It’s Transducin’ Time!

I just did a piece of pin­up art of Frank Squil­lace’s Trans­duc­er Man! ‘Nuff said!…

…No? Guess not. Okay; here’s more. Years ago, on my first day in ani­ma­tion (work­ing on X‑Men: The Ani­mat­ed Series) , the very first per­son I met was Frank Squil­lace. My friend Frank has always been one of those artists whom you could describe as an “idea engine.” For exam­ple, Jack Kir­by was clear­ly that kind of artist. Frank has always been com­ing up with ideas for dif­fer­ent char­ac­ters and sto­ries, as if it were the eas­i­est thing in the world. He’s got so many of them! I must con­fess to being a bit jeal­ous of Frank’s abil­i­ty to do that, because I’ve nev­er been wired quite that way.

Frank’s had his Trans­duc­er Man char­ac­ter for a good, long while, prob­a­bly since well before we ever met. The char­ac­ter’s gone through sev­er­al iter­a­tions over the years, as he peri­od­i­cal­ly played with the con­cept, hon­ing and shap­ing it. Back when we were work­ing togeth­er on X‑Men, I even did a few draw­ings of his char­ac­ter (as he was at that point) myself. I’ve includ­ed one here, below.

Frank and I have been talk­ing recent­ly, and he’s been real­ly fired up to do some­thing with Trans­duc­er Man again. Specif­i­cal­ly as a com­ic. As often hap­pens with Frank, the con­cept has been expand­ed and altered again. Cur­rent­ly, Trans­duc­er Man’s more in the vein of a clas­sic Gold­en Age com­ic char­ac­ter (while not entire­ly aban­don­ing his orig­i­nal more pulp-based roots). Hear­ing what Frank intends on doing with his com­ic, I could­n’t help but get the itch to take a crack at draw­ing the cur­rent iter­a­tion myself!

Mean­while, Frank is cur­rent­ly furi­ous­ly work­ing on his Trans­duc­er Man book, hop­ing to get it out. Stay tuned; I’ll let you know when it hap­pens! It will include my pinup…along with oth­er guest pieces of art!

Trans­duc­er Man is ™ & © Frank Squillace.

Do I Know You? Who Are You Again?

I’ve been wait­ing a year to do this! After I gen­er­at­ed last year’s Christ­mas offer­ing, this idea popped into my head. Though it’s a vari­a­tion on a theme, I had to final­ly get it out of my brain!

I have a big soft spot for DC’s Sil­ver Age 80 Pg. Giants, and the 100 Pg. Super Spec­tac­u­lars. The 80 Pg. Giants in par­tic­u­lar col­lect­ed a lot of fun, some­times strange, sto­ries. It occurred to me that it would be fun if there were one fea­tur­ing a bunch of odd­ball dif­fer­ent San­ta Claus­es, play­ing on some of the old comics tropes in think­ing them up. For some rea­son, they always had these “future men” with giant heads, pre­sum­ably to hold their enlarged brains! And of course there had to be a goril­la too!

Hope you enjoy! I’m not going to lie; if this were a real com­ic, I’d absolute­ly buy it. That’s about all there is to say, except to wish all my site vis­i­tors a Mer­ry Christ­mas, and a Hap­py New Year!

“It’s the Red Tomato!…Er, Tornado!”

This is anoth­er one of those things where I was look­ing at some­thing, and an idea popped into my head that I had to do in order to get it out of my brain. A fake cov­er, sort of a “What if DC gave Shel­don May­er a ded­i­cat­ed Red Tor­na­do com­ic back in the Gold­en Age?”

This hap­pened as I was re-read­ing DC’s JSA All-Stars Archives (Vol­ume 1), fea­tur­ing solo sto­ries of sec­ondary and ter­tiary char­ac­ters who showed up with the Jus­tice Soci­ety in All-Star Comics at one point or anoth­er. And part of that col­lec­tion was a batch of sto­ries fea­tur­ing Shel­don May­er’s Scrib­bly, the Boy Car­toon­ist, where the Red Tor­na­do debuted.

