Surfin’ Is the Only Life, the Only Life for me, Now Surf…Surf…

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Here’s Day 9 of Howard Simp­son’s month-long online Kir­by Cel­e­bra­tion, dur­ing Kir­by’s birth month of August. Open to all cre­atives, you should be able to find oth­er peo­ple’s work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Sil­ver Surfer, who first appeared in Fan­tas­tic Four dur­ing what may be that book’s best-loved and remem­bered sto­ry­line, the Galac­tus tril­o­gy. He was­n’t any­thing that was in any plot that Stan Lee and Jack Kir­by had dis­cussed, and Stan else­where has acknowl­edged that he was sur­prised when he ini­tial­ly saw the pen­ciled pages to dis­cov­er him. Jack explained that he felt a char­ac­ter as con­cep­tu­al­ly big and god­like as Galac­tus ought to have some kind of her­ald to accom­pa­ny and pre­cede him, hence the Surfer.

Stan was so tak­en with the Surfer, he made him his own, and even­tu­al­ly spun him off into his own title. Not work­ing with Kir­by, but John Busce­ma. It’s a high­ly regard­ed book (and char­ac­ter), but Stan’s con­cep­tion was dif­fer­ent from what Jack orig­i­nal­ly intend­ed. Where Stan had the Surfer pre­vi­ous­ly exist­ing as Nor­rin Rad, who sac­ri­ficed him­self and his iden­ti­ty to save his plan­et, Jack thought of the Surfer as a being who was basi­cal­ly cre­at­ed out of noth­ing, and was learn­ing as he trav­eled. That’s def­i­nite­ly how things read in his ini­tial appear­ance as part of the Galac­tus trilogy.

Any­way, I hope you enjoy my shot at the Surfer. Tune in again tomorrow…

Isn’t It Romantic?

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We’re now on Day 8 of Howard Simp­son’s month-long Jack Kir­by cel­e­bra­tion! Open to all cre­atives, you should be able to find the work of par­tic­i­pants on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Tribute.

Today’s prompt is less spe­cif­ic than those we’ve had thus far. It’s “Romance Comics.” If you don’t already know it, you may be sur­prised to hear that the genre of romance comics was cre­at­ed and pio­neered by none oth­er than Joe Simon and Jack Kir­by! So it’s no head-scratch­er that Howard chose this as a prompt. S&K came up with the very first romance com­ic, Young Romance, and sold the con­cept to Crest­wood Pub­li­ca­tions. The com­ic was a huge hit on news­stands, sell­ing 92% of its print run! Of course, sales suc­cess like that breeds imi­ta­tors, which soon fol­lowed from the oth­er pub­lish­ers. But the orig­i­nal S&K sto­ries had a lot more sub­stance going for them, the imi­ta­tors most­ly pale and infe­ri­or in comparison.

My choice to rep­re­sent romance comics was to depict the one char­ac­ter S&K told more than one sto­ry about. Toni Ben­son first appeared in Young Romance #1, in the sto­ry “I Was a Pick-up.” Appar­ent­ly they liked her char­ac­ter well enough that they thought it was worth revis­it­ing her in a sec­ond tale, “The Town and Toni Ben­son,” in Young Romance #10.

I hope you enjoy, and stay tuned!

On the Hunt

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It’s now Day 7 of Howard Simp­son’s month-long online Kir­by Cel­e­bra­tion! It’s open to all cre­atives. You should be able to find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Tribute.

Today’s prompt is comics’ orig­i­nal Man­hunter! Cre­at­ed by Joe Simon and Jack Kir­by for DC Comics back in the Gold­en Age. Though DC had Paul Kirk as a non-cos­tumed char­ac­ter pre­vi­ous­ly, Simon and Kir­by rein­vent­ed him as a super­hero. They had the char­ac­ter put his pre­vi­ous skills as a game hunter to work now hunt­ing crim­i­nals (many of which were cre­ative­ly ani­mal-themed). Start­ing in Adven­ture Comics #73 in 1942, S&K did a total of eight install­ments. It was pop­u­lar enough that it con­tin­ued beyond that in oth­er hands for quite awhile, but it was­n’t the same.

