed to have his own cor­ner where he could be left alone to do his own thing, and to let oth­ers do their own thing, no one get­ting in any­one’s way.

The Eter­nals seemed to be Jack tak­ing inspi­ra­tion from the Erich Von Däniken book, Char­i­ots of the Gods?, which the­o­rized vis­its by alien astro­nauts to our world in ancient times, shap­ing and influ­enc­ing the growth of our cul­ture. It was fuel for Kir­by to tell an epic sto­ry about three groups of human­i­ty: the Eter­nals (whom many myths are built around), nor­mal mankind, and the Deviants. Watch­ing and stand­ing in judg­ment over all are the Celes­tials, and the begin­ning of the book saw their return to Earth as the Fourth Host.

Kir­by’s designs for the Celes­tials were some of the most imag­i­na­tive char­ac­ter visu­als he’d ever come up with. Beings almost beyond com­pre­hen­sion, they did­n’t even have what you would be able to call faces.

It was­n’t pos­si­ble to draw all the Celes­tials here in this space. There are just way too many of them. So I opt­ed to draw the three I found the most visu­al­ly inter­est­ing. Arishem the Judge is front and cen­ter. On the left is Nez­zar the Cal­cu­la­tor, and on the right is Eson the Searcher.

Hope you enjoy, and please feel free to tune in again tomorrow!

The Black Panther, and His Unexpected Adventures

Amaz­ing­ly, I’ve made it here to Day 25 of the month-long online Jack Kir­by Art Trib­ute, sponsored/suggested by Howard Simp­son. I was­n’t sure I was going to get through all of these, but here we are! It’s open to all cre­atives, and you can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

The prompt for today reads: “Draw a char­ac­ter or scene from Jack Kir­by’s Black Pan­ther series.” I chose to draw Black Pan­ther him­self, along with Princess Zan­da and Abn­er Lit­tle, two oth­er key char­ac­ters from that run.

When Kir­by left DC to make his return to Mar­vel in the ’70s, and fans heard he was going to do a Black Pan­ther title, many expect­ed he would just pick up the same con­ti­nu­ities and types of sto­ries that pre­vi­ous cre­ators had been doing with the char­ac­ter. But that was­n’t what they got, and some were appar­ent­ly dis­ap­point­ed. At this point in Kir­by’s career, he seemed to want to be allowed to just have a lit­tle cor­ner of his own where he could do his own thing with­out imping­ing on what oth­er cre­ators might be doing, or hav­ing oth­ers impinge on his creativity.

You have to take Jack­’s Black Pan­ther run on its own terms. His view of the char­ac­ter and the sto­ries he want­ed to tell with him seemed to have roots in the types of exot­ic adven­ture sto­ries H. Rid­er Hag­gard used to write, like King Solomon’s Mines, or She. If this com­ic had come out four or five years lat­er, read­ers might have asso­ci­at­ed it with the sorts of arcane arche­ol­o­gy Indi­ana Jones delved into in Raiders of the Lost Ark.

Hope you enjoy, and feel free to tune in again tomorrow!

That Old Devil…Dinosaur

And we’ve reached Day 24 of Howard Simp­son’s month-long Jack Kir­by Trib­ute, in hon­or of Jack­’s birth­day this month! It’s open to all cre­atives, and you can find their posts on your favorite social media plat­forms via the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt: “Draw a char­ac­ter or scene from Jack Kir­by’s Dev­il Dinosaur series.” I’ve drawn Dev­il him­self, and his part­ner Moon Boy here.

When Kir­by returned to Mar­vel in the ’70s, many were expect­ing Jack to be work­ing with oth­er writ­ers (like he had with Stan Lee pre­vi­ous­ly). But this time around, Jack pre­ferred to just have his own lit­tle cor­ner where he did his own thing. Dev­il Dinosaur was one of the new titles he came up with.

The book seemed like per­haps it was aimed at a younger audi­ence (It would’ve made a sol­id Sat­ur­day morn­ing car­toon). Artis­ti­cal­ly, like all Kir­by books, it had its moments (there’s an espe­cial­ly imag­i­na­tive two-page spread that can stand with the best two-page spreads Kir­by ever did). There was also a bit of fun in the fact they’d play around with dif­fer­ent inkers on many of the cov­ers (like they also did on his Machine Man covers).

Nev­er tried to draw Dev­il Dinosaur before! Bill Stout or Ricar­do Del­ga­do I’m not, but I had fun try­ing it. Hope you enjoy! And tune in again tomor­row to see what’s next.

I Am…

It’s now Day 11 of Howard Simp­son’s online Kir­by Cel­e­bra­tion this month, in hon­or of Kir­by’s birth­day. It’s open to all cre­atives, and you can track what they post on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Groot. Now, some of you are prob­a­bly say­ing, “Hey, wait; that does­n’t look like Groot!” That’s because it’s the orig­i­nal ver­sion of the char­ac­ter as he first appeared in Tales to Aston­ish #13.

At that point in time, pre-Fan­tas­tic Four, Kir­by was bat­ting out many, many mon­sters sto­ries, one after the oth­er, for Mar­vel. Issue after issue, month after month, they had to always come up with new ones. Kir­by was up to the chal­lenge, always find­ing inter­est­ing visu­als for all these monsters.

Groot was just anoth­er among this vast horde, along with mon­sters like Romm­bu, ZZu­tak, Googam Son of Goom, and Fin Fang Foom. Fun, but just a one-off mon­ster, like they pret­ty much all were. Groot was large­ly for­got­ten after the super­heroes took over the spot­light, until the cre­ators behind the reimag­ined Guardians of the Galaxy com­ic in 2008 decid­ed to res­ur­rect him as part of that team, and reimag­ine him. Thanks to the Guardians movies, it’s safe to say he’s a lot bet­ter known now than he ever was before. How­ev­er, it’s still fun to remem­ber how Groot start­ed off.

Enjoy, and feel free to come back tomorrow!

Larger Than Life

It’s now Day 10 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by! Open to all cre­atives, you should be able to find the work being gen­er­at­ed on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Galac­tus. He first appeared in the pages of Fan­tas­tic Four, in prob­a­bly one of the best-loved and remem­bered sto­ries of that book, known by most fans as the Galac­tus trilogy.

The Fan­tas­tic Four car­ried the tag “The World’s Great­est Com­ic Mag­a­zine” on its cov­ers. While it was most­ly Stan Lee play­ful­ly doing pro­mo­tion­al hype, more often than not dur­ing the book’s ini­tial run  by Kir­by and Lee, it was truth in adver­tis­ing. Galac­tus as a char­ac­ter was some­thing very dif­fer­ent. I don’t think any­thing like him had ever been seen before in a super­hero com­ic. Not just a street thug or a reg­u­lar human guy in a super suit, he was more a force of nature, vir­tu­al­ly god­like. He pre­sent­ed a real chal­lenge to the sto­ry­tellers. How can you defeat an antag­o­nist like that?