Ini­tial­ly, the first Red Tor­na­do char­ac­ter I encoun­tered in comics as a kid was a com­plete­ly dif­fer­ent char­ac­ter! He was an android, and had become part of the Sil­ver Age Jus­tice League. When not in his hero­ic iden­ti­ty, this Sil­ver Age ver­sion of the Red Tor­na­do was in the midst of learn­ing how to be more human (a bit like Mar­vel’s the Vision). After a lit­tle while, I learned of the pri­or exis­tence of the orig­i­nal Red Tor­na­do, a hero­ic iden­ti­ty adopt­ed by Ma Hun­kel in Shel­don May­er’s Scrib­bly the Boy Car­toon­ist install­ment for All-Amer­i­can Comics #20.

The Red Tor­na­do was played for fun and laughs, in that ear­ly era when super­heroes were still some­times called “mys­tery men.” And as mod­ern super­hero comics seem deter­mined to take them­selves ever more death­ly seri­ous, I find myself becom­ing ever more appre­cia­tive of comics that are fun. After all, I think “fun” is a big part of why most of us got into read­ing comics in the first place!

I should talk a bit about Shel­don May­er, cre­ator of the Red Tor­na­do. May­er was a rar­i­ty for the Gold­en Age: an artist, writer and edi­tor all in one. He worked briefly as an edi­tor for the McClure Syn­di­cate (for M.C. Gaines), where he came across Siegel and Shus­ter’s unsold Super­man strip, which he “fell in love with.” He talked it up so much to any­one who would lis­ten, he even­tu­al­ly con­vinced Gaines to take it up to Har­ry Donen­feld, who was look­ing for orig­i­nal strips to run in a new com­ic they were going to call Action Comics. To use a cliché phrase (one appro­pri­ate in this case), “the rest is history.”

A num­ber of Gold­en Age artists cred­it­ed May­er as being very help­ful to them as an edi­tor. Being a writer and artist, he had a per­spec­tive that oth­er edi­tors did­n’t. May­er on his own as a writer and artist did a lot of fun, cre­ative comics! I recent­ly dis­cov­ered that the Scrib­bly strip he did for All-Amer­i­can Comics (where he cre­at­ed the Red Tor­na­do) even­tu­al­ly got its own title for awhile post-WWII. Prob­a­bly his best-known and longest-run­ning title would be Sug­ar and Spike, about two babies who com­mu­ni­cat­ed in baby talk that adults were unable to under­stand. In the ear­ly ’70s, he also wrote and drew a num­ber of large for­mat Col­lec­tors’ Edi­tion comics fea­tur­ing Rudolph the Red-Nosed Rein­deer for DC. I kind of feel like I need to see if I can get some more of May­er’s work in my collection!

DC nev­er did a ded­i­cat­ed Red Tor­na­do title, but when I was read­ing that mate­r­i­al in the Archive Edi­tion I men­tioned up top, I came across the splash pan­el that kicked off the Scrib­bly install­ment for All-Amer­i­can Comics #23, and real­ized that it would work great as a cov­er. Hence the attri­bu­tion (though I put my own lit­tle spin on the idea).

Hope you like this, and that you’re enjoy­ing the hol­i­day season!

Funky Frankie

It’s that time of year when I have a tra­di­tion of doing some kind of Franken­stein imagery. Right after I fin­ished the one I did for last year, this one came to me in a fore­head-slap­ping “D’oh!” moment.

Unlike last year’s image, this is a real song, as some of you will know. The Edgar Win­ter Group’s “Franken­stein” is one of the coolest rock instru­men­tals of the ’70s. I’ll give you moment to check it out here, if you haven’t heard it before.

…Okay, you’re back now? “Franken­stein” was a big hit and actu­al­ly made it to #1 on the charts. My under­stand­ing is that in record­ing and fig­ur­ing out the song, the band end­ed up hav­ing to do a lot of phys­i­cal edit­ing of the song parts. Today, that’s just a mat­ter of hit­ting a but­ton or two. Back then, you had to lit­er­al­ly take a razor blade to the record­ing tape to cut it apart, then tape it back togeth­er again. With all the var­i­ous tape pieces lying around the stu­dio wait­ing to be pieced back togeth­er, the band’s drum­mer observed that the song had become “like Franken­stein.” The name stuck.