Kir­by took a shot at a revived ver­sion of Man­hunter when he returned to DC in the ear­ly ’70s, in a First Issue Spe­cial (Kir­by did a few of those, debut­ing new con­cepts that unfor­tu­nate­ly did­n’t go any further).

DC appar­ent­ly liked the Man­hunter name, because peri­od­i­cal­ly they dust­ed it off and did oth­er things with it. One of the more notable of them tied into Simon and Kir­by’s Paul Kirk Man­hunter: a strip cre­at­ed by Archie Good­win and Walt Simon­son (his first work that put him on the map with most fans). It ran as a back­up sto­ry in Detec­tive Comics, which Good­win was edit­ing at the time. Well worth check­ing out, it’s been col­lect­ed a num­ber of times if you haven’t seen it.

But this is about the S&K Gold­en Age orig­i­nal! Hope you enjoy it. Stay tuned!

Mr. Sandman…

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We’re at Day 6 of Howard Simp­son’s month-long Jack Kir­by cel­e­bra­tion online, in hon­or of Jack­’s birth­day. It’s open to all cre­atives, and you should be able to find any posts on your favorite social media plat­form via the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Sand­man and Sandy. Sand­man was actu­al­ly not a Simon and Kir­by cre­ation! Orig­i­nal­ly cre­at­ed by writer Gard­ner Fox and artist Bert Christ­man for DC back in the Gold­en Age, he had more of a pulp char­ac­ter appear­ance, run­ning around in a suit and hat, wear­ing a gas mask and gassing crooks with his gas gun. He pre-dat­ed many oth­er super­heroes, first appear­ing in 1939 in Adven­ture Comics #40 and The New York World’s Fair Comics #1.

By 1941, it was appar­ent­ly felt he was out of step with what was going on with DC’s oth­er char­ac­ters, so Mort Weisinger and artist Paul Nor­ris gave him his new pur­ple and yel­low super­hero togs, and added Sandy as a side­kick. Simon and Kir­by picked up the baton from Weisinger and Nor­ris lat­er that year, most def­i­nite­ly putting their stamp on the char­ac­ter! They dumped the cape that Nor­ris had ini­tial­ly giv­en him (mak­ing him look more like an S&K cre­ation), and played around with sto­ries about sleep and dreaming.

Hope you liked my lit­tle trib­ute to the Simon and Kir­by ver­sion of Sand­man and Sandy, and tune in again tomorrow!

Don’t Try This at Home!

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We’ve reached the fifth day of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by! Open to all cre­atives, you can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is Simon and Kir­by’s Stunt­man. So far, all the char­ac­ters have been ones cre­at­ed for either DC or Time­ly (Mar­vel). S&K cre­at­ed Stunt­man for Har­vey Comics!

It was a fun con­cept. Along with Fred Drake as Stunt­man, you had looka­like actor Don Dar­ing, who fan­cied him­self some­thing of a detec­tive, but had a way of get­ting in over his head. He offered some com­ic relief in the strip. Mean­while, Fred Drake as Stunt­man han­dled all the real heavy lift­ing in solv­ing the cas­es. And then you also had a roman­tic tri­an­gle with Don Dar­ing’s costar, San­dra Syl­van, who did­n’t know Fred even existed.

The strip was qual­i­ty, like every­thing Simon and Kir­by tack­led, but it came out at a bad time. Post-WWII, there was appar­ent­ly less inter­est in super­heroes, and with all the paper rationing no longer in place, there was a glut of titles on the stands. So the sad thing was that they only got three issues out before the plug had to be pulled.

I tried an idea for my Stunt­man por­trait that I thought might be a lit­tle dif­fer­ent and inter­est­ing, depict­ing him in mid-stunt. Hope you enjoy, and see you again tomorrow!