Sur­pris­ing­ly, I real­ized this is the first time I’ve ever attempt­ed to draw Galac­tus! I’m not gonna lie; it was a lit­tle intim­i­dat­ing to tack­le him. His visu­al, while there are cer­tain con­sis­ten­cies, also fluc­tu­ates a great deal from com­ic to com­ic. Even his col­or­ing seems to change over his appearances!

Any­way, I felt like he came out okay, to my relief. Hope you enjoy it, and hope­ful­ly you might stop in here again tomorrow!

Surfin’ Is the Only Life, the Only Life for me, Now Surf…Surf…

Here’s Day 9 of Howard Simp­son’s month-long online Kir­by Cel­e­bra­tion, dur­ing Kir­by’s birth month of August. Open to all cre­atives, you should be able to find oth­er peo­ple’s work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Sil­ver Surfer, who first appeared in Fan­tas­tic Four dur­ing what may be that book’s best-loved and remem­bered sto­ry­line, the Galac­tus tril­o­gy. He was­n’t any­thing that was in any plot that Stan Lee and Jack Kir­by had dis­cussed, and Stan else­where has acknowl­edged that he was sur­prised when he ini­tial­ly saw the pen­ciled pages to dis­cov­er him. Jack explained that he felt a char­ac­ter as con­cep­tu­al­ly big and god­like as Galac­tus ought to have some kind of her­ald to accom­pa­ny and pre­cede him, hence the Surfer.

Stan was so tak­en with the Surfer, he made him his own, and even­tu­al­ly spun him off into his own title. Not work­ing with Kir­by, but John Busce­ma. It’s a high­ly regard­ed book (and char­ac­ter), but Stan’s con­cep­tion was dif­fer­ent from what Jack orig­i­nal­ly intend­ed. Where Stan had the Surfer pre­vi­ous­ly exist­ing as Nor­rin Rad, who sac­ri­ficed him­self and his iden­ti­ty to save his plan­et, Jack thought of the Surfer as a being who was basi­cal­ly cre­at­ed out of noth­ing, and was learn­ing as he trav­eled. That’s def­i­nite­ly how things read in his ini­tial appear­ance as part of the Galac­tus trilogy.

Any­way, I hope you enjoy my shot at the Surfer. Tune in again tomorrow…

Allied against the Axis

We’re at Day 3 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by on social media! Open to all cre­atives, you can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Young Allies. I must admit that once you get out­side of Cap­tain Amer­i­ca, the Human Torch and the Sub-Mariner, I am less famil­iar with the Time­ly char­ac­ters than I am with DC’s Gold­en Age offer­ings. Cre­at­ed ini­tial­ly by Joe Simon and Jack Kir­by, the Allies were a kid gang group that appar­ent­ly first appeared in the pages of Cap­tain Amer­i­ca under the name “the Sen­tinels of Lib­er­ty.” They proved pop­u­lar enough to be spun off into their own title. Simon and Kir­by did­n’t stick around for that long.

The Allies were anoth­er kid group who fought the Axis. Led by Cap­tain Amer­i­ca’s side­kick Bucky and the Human Torch’s side­kick Toro, the rest of the group (from upper left) includ­ed Hen­ry “Tub­by” Tin­kle, (-cringe-) “White­wash” Jones, Jef­fer­son “Jeff” Sandervilt, and Per­ci­val Aloy­sius “Knuck­les” O’Toole.

The Young Allies sto­ries haven’t been reprint­ed very much, and for good rea­son. If you both­er to dig up art­work online (like I had to in order to do this draw­ing), you’ll see why. Poor White­wash is treat­ed in this hor­ri­bly racist way in the strip. Not that the oth­er char­ac­ters appeared to be much more than a col­lec­tion of stereo­types either (the fat kid who’s eat­ing all the time, the tough kid who’s always look­ing for a fight, etc.).

Any­way, I hope you enjoy what I did with them. See you again tomorrow!

I Have a Vision!

Long­time vis­i­tors to my site will know that I’m a big Jack Kir­by fan! August hap­pens to be the month Jack Kir­by was born, on the 28th. Real­iz­ing this, Howard Simp­son came up with a great idea: a month-long cel­e­bra­tion of Kir­by and his work online, via social media. I believe it’s open to any cre­atives, and the idea is “the more, the mer­ri­er.” If you want to search them all out and see who’s doing what on your favorite plat­forms, they should be hash­tagged #Kir­b­yArt­Trib­ut­es. I haven’t usu­al­ly done a lot of social media chal­lenges, but I could­n’t pass this up. Strap in; it’s going to be a busy month!

The first prompt is the Gold­en Age ver­sion of the Vision. If most peo­ple are aware of the Vision at all, it’s prob­a­bly Mar­vel’s Sil­ver Age ver­sion of the char­ac­ter. The Gold­en Age ver­sion was pub­lished by Time­ly (the name Mar­vel was known by dur­ing most of the Gold­en Age), and despite some visu­al sim­i­lar­i­ties with the Sil­ver Age ver­sion, he was a dif­fer­ent char­ac­ter. Instead of being an android, this Vision was a super­nat­ur­al being who could trav­el into and out of our world via smoke.

I’ve set cer­tain para­me­ters of my own for my con­tri­bu­tions this month. They’re all going to be for­mat­ted like this, basi­cal­ly por­traits in small squares. I’ve also elect­ed to stick to the lim­it­ed old school col­or palette that com­ic books used on their inte­ri­or pages for many years. There’s a method to my mad­ness that will hope­ful­ly pay off at the end of the month, if I can pull off what I’d like to accomplish.

Hope you enjoy! Stay tuned!

Venus Makes a Timely Appearance

When you’re a comics geek, and you’ve also had a few cours­es in Art His­to­ry, I sup­pose you’re liable to occa­sion­al­ly come up with stuff like this.

Some of you know that before Mar­vel Comics set­tled on that name, the pub­lish­er went by a cou­ple oth­er names. They start­ed off as Time­ly, then lat­er changed to Atlas in the ear­ly ’50s, before final­ly set­tling on Mar­vel in 1961 (Though as you can see from this image, they did briefly toy with using the name ear­li­er). While I know a bit about Time­ly’s out­put dur­ing the War, I must admit that my aware­ness of their out­put post-WWII is very spot­ty. It’s not like Mar­vel has often reprint­ed that material.

Once the War was over, gen­er­al read­er inter­est in super­heroes seemed to fade, and all comics pub­lish­ers were look­ing to find new mate­r­i­al that would cap­ture read­er inter­est (AKA sales). Venus appears to have been one of Time­ly’s attempts at this. While I have not been able to actu­al­ly read any of these comics, when you look at the cov­ers, the title appears to suf­fer from some­thing of a mul­ti­ple per­son­al­i­ty dis­or­der. It’s not quite sure exact­ly what it wants to be.

The book starts off look­ing like some sort of comedic romance title, then lat­er shifts into some kind of qua­si-hor­ror/mys­tery title. It was like they start­ed off with an idea, found the book was­n’t quite sell­ing the way they’d hoped, so they tried tin­ker­ing and throw­ing dif­fer­ent things at the wall while still pub­lish­ing it, to see if some­thing else might stick.

Any­way, look­ing at the Venus cov­ers, I remem­bered Bot­ti­cel­li’s “Birth of Venus” from my Art His­to­ry class­es, and it occurred to me that per­haps Time­ly had missed a bet by not hav­ing an artist do some sort of an homage to that paint­ing on a cov­er. So I thought maybe I’d rec­ti­fy that (70-some years lat­er), just for the heck of it. Maybe that was too “high brow” of an idea for them to both­er with. Maybe it still is, but I had to try it out (and get the idea out of my head). Hope you folks like it.

X‑Men: The Art and Making of the Animated Series

Most vis­i­tors here know that my first job in ani­ma­tion was on X‑Men: the Ani­mat­ed Series. I’ve not exact­ly kept that a secret. I learned a lot on that show, not only from my boss Lar­ry Hous­ton, but also from my co-work­ers. When I start­ed, I knew only the basics about how ani­ma­tion was done. I knew more about comics. But that kind of knowl­edge was def­i­nite­ly help­ful on this show.

Some­thing else I’ve learned, as time has passed, is that there are a lot of peo­ple who real­ly loved the show. A lot. When you have co-work­ers who dis­cov­er you worked on it tell you, “Oh, I loved that show! it was my favorite as a kid!”, there are mixed feel­ings. But seri­ous­ly, it’s good to find out that you’ve con­tributed to some­thing that peo­ple have loved that much.

And, to my sur­prise, the love is appar­ent­ly so much that X‑Men Sto­ry Edi­tors the Lewalds were con­tact­ed by Abrams Books, and asked to do a book on the art of the show! Which is now avail­able on Ama­zon.

Of course at first, they attempt­ed to see if any­one knew where the orig­i­nals were. But after all this time, who knows which box in which stor­age facil­i­ty that stuff might live in, for a stu­dio that no longer exists?

So that meant reach­ing out to all us artists who worked on the show, to see what we might still have after all these years. And per­son­al­ly, X‑Men being my first job in ani­ma­tion, and com­ic-relat­ed, I made and kept copies of pret­ty much every­thing I did for the show. So I had a lot. And so did oth­ers. With­out that, this book prob­a­bly would have had very few pictures.

By way of cel­e­brat­ing, I thought I’d share some pieces that very few out­side the stu­dio have ever seen (I’m not sure whether these are in the book or not). Lat­er in the show’s run, after Lar­ry had moved on to oth­er projects for Mar­vel, his for­mer assis­tant on the show, Frank Squil­lace, end­ed up in the Producer/Director chair. At this point, I was begin­ning to do more design on the show, not just char­ac­ter mod­el clean-up, as design­er Frank Brun­ner became more involved in oth­er projects for the studio.

My rec­ol­lec­tion of this is a bit fuzzy now, but I believe it was Frank S. who ini­tial­ly sug­gest­ed we re-design the show. The look of the show had been orig­i­nal­ly based on Jim Lee’s art in the com­ic, and by this time, Lee had long since left Mar­vel to become one of Image Comics’ founders. At this point in the comics, the look of X‑Men was informed by the art of Joe Madureira. Madureira’s work was more ani­mé- or gam­ing-influ­enced. So not only was it the cur­rent X‑Men look, it also seemed like going this route with the show would be more animation-friendly.

With Madureira’s work in mind, Frank S. and I col­lab­o­rat­ed on some re-designs of the char­ac­ters, as well as gen­er­at­ing some who had­n’t appeared in the show before (at least offi­cial­ly). We felt like we were on to some­thing here. In fact, as oth­ers at the stu­dio found out about what we were try­ing to do, they were excit­ed. Will Meugniot, who had a big hand in launch­ing the show orig­i­nal­ly in the first place, told us one day that he loved the idea too. He gave us his bless­ing, and said he was ful­ly on-board with it.

Obvi­ous­ly it did it not end up hap­pen­ing, or you would have seen these. When you work in ani­ma­tion (or enter­tain­ment in gen­er­al) for any length of time, you dis­cov­er that behind the scenes, there are always things like this that would have been cool, but did­n’t end up hap­pen­ing for one rea­son or anoth­er. So this is a fun “might have been.”

I hope peo­ple enjoy the book, and thanks to the Lewalds for reach­ing out and invit­ing me to contribute!

“Don’t Try to Con Me!”

Hm. How to explain this? It’s a par­o­dy of the cov­er of X‑Men #4, obvi­ous­ly (with all apolo­gies to Jack Kir­by!). Yes, it’s pret­ty sil­ly stuff. And there’s a rea­son I did it.

Back before I start­ed my ani­ma­tion career, I kin­da thought I was going to make comics my life’s work. I had just fin­ished get­ting as much train­ing at Art Cen­ter as I could afford on my own dime, and set about launch­ing my comics career in earnest. I hon­est­ly don’t remem­ber now exact­ly how we end­ed up cross­ing paths, but I was in con­tact with Don Chin, who was at that time pub­lish­ing comics under the names Par­o­dy Press and Enti­ty Comics. His inde­pen­dent titles were actu­al­ly doing pret­ty decent num­bers. I was­n’t going to get rich doing this work, but every career has to start some­where, right?

As you’d expect from the name, Par­o­dy Press was all about lam­poon­ing exist­ing comics. One of the projects I agreed to do for Don was a par­o­dy of the X‑Men, called X‑Cons. The book had sto­ries from sev­er­al peri­ods in the his­to­ry of the char­ac­ters. I pen­ciled the open­ing chap­ter, fea­tur­ing the debut of the Sil­ver Age ver­sion of the team: Pro­fes­sor Ex, Dum­b­kophs, Beast­ie Boy, the Anglo, Sno-Cone and Jean­nie Okay (AKA Mar­velous Girl).

I did oth­er projects for Don too, but over time the mar­ket for these books began to dry up, until some projects I’d worked on did­n’t even get enough orders to go to press. At that point, I thought maybe I need­ed some­thing that might pay a bit stead­ier, so I put some feel­ers out and wound up get­ting into ani­ma­tion. Fun­ny to think about it now, in this con­text, but my very first job in ani­ma­tion? Char­ac­ter mod­el cleanup on X‑Men: the Ani­mat­ed Series.