Guarding the Legion

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It’s now Day 4 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by! Open to all cre­atives, you can find the work on all social media plat­forms hash­tagged #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Guardian and the News­boy Legion! They’re anoth­er Simon and Kir­by cre­ation which clicked with fans, run­ning from their debut in Star-Span­gled Comics #7, all the way through issue #64.

The News­boys were a group of orphans who lived in Sui­cide Slum. Offi­cer Jim Harp­er became their legal guardian. Frus­trat­ed with red tape, Harp­er also adopt­ed the iden­ti­ty of the Guardian to fight crime off-duty in more direct ways than he could while on-duty. You can’t see much of it here, but the Guardian had a shield shaped like a badge, which he made very effec­tive use of.

Clock­wise from the Guardian cen­tered at the top are Big Words (in the glass­es), Scrap­per (in the cap), Gab­by, and Tom­my Tompkins.

Hope you enjoy, and maybe we’ll see you again here tomorrow!

Allied against the Axis

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We’re at Day 3 of Howard Simp­son’s month-long cel­e­bra­tion of Jack Kir­by on social media! Open to all cre­atives, you can find the work on your favorite social media plat­forms by the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Young Allies. I must admit that once you get out­side of Cap­tain Amer­i­ca, the Human Torch and the Sub-Mariner, I am less famil­iar with the Time­ly char­ac­ters than I am with DC’s Gold­en Age offer­ings. Cre­at­ed ini­tial­ly by Joe Simon and Jack Kir­by, the Allies were a kid gang group that appar­ent­ly first appeared in the pages of Cap­tain Amer­i­ca under the name “the Sen­tinels of Lib­er­ty.” They proved pop­u­lar enough to be spun off into their own title. Simon and Kir­by did­n’t stick around for that long.

The Allies were anoth­er kid group who fought the Axis. Led by Cap­tain Amer­i­ca’s side­kick Bucky and the Human Torch’s side­kick Toro, the rest of the group (from upper left) includ­ed Hen­ry “Tub­by” Tin­kle, (-cringe-) “White­wash” Jones, Jef­fer­son “Jeff” Sandervilt, and Per­ci­val Aloy­sius “Knuck­les” O’Toole.

The Young Allies sto­ries haven’t been reprint­ed very much, and for good rea­son. If you both­er to dig up art­work online (like I had to in order to do this draw­ing), you’ll see why. Poor White­wash is treat­ed in this hor­ri­bly racist way in the strip. Not that the oth­er char­ac­ters appeared to be much more than a col­lec­tion of stereo­types either (the fat kid who’s eat­ing all the time, the tough kid who’s always look­ing for a fight, etc.).

Any­way, I hope you enjoy what I did with them. See you again tomorrow!

Commandos Calling

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It’s Day 2 of Howard Simp­son’s cel­e­bra­tion of Jack Kir­by on social media! I explained a lit­tle more about it yes­ter­day. It’s basi­cal­ly open to all cre­atives, and if you want to find out what peo­ple are doing on your favorite social media plat­forms, you can use the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt is the Boy Com­man­dos. They were a Simon and Kir­by cre­ation for DC Comics back in the Gold­en Age, and a big sales suc­cess that last­ed well beyond WWII, run­ning from 1942 all the way to 1949. Simon and Kir­by had a lot of suc­cess with kid gangs. The Com­man­dos were a group of orphans from dif­fer­ent coun­tries who fought the Axis, com­mand­ed by Capt. Rip Carter (upper right cor­ner). At the very bot­tom left cor­ner in the der­by is Brook­lyn (I don’t know if he was ever giv­en a last name), and on his right is Jan Haasan from the Nether­lands. Above them are André Chavard of France on the left, and to André’s right is Alfie Twid­gett from England.

I hope you enjoy, and stay tuned for tomor­row’s drawing!

I Have a Vision!