Fast-for­ward to recent­ly: Don got back in touch. He told me he wants to do a reprint of the X‑Cons book, with addi­tion­al mate­r­i­al and in col­or this time. He was curi­ous if I might be game to con­tribute some­thing, per­haps a vari­ant cov­er. It hap­pened to be good tim­ing. We talked about it, and you see the result here. Sil­ly, but fun. I did two ver­sions: reg­u­lar, and extra-crispy!

When Don gets his cam­paign up and run­ning for those inter­est­ed in this book, I’ll update and post a link here.

Come Sail Away!

I’m sure many of you out there have heard of Sailor Moon. The inter­est­ing thing is that this char­ac­ter has been around for longer than most peo­ple real­ize. Back in the mid-/late-’70s, Mar­vel Comics licensed the rights to the char­ac­ter, and Jack Kir­by did a com­ic. Col­lec­tors who know about it often have a hard time turn­ing up copies of this book. This is a scan of a pan­el from that rare comic…

…Not buy­ing it? Okay, I con­fess; I just told you a big, fat, stinky lie. Jack Kir­by nev­er drew Sailor Moon (at least, not to my knowl­edge!). This is me. There’s appar­ent­ly this inter­net meme that all the cool kids are doing, where you take this one par­tic­u­lar image of Sailor Moon and draw it in your style. It occurred to me that it might be fun to put a spin on it and do it Jack Kir­by style.

One oth­er con­fes­sion: Sailor Moon is a bit after my time. Grow­ing up, the Japan­ese ani­ma­tion that I got to see on TV were things like Speed Rac­er, Kim­ba the White Lion and (my favorite of these) Tobor the 8th Man (I often get a lot of blank looks when I men­tion that one). Even though I’m prob­a­bly late to this par­ty, I thought it might be fun to get in on this meme.

I Dare You!

There’s a sto­ry behind this one. Of course! Isn’t there always? 😀

But first; there are prob­a­bly some of you scratch­ing your heads, going, “Huh? That’s not Dare­dev­il!” It’s under­stand­able that you might only know about Mar­vel Comics’ ver­sion of Dare­dev­il, from the comics and the recent Net­flix series. But back in the Gold­en Age of comics, there was a dif­fer­ent Dare­dev­il, pub­lished by Lev Glea­son. The char­ac­ter’s title sold very well, run­ning for about 16 years, until sales fell (like many super­hero titles did post-WWII). This Dare­dev­il had a kid gang who hung around with him called the Lit­tle Wise Guys. The boys had tak­en over his title by the time the book ceased pub­lish­ing, Dare­dev­il him­self hav­ing gone MIA about six years pri­or to that.

But I should get back to the sto­ry behind this re-cre­ation/rein­ter­pre­ta­tion. Ear­li­er this year, I was chat­ting with direc­tor Dan Riba (known for his work on Bat­man: the Ani­mat­ed Series, among many oth­er car­toons). In the course of our con­ver­sa­tion, he men­tioned that he’d recent­ly had an online inter­ac­tion with movie pro­duc­er Michael Uslan, via the Book of Faces. Some­where out there on the inter­net, Mr. Uslan had stum­bled across my ear­li­er re-work­ing of Mar­vel’s Cap­tain Mar­vel #1, replac­ing the Kree ver­sion with the Gold­en Age Faw­cett orig­i­nal, as if Mar­vel had bought the rights to the char­ac­ter from Fawcett.

Dan told me that Mr. Uslan liked my cov­er, but did­n’t know where it had come from (The inter­net some­times has a way of strip­ping us cre­ative folk of cred­it for our work). Dan informed him that it was my work. In reply, Mr. Uslan won­dered if I had ever con­sid­ered doing a sim­i­lar thing with Dare­dev­il #1, rework­ing it as if in some alter­nate uni­verse, Mar­vel had bought the rights to the orig­i­nal Gold­en Age char­ac­ter instead of invent­ing their own new ver­sion. (Some­where, I read that this was actu­al­ly con­sid­ered briefly).

I told Dan that I had­n’t thought of that, but it was an inter­est­ing idea. The con­ver­sa­tion moved on from there, and I did­n’t think about it again. At least not for a lit­tle while. But this thought kept peri­od­i­cal­ly cir­cling back into my brain. And as occa­sion­al­ly hap­pens, it got lodged in there. When that hap­pens, I’ve found the only way to get it out is to actu­al­ly do the thing. So here it is!

Re-cre­at­ing and re-imag­in­ing this cov­er was a much big­ger chal­lenge than my Cap­tain Mar­vel #1 was. In the process of dig­ging in and work­ing with a cov­er image like this, you come to real­ize cer­tain things about it. One is that for a Mar­vel Comics cov­er of this vin­tage, it’s a very busy cov­er! It’s almost more like a DC Annu­al or 80-Page Giant cov­er of that era.

I have a the­o­ry about the rea­son why this cov­er is so unchar­ac­ter­is­ti­cal­ly busy for Mar­vel. It’s only a guess, mind you, but I sus­pect that orig­i­nal­ly the cov­er was going to be just the pri­ma­ry image at left. That part looks to have been drawn by Jack Kir­by, while there are oth­er hands in the rest of the art. Three of the Fan­tas­tic Four heads are just the paste-up art they used in that comic’s cor­ner box! I can’t help but won­der if some­one (per­haps Stan Lee, or maybe Mar­tin Good­man) felt like this new title need­ed more of a sales boost than just the one image, so the main piece of art was reduced and shoved to the left, and all the addi­tion­al text men­tion­ing Spi­der-Man and the Fan­tas­tic Four was added in that col­umn on the right.

Adding to my sus­pi­cions are all the tan­gents that exist­ed on the orig­i­nal, which I made an effort to fix here. They feel like the sort of thing that hap­pens when art is re-worked after the fact by oth­er hands, in ways the ini­tial artist did­n’t plan for.

There are a cou­ple addi­tion­al things I should men­tion, because of course there are sto­ry bits about this new/old ver­sion that I worked out in my head while doing this cov­er. I fig­ure Mar­vel might have giv­en Dare­dev­il fold-up boomerangs that he could store in his belt (see dia­gram). And at first I was­n’t sure what to do with the spot at low­er right where Fog­gy Nel­son was on the orig­i­nal cov­er. Who could I put there? But as I thought about it, the idea of aging up the Lit­tle Wise Guys to teenagers (ala Rick Jones), and hav­ing them form a band seemed like a good way to go. They’re rep­re­sent­ed here by Scare­crow. It was­n’t too hard to take his hair­cut from his Gold­en Age look and turn it into more of a Bea­t­le cut.

Thanks to Mr. Uslan and Dan for plant­i­ng the bug in my brain!

Captains All!

Some of you will rec­og­nize this as a re-cre­ation/rein­ter­pre­ta­tion of the cov­er of Whiz Comics #2, first appear­ance of the orig­i­nal Cap­tain Mar­vel in the Gold­en Age.

This was inspired by a sto­ry a friend told me a few weeks back. Like me, his default set­ting when some­one says “Cap­tain Mar­vel” is to think first of the Faw­cett Comics orig­i­nal. His wife does­n’t par­tic­u­lar­ly read a lot of comics, but she’s famil­iar with the char­ac­ter through him. Recent­ly, he and his wife were out at the movies. They were look­ing at the posters for com­ing attrac­tions. One was for Mar­vel’s Cap­tain Mar­vel film. My friend’s wife looked at the poster and was puz­zled. “Um, why is Cap­tain Mar­vel a girl?”

Look­ing around online, there seems to be more than one per­son out there who’s a lit­tle con­fused as to why these dif­fer­ent char­ac­ters have the same name. I’ve seen forums where this ques­tion’s been asked. Peo­ple who know what’s going on try to explain, only to per­haps go into too much detail, caus­ing the eyes of those who asked the ques­tion to glaze over and regret their hav­ing asked. So I’m not going to get into all that here.

This just appealed to my sense of fun to make this swap. It’s not like I haven’t made a char­ac­ter swap like this before! I’ve even swapped pub­lish­ers on this one. In my mind, this would’ve been pub­lished by Timely/Marvel. I even gave the Cap­tain a new/old logo, in line with the kind of logos they used back then.

And like many of you, I’m look­ing for­ward to see­ing what Mar­vel has done with their Cap­tain Mar­vel in the movie!

Black Panther’s First Cartoon Appearance?

Like a lot of peo­ple, I’m look­ing for­ward to the release of Black Pan­ther, the lat­est Mar­vel movie this Fri­day, Feb­ru­ary 16th. This last week­end, I had an email from my first boss when I start­ed work­ing in ani­ma­tion, Lar­ry Hous­ton (whom I also con­sid­er a friend). Lar­ry was the producer/director of the orig­i­nal X‑Men: the Ani­mat­ed Series (as it seems to have become known now). I did char­ac­ter mod­el clean-up on the series, and a fair amount of char­ac­ter design too, along the way.

Lar­ry point­ed my atten­tion to a video on YouTube some­one had assem­bled, of Black Pan­ther’s var­i­ous ani­mat­ed appear­ances. Right up front was his cameo appear­ance on an episode of X‑Men.

That sparked a mem­o­ry. I went back to look, and sure enough: I’d had the priv­i­lege of being the one who got to draw the mod­el for that appear­ance, which I’ve post­ed here! If I’m not mis­tak­en, I think it might well be Black Pan­ther’s first ever appear­ance in a cartoon.

I can’t take cred­it for the idea of putting T’Chal­la in there. It was Lar­ry’s idea. Lar­ry felt very strong­ly (as did the rest of us on the show) that, tak­ing place in the Mar­vel uni­verse, we would like­ly see oth­er Mar­vel char­ac­ters from time to time. Because that was always kind of a Mar­vel Comics trade­mark! Occa­sion­al­ly the pow­ers-that-were got a lit­tle anx­ious over who might hold the rights to var­i­ous char­ac­ters, so some­times things got labeled a lit­tle… dif­fer­ent­ly. In this case, the script we were work­ing on at the time required we show some African mutant refugees, and we felt this was as good a time as any to give T’Chal­la a cameo. Hence, “African Mutant Refugee #3.”

With­in the con­fines of the style of our show, I tried to get some hints of Kir­by in there. Because, why not?

Update – Feb­ru­ary 28, 2018: It’s fun­ny how things work. Aaron Couch, Heat Vision Edi­tor for The Hol­ly­wood Reporter, did an inter­view with Lar­ry Hous­ton about Black Pan­ther and the X‑Men car­toon. Lar­ry point­ed him here to my site, and Aaron want­ed to ask me a ques­tion or two also. The end result wound up part of this arti­cle. Thanks again for your inter­est, Aaron!

Kirby 100, Part 4

This is the fourth and final install­ment in my cel­e­bra­tion of Jack Kir­by’s 100th birth­day this month. Which hap­pens to be today!

Like most of the oth­ers I’ve post­ed, today’s draw­ing came my way years back as a pho­to­copy of Kir­by’s pen­cils, from a sketch­book orig­i­nal­ly done for his wife Roz. It was lat­er repro­duced and pub­lished in book form as Jack Kir­by’s Heroes and Vil­lains. Like the oth­ers I’ve post­ed, this was a draw­ing that looked to me like it might be fun to take a crack at ink­ing it. So I did. And recent­ly col­ored it up for post­ing here.

This char­ac­ter (Ser­si) comes from a com­ic called The Eter­nals, which was one of a hand­ful of titles Kir­by pro­duced dur­ing his last stint at Mar­vel in the mid- to late-’70s. The seeds of this com­ic seem to have come from a very pop­u­lar book around this time by Erich von Däniken, enti­tled Char­i­ots of the Gods?. The book con­jec­tured that alien astro­nauts had vis­it­ed our world in the dis­tant past, and were mis­tak­en­ly thought by us to be gods. It’s easy to see how an idea like this could be fuel for Kir­by’s vivid imag­i­na­tion. Add to it Kir­by’s fas­ci­na­tion with myths and leg­ends, and he cooked up a very enter­tain­ing sce­nario from these ingredients.

Cer­tain sto­ries from Eter­nals still stand out in my mind. The saga of Karkas and the Reject, for exam­ple, which sub­vert­ed the usu­al assump­tions read­ers made about new char­ac­ters based on first impres­sions. Or “The Rus­sians are Com­ing!” in #11, or “The Astro­nauts!” in #13. Even in this lat­er stage of his career, Kir­by still had the goods.

If you caught onto the fact that each of my “Kir­by 100” posts has been in chrono­log­i­cal order of when the char­ac­ter first appeared, give your­self a gold star!

I men­tioned ear­li­er on that Kir­by’s work is very impor­tant to me. He was one of the ear­li­est com­ic book artists whose name and style impact­ed on me, and I was com­pelled to seek out his work. He may not nec­es­sar­i­ly have invent­ed all the “visu­al gram­mar” of draw­ing super­hero comics, but he cer­tain­ly per­fect­ed it! If an artist want­ed to do super­hero comics that had impact, it would have been a mis­take not to learn from Kir­by’s work.

Super­hero comics were not the only kind of mate­r­i­al he did, though. Kir­by worked in almost every genre of Amer­i­can comics, and brought the same inven­tive­ness and dynam­ic ener­gy to what­ev­er he did. He man­aged to cre­ate vital work in every decade, span­ning from the Gold­en Age of comics all the way up into the ’80s.