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Long­time vis­i­tors to my site will know that I’m a big Jack Kir­by fan! August hap­pens to be the month Jack Kir­by was born, on the 28th. Real­iz­ing this, Howard Simp­son came up with a great idea: a month-long cel­e­bra­tion of Kir­by and his work online, via social media. I believe it’s open to any cre­atives, and the idea is “the more, the mer­ri­er.” If you want to search them all out and see who’s doing what on your favorite plat­forms, they should be hash­tagged #Kir­b­yArt­Trib­ut­es. I haven’t usu­al­ly done a lot of social media chal­lenges, but I could­n’t pass this up. Strap in; it’s going to be a busy month!

The first prompt is the Gold­en Age ver­sion of the Vision. If most peo­ple are aware of the Vision at all, it’s prob­a­bly Mar­vel’s Sil­ver Age ver­sion of the char­ac­ter. The Gold­en Age ver­sion was pub­lished by Time­ly (the name Mar­vel was known by dur­ing most of the Gold­en Age), and despite some visu­al sim­i­lar­i­ties with the Sil­ver Age ver­sion, he was a dif­fer­ent char­ac­ter. Instead of being an android, this Vision was a super­nat­ur­al being who could trav­el into and out of our world via smoke.

I’ve set cer­tain para­me­ters of my own for my con­tri­bu­tions this month. They’re all going to be for­mat­ted like this, basi­cal­ly por­traits in small squares. I’ve also elect­ed to stick to the lim­it­ed old school col­or palette that com­ic books used on their inte­ri­or pages for many years. There’s a method to my mad­ness that will hope­ful­ly pay off at the end of the month, if I can pull off what I’d like to accomplish.

Hope you enjoy! Stay tuned!

Frank? Is That You?

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Long­time vis­i­tors here might recall I have some­thing of a loose tra­di­tion of doing draw­ings of Franken­stein’s mon­ster on Hal­loween. So here you go again!

…What? You don’t rec­og­nize this guy? That’s because he pre-dates the Uni­ver­sal Studios/Boris Karloff ver­sion we’re all more famil­iar with. In fact, you’re look­ing at the first film ver­sion of Franken­stein ever, from 1910! Released by Thomas Edi­son and run­ning between 11–16 min­utes (depend­ing on how fast the film passed through the pro­jec­tor), you could say it was some­thing of a “Cliffs Notes” ver­sion of the sto­ry. Like the lat­er Uni­ver­sal ver­sion, there were some alter­ations to Mary Shel­ley’s orig­i­nal nov­el for var­i­ous rea­sons (such as run­ning time).

For years, this film was thought to be one of the (sad­ly) many lost films of the silent era. Grow­ing up, I only ever saw a cou­ple of still images from it in library books about old sci fi, hor­ror and fan­ta­sy films. But the film was lat­er dis­cov­ered in a pri­vate film col­lec­tion! Appar­ent­ly, the Library of Con­gress did a restora­tion project of the film not long ago, and you can see it here.

One of the things I was struck by was how dif­fer­ent the mon­ster’s cre­ation is in this film. In place of the more pseu­do-/qua­si-sci­en­tif­ic birth of the clas­sic Uni­ver­sal ver­sion, we have some­thing that feels more magical/mystical/alchemical in nature. It must have been stun­ning for audi­ences 100+ years ago. As a mod­ern view­er, it’s not hard to fig­ure out how they did the effect here, but it’s no less effec­tive for being able to under­stand it. The whole film has some­thing of a dream-/night­mare-like feel to it.

I start­ed this off just think­ing it would be fun to do a creepy por­trait of the mon­ster, and def­i­nite­ly got car­ried away with the ren­der­ing, but I was hav­ing fun doing it. Obvi­ous­ly the film is in B/W, so my col­ors are only a guess. But they felt about right to me, and kind of worked with the val­ues in the still shots.

Hope you enjoy my ver­sion of Edis­on’s ver­sion of Franken­stein. Hap­py Halloween!