If for some rea­son you’re not famil­iar with Kir­by, do your­self a favor, and start delv­ing into the work of this tru­ly unique and impor­tant cre­ator! You are in for a treat!

Hap­py 100th, Mr. Kir­by! And a very heart­felt “thank you” for cre­at­ing so many great char­ac­ters and sto­ries that still live and inspire today. You were tru­ly one of a kind!

Kirby 100, Part 3

Wel­come back to anoth­er install­ment, cel­e­brat­ing Jack Kir­by’s 100th birth­day this month!

This time out is Thor. Again, the pen­cil draw­ing came my way years back in the form of a pho­to­copy, and I believe the orig­i­nal source was a sketch­book Jack did for his wife Roz, which ulti­mate­ly saw print as a book enti­tled Jack Kir­by’s Heroes and Vil­lains. It was yet anoth­er Kir­by draw­ing that caught my eye, and looked like it would be fun to try ink­ing. Fresh­ly col­ored for show­ing here.

When I first got to a point where I had suf­fi­cient funds to begin attempt­ing to col­lect more back issues of Kir­by’s Mar­vel work, I tend­ed to not seek out Jour­ney into Mys­tery (where Thor first appeared) or Thor issues. I just did­n’t like the inks as much as I did the inks over Kir­by on his oth­er strips. How­ev­er, as I read more about Kir­by’s work (and espe­cial­ly his Thor work), I real­ized that I was miss­ing out.

Kir­by’s Thor work is sig­nif­i­cant, because in it you see not only a bril­liant comics artist and sto­ry­teller doing a great job. You also see some­thing of Kir­by the man, and his inter­ests. Just as in Fan­tas­tic Four you can see Kir­by’s fas­ci­na­tion with the unknown, what’s out there, in Thor you see Kir­by’s fas­ci­na­tion with myth and leg­end (a touch­stone through­out his career). I feel that while all of Kir­by’s Mar­vel work is great, both Fan­tas­tic Four and Thor are the two main tent posts of his work dur­ing that peri­od which can’t be disregarded.

I tried in col­or­ing this to evoke the kind of col­or palette you see in those old Thor comics. It was fun!

Hap­py Kir­by 100! One more to go, if I can man­age it.

Kirby 100, Part 1

This month would be Jack Kir­by’s 100th birth­day, and though things have been busy for me late­ly, I’m going to try to post some things this month by way of celebrating.

Most vis­i­tors here like­ly already know who Jack Kir­by is. I don’t think it’s pos­si­ble to over­state his impor­tance as a comics artist and cre­ator. So many of the char­ac­ters we’ve been enjoy­ing in the Mar­vel films, more often than not, Kir­by either co-cre­at­ed them or flat-out cre­at­ed them himself.

But you can find all that his­to­ry else­where. The point I want to make here is that Kir­by’s work mat­tered a great deal to me per­son­al­ly. I believe he was the one of the first com­ic book artists who I came to rec­og­nize by his name and his work. When I first came across it, it was pow­er­ful. It was, to my think­ing, comics the way they should be.

I went through a phase in high school where I was try­ing very hard to draw like Jack Kir­by. Not the most uncom­mon thing among fan artists back then, but (this is the embar­rass­ing part) my rea­son­ing was that at some point Mr. Kir­by would retire, and there need­ed to be some­one to pick up the baton. I thought (in my naiveté) maybe that should be me. As I said, it’s embar­rass­ing to admit, but I was young, and this shows how impor­tant I tru­ly felt his work was.

Of course, I grew out of this phase of think­ing I need­ed to be the next Jack Kir­by (A change I’m sure Jack would approve of). But there are still valu­able artis­tic lessons I picked up from study­ing his work that I can see in my work even today.

An expla­na­tion of this piece: years back now, a pho­to­copy of a Jack Kir­by Red Skull sketch came into my hands. Dat­ed 1970, as my trac­ing over his sig­na­ture indi­cates. It was clos­er to a lay­out than the full pen­cils we usu­al­ly see, but some­thing about it spoke to me, com­pelled me to take a crack at ink­ing it. I col­ored it for its appear­ance here.

I’ll be back soon with anoth­er piece.

Hap­py Kir­by 100!

“X” Marks the Spot

I think I’ve men­tioned this here before, but my first job in ani­ma­tion was work­ing on X‑Men: The Ani­mat­ed Series. And recent­ly (due to inter­est expressed by some of my cur­rent col­leagues at work), I’ve had occa­sion to dig out the box con­tain­ing my copies of some of the work I kept from that series. This led to my re-encoun­ter­ing a sto­ry­board sequence I’ve always thought of as “Wolver­ine down in the Sub­way.” I thought per­haps it (and the sto­ry behind it) might be of interest.

My boss on X‑Men was Producer/Director Lar­ry Hous­ton. You’d be hard-pressed to find a bet­ter first boss in ani­ma­tion to teach you the ropes. Lar­ry and Will Meugniot co-direct­ed the first sea­son, but by the time I was hired at the start of the sec­ond sea­son, Lar­ry was the one still run­ning with the baton. If you liked the series, Lar­ry deserves a siz­able por­tion of the cred­it for that. He was a big time comics fan him­self, and was com­mit­ted to doing the absolute best job he could with the time and resources that he’d been given.

To get back to this sto­ry­board sequence, this was part of an episode in which Pro­fes­sor Xavier suf­fered some kind of psy­chic schism, and a sort of dark ver­sion of his psy­che broke loose and was run­ning free, cre­at­ing prob­lems for the X‑Men. It’s long enough ago now, I for­get some of the specifics. Lar­ry found he need­ed a sort of addi­tion­al bridg­ing sequence that was­n’t called for in the script, so he set about to cre­ate it him­self, sto­ry­board­ing it on the fly. It start­ed off with Wolver­ine down in the sub­way, unknow­ing­ly encoun­ter­ing this dark ver­sion of Prof. X. As Lar­ry board­ed the sequence, it kind of grew and took on a life of its own. He could­n’t stop!

When he final­ly fin­ished, Lar­ry asked me to do the cleanup over his pen­ciled board. The art­work was very clear, but in com­ic art terms he had what might be con­sid­ered break­downs, and I was being asked to embell­ish them. Fun! And that’s the board sequence I’ve post­ed here. “Wolver­ine down in the Sub­way.” Except for the next-to-last page (122, inked by Frank Squil­lace, because we were com­ing up against the dead­line), it’s all my embell­ish­ment over Lar­ry’s board­ing. We were all pret­ty hap­py with how the final board here came out!

“…Suddenly a White Rabbit…”

Marvel Team-Up #131 ReworkedYou’re see­ing a rein­ter­pre­ta­tion here of the cov­er to Mar­vel Team-Up #131. I must con­fess that I know absolute­ly noth­ing about the White Rab­bit, or how much of a con­nec­tion she has to the char­ac­ter that appeared in the Lewis Car­roll book Alice’s Adven­tures in Won­der­land. I don’t have a clue about Frog-Man either. I’ve nev­er read this comic.

So why did I do this cov­er? Sim­ple: when I saw the orig­i­nal, I thought there was some­thing fun here that could be rein­ter­pret­ed. If you look around my site, you’ll see that I do things like this on occa­sion. I even got to do it once for the late, lament­ed Cov­ered Blog before they called it a day. Though they’re no longer doing cov­er rein­ter­pre­ta­tions there, I think the idea is still worth pur­su­ing from time to time here.

While more or less straight recre­ations can be fun too, tak­ing an orig­i­nal cov­er and try­ing to find a fresh angle or spin to put on it can be even more fun. In this case, I thought ren­der­ing it in a dif­fer­ent style to make the humor­ous intent of the sto­ry more obvi­ous would be a fun thing to do. And it seemed appro­pri­ate to use the Mar­vel Pop Art Pro­duc­tions cor­ner box with it.

For once, that’s pret­ty much all there is to say for this one!

The Mighty…Motor Scooter??

Thor on Pink ScooterNot long ago, I received an email from my friend and men­tor, Lar­ry Hous­ton. He’d stum­bled across the exis­tence of this toy motor scoot­er from the ’60s that had a fig­ure of Thor rid­ing it. Marx Toys had appar­ent­ly licensed the rights from Mar­vel Comics to man­u­fac­ture and sell these.

Oh, and I should­n’t for­get to men­tion that they made the motor scoot­er pink. Why Thor would even need to be tool­ing around on a motor scoot­er in the first place is one ques­tion. But why some­one at the toy com­pa­ny made the con­scious deci­sion that Thor’s scoot­er ought to be pink is one of those big ques­tions in life that I just don’t think we’ll ever have an answer to.

I had been aware of the exis­tence of this toy pre­vi­ous­ly, but had kind of for­got­ten about it until Lar­ry’s email remind­ed me. In response, I was able to show him evi­dence that not only had they done this with Thor, they’d sold toys of Cap­tain Amer­i­ca and Spi­der-Man on motor scoot­ers too. Spi­der-Man’s was also pink, but for some rea­son they allowed Cap to have a yel­low scoot­er. You can see all three toys here, if you’re curious.

Any­way, the men­tal image of Mar­vel’s god of thun­der on a pink motor scoot­er stuck with me. Some­times these things just have to come out, so there you go! Per­haps this could even start an inter­net meme, of peo­ple draw­ing Mar­vel super­heroes on pink motor scoot­ers! I mean, why not?

Captain Marvel is #1!

Captain Marvel #1 FakeOkay, I real­ize I’ve done a lot of Mar­vel Fam­i­ly-cen­tric posts here late­ly. I hon­est­ly intend­ed that I was going to move away from that this time. But I could­n’t help myself!

My orig­i­nal plan here was to do a straight recreation/reinterpretation of the cov­er of  Cap­tain Mar­vel #1, pub­lished by Mar­vel Comics in 1968 and fea­tur­ing their alien ver­sion of Cap­tain Mar­vel (Kree, to be spe­cif­ic). It was to have been kind of a lit­tle joke, that it would be a Cap­tain Mar­vel, but not the same Cap­tain Mar­vel I usu­al­ly draw. Plus, I’ve always kind of liked the Kree Cap­tain Mar­vel’s orig­i­nal green and white out­fit for some reason.

But then, as I was look­ing at the cov­er, I remem­bered a con­ver­sa­tion I’d had with FCA Edi­tor P.C. Hamer­linck. For those of us with an inter­est in comics his­to­ry (who did what, who pub­lished what, and when), some­times it’s fun to play a game of “What If?” You take events as they hap­pened, then pro­pose a change. It’s like throw­ing a stone into a stream, and see­ing what rip­ples it makes. In this case, P.C. and I once had a con­ver­sa­tion where he threw out the idea, “What if instead of DC pick­ing up the rights to Faw­cett’s Cap­tain Mar­vel, it had been Mar­vel Comics that had made that call?”

That con­ver­sa­tion sud­den­ly came to mind as I looked at the orig­i­nal ver­sion of this cov­er, and real­ized that the pose of the Kree Cap­tain would­n’t take much to rework it slight­ly and make it work just as well for the orig­i­nal Cap­tain Mar­vel. So I got hooked on the idea. This was the result.

Please bear with me for a lit­tle fan­boy indul­gence here: who do I think would’ve been the like­ly can­di­dates to do this book, if Mar­vel had bought the rights back then? Every­one’s obvi­ous first thought would like­ly be Jack Kir­by. How­ev­er, at that point in time, Kir­by’s con­tri­bu­tions to Mar­vel were mov­ing towards being most­ly just between the cov­ers of Fan­tas­tic Four and Thor. I believe it’s more like­ly that some­one from the sec­ond wave of Mar­vel cre­ators com­ing in at that time would’ve been giv­en this assign­ment. Art­wise, at the moment, I’m think­ing per­haps Bill Everett might’ve been the best choice. He had some of that Mar­vel ener­gy going for him, yet he also still had a cer­tain “car­toony-ness” to his work that I think Cap­tain Mar­vel needs.

The writ­ing side of the equa­tion is a no-brain­er. I’m sure Roy Thomas would’ve argued a very strong case for his being the one to get this assign­ment. And I’m think­ing Stan Lee most like­ly would’ve giv­en in and hand­ed the book to him.

“…The Cool Exec with a Heart of Steel.”

This time out, it’s the invin­ci­ble Iron Man! Thanks to the recent movies, now even more peo­ple know Tony Stark’s alter ego. Obvi­ous­ly I’m not doing the movie ver­sion here. Instead, this is the out­fit that first comes to mind for me when some­one says the phrase “clas­sic Iron Man armor” (though I real­ize oth­ers may think of dif­fer­ent suits).

I can’t claim to have fol­lowed Iron Man reg­u­lar­ly as a kid, but there were still some very cool images and sto­ry­lines I caught back then that stayed with me (such as his epic bat­tle with the giant Tita­ni­um Man!). And as far as wish-ful­fill­ment goes, Iron Man’s a pret­ty cool idea: hav­ing the smarts and mon­ey to invent an armored suit which enables you to fly, gives you great strength as well as many oth­er kinds of cool abil­i­ties and weapons. And he even made his first suit out of spare parts, right under the noses of his cap­tors while being held hostage!

This draw­ing was a big exper­i­ment for me. I elect­ed to make myself do it 100% dig­i­tal­ly, final­ly give myself a project to do using my Man­ga Stu­dio EX soft­ware. It just seemed the appro­pri­ate thing to do, with such a high-tech character.

Work­ing all-dig­i­tal­ly is a dif­fer­ent expe­ri­ence. While I’m very com­fort­able with most oth­er aspects of gen­er­at­ing my art using my com­put­er, the ini­tial draw­ing is a dif­fer­ent mat­ter. It feels very weird to start a draw­ing with­out first pick­ing up a pen­cil and a piece of paper. Almost like I can’t quite ful­ly think or visu­al­ize clear­ly with­out those items. The feel­ing’s a bit like those old dreams where you’d go to school and have this nag­ging sen­sa­tion you for­got some­thing, only to look down and see you left your pants at home! This will take fur­ther work. But regard­less, I don’t think I’ll ever want to entire­ly give up my pen­cil and paper!

This one’s for Frank, A.K.A. Iron Man Fan #1. Hope I did jus­tice to your favorite!

“Doc Bruce Banner, Belted by Gamma Rays…”

I was talk­ing with a good friend recent­ly, and he raised a ques­tion. “How come you aren’t draw­ing more of those clas­sic Mar­vel or DC char­ac­ters for your site? You real­ly should be doing more of that stuff.” I had to think about that. There’s real­ly no good rea­son why I haven’t, because I do love that mate­r­i­al. Maybe it’s just one of those things where you’re so close to it, you can’t see it. Or maybe it’s because there are just so many oth­er things I also want to do. Any­way, this post is an attempt to start rec­ti­fy­ing the situation.

It seemed like it might be fun to take a shot at the Hulk. Sur­pris­ing­ly, I haven’t real­ly drawn him all that often. Hulk’s been around awhile. He’s achieved that rar­efied stra­ta of comics char­ac­ters where even many non-comics-read­ers know who he is (thanks to the recent movies, the TV show, and even the Hulk episodes of the “Mar­vel Super Heroes” car­toons back in the ’60s).

There’ve been a num­ber of takes on the Hulk over the years, but if you’ve vis­it­ed my site much, it prob­a­bly won’t sur­prise you to find out that I grav­i­tate towards the ear­ly ver­sion of the char­ac­ter, as visu­al­ized by Jack Kir­by. There’s just some­thing very fun and pri­mal about that Hulk. He felt more like a wild card, unpre­dictable and mon­strous (appro­pri­ate, giv­en all the mon­ster comics Mar­vel was pub­lish­ing not too long before). I thought I’d try to cap­ture some of that ear­ly wild­ness, with­out nec­es­sar­i­ly com­plete­ly aping Kir­by. While it can be a lot of fun to do that, it seemed like a good idea to try to keep a lit­tle more of myself in there this time.

A big thanks to my friend Mark for sug­gest­ing I expand my horizons!

Before “Before Watchmen”

The image I’m post­ing this time is not a new one (it’s already over in the Gal­leries side of my site), but I’ve had some friends make the case that with DC Comics doing all their “Before Watch­men” books right now, it’s a good time to call atten­tion to it anew here on the front page.

There’s a sto­ry behind this piece. A friend of mine in the ani­ma­tion field, Lance Falk, has these sketch­books he pass­es around. They have art by some amaz­ing artists. Chances are if you can think of some big name artist, Lance very like­ly has art by him or her in one of his books. Way back when we were work­ing on “The Real Adven­tures of Jon­ny Quest” togeth­er, Lance asked if I’d be will­ing to do a sketch for his then-cur­rent book. It’s both huge­ly flat­ter­ing and daunt­ing, once you see the lev­el of work oth­ers have done.

Lance sug­gest­ed he might like to see the Watch­men done as if Kir­by had drawn them. I wound up mak­ing a whole cov­er pro­duc­tion out of it, as if it were done in the mid-’60s. Lance was very hap­py with the end result, and I was huge­ly relieved that it was well-received.

Fast for­ward some months lat­er (maybe even a year), and I find out that this sketch­book had been cir­cu­lat­ing fur­ther. It had crossed orig­i­nal Watch­men artist and co-cre­ator Dave Gib­bons’ path in Lon­don. When I first heard he’d seen the book with my draw­ing in it, I must admit I was tak­en aback. But Lance assured me that Mr. Gib­bons actu­al­ly got a big kick out of what I’d done. Once again, I was huge­ly relieved.

Fast for­ward to more recent times, and the pub­li­ca­tion of Mr. Gib­bons’ book, Watch­ing the Watch­men, which com­piled all kinds of back­ground mate­r­i­al on that piv­otal work. He appar­ent­ly liked this Kir­by Watch­men cov­er well enough, he asked me if I’d mind his includ­ing it in the book. What do you think I said? 🙂

Thanks much, Lance and Mr. Gibbons!

Now It Can Be Told!

Some may recall there was a mys­te­ri­ous “teas­er” post I put up back before Christ­mas. I’d been asked to hold off on putting the full art­work for it on my site…until now. So here it is, final­ly: a copy of Amaz­ing Faw­cett Fan­ta­sy #15.

Nev­er seen one before? That’s because it does­n’t exist. It was done as the cov­er for FCA #159, which will be appear­ing in the upcom­ing land­mark 100th issue of Alter Ego. You can see it in con­text with the FCA logo and every­thing else over in my Gal­leries.

You’re prob­a­bly say­ing, “Wait, you goofed up! That does­n’t look any­thing like Spi­der-man!” Ah, but it seems that before the Spi­der-man we’re all famil­iar with came to be, there were sev­er­al vil­lain “spi­der men” char­ac­ters who cropped up in var­i­ous Faw­cett strips. Includ­ing the fel­low on this cov­er here, who went up against Cap­tain Marvel.

This assign­ment was sev­er­al lev­els of fun: get­ting to do my best C.C. Beck impres­sion, try­ing to fig­ure out just what a Faw­cett com­ic might have looked like had they still been pub­lish­ing into the ear­ly 60’s, and work­ing out how to use Pho­to­shop to make it look like a real, well-read comic.

Many thanks to both P.C. Hamer­linck and Roy Thomas for invit­ing me to be part of this mile­stone issue!

Merry Christmas, and Happy Holidays to You All Out There

I’m not sure whether I’ll man­age to get my gal­leries up before the hol­i­days or not, but I thought I’d at least get one more post in before the end of the year. That project I allud­ed to in my pre­vi­ous post last month? This is a teaser/portion of that illus­tra­tion. Down the road at some point when I’ve been giv­en clear­ance, I’ll post the full image. This was a fun one to do, as I got to try out some things in Pho­to­shop I’d nev­er done before.

And in case I don’t wind up post­ing any­thing else before then: hope you all have a good hol­i­day sea­son, wher­ev­er you go, what­ev­er you do.