I knew what I kind of want­ed the illus­tra­tion to look like, but think­ing about col­or was anoth­er thing. Then I remem­bered that for awhile now, I’d been intrigued by the idea of try­ing some­thing with flu­o­res­cent col­ors, like a black­light poster. It struck me that this was the per­fect oppor­tu­ni­ty to try that out, so here you go!

Hap­py Halloween!

Getting Blitzed

Ear­li­er this year, I was post­ing a num­ber of fake comics cov­ers I’d done for Big Bang Comics’ “His­to­ry Issues” (#24 and #27) that I had new­ly col­ored. Since then, some oth­ers turned up that I did­n’t pre­vi­ous­ly have copies of the fin­ished inks for, which gave me the oppor­tu­ni­ty to final­ly col­or them too. And giv­en that they’re doing #Big­Bang­To­ber again this year, and today’s prompt is Big Bang’s speed­ster, the Blitz, it seemed a good time to post this (final­ly) col­ored ver­sion of the cov­er I drew for All-Blitz #21. It’s a twofer, in that you also get the intro­duc­tion of Speed Queen!

This orig­i­nal­ly appeared (small, in black and white) on pg. 27 of Big Bang Comics #27, AKA “The Big Bang His­to­ry of Comics 2.” The pen­cils, let­ter­ing (and now col­or­ing) are mine. Because of how the con­trib­u­tors were list­ed (and how many years lat­er this is), I’m not entire­ly sure who inked this. Per­haps it was Ed Quin­by? I know he inked one or two oth­er fake cov­ers I did for this project.

As I think I men­tioned before, to do these His­to­ry issues, Gary Carl­son need­ed a WHOLE bunch of cov­ers gen­er­at­ed, so all of us artists had a lot of lat­i­tude to cre­ate stuff. On this one, I was think­ing of how much fun some of those old com­ic cov­ers were when they debuted a new super­heroine, and the name “Speed Queen” popped into my head for a char­ac­ter. Seemed like some­thing they would’ve done back then.

I had also pen­ciled a cou­ple oth­er Gold­en Age Blitz cov­ers, and if good copies of the fin­ished inks for those ever turn up, I’ll prob­a­bly col­or them too. For now: hope you enjoyed this one!

…And an Encore!

Well, we just com­plet­ed anoth­er Jack Kir­by Trib­ute Month (curat­ed and cre­at­ed by Howard Simp­son). I guess you could call this the bonus round. Like last year, I decid­ed to try to assem­ble all of these into one, big image. With the excep­tion of yes­ter­day’s “wild card” round, which was not a Jack Kir­by cre­ation, so it does­n’t belong here. Plus 30 images just group togeth­er a lot eas­i­er than 31!

See­ing all of these togeth­er, I’m struck by how busy the end result is! There’s a lot going on. I guess that’s a result of my try­ing to give each pan­el a sense of nar­ra­tive, as if they were each ran­dom­ly plucked from the midst of larg­er stories.

A lot­ta work there! See­ing them all togeth­er makes me real­ize that. But it’s cool see­ing them all in this context.

Will I do this again next year? We’ll see. I may tweak my process a lit­tle bit. I did this year, by adding the nar­ra­tive aspect.

I hope you’ve enjoyed this trip with me, found it fun and inspirational.

Knights That Do Justice‑y Type Things

Well, we’ve made it to the 31st here, the final day of Jack Kir­by Trib­ute Month (the brain­child of Howard Simp­son). And the prompt for the final day of the month, like last year, is a bit of a wild card. As Howard put it last year, “Draw your own orig­i­nal char­ac­ter. The King would want you to cre­ate char­ac­ters you own.”

I dug pret­ty deep for this one. Pre­sent­ing a super­hero group I co-cre­at­ed with my broth­er Andy when we were kids: the Knights of Jus­tice! From left to right you have Mol­e­cule Man, Sledge­ham­mer, Boomerang King, the Wiz­ard (descend­ing from above), and final­ly… er, sor­ry; I don’t remem­ber the pur­ple guy’s name any­more! I could only come up with a vague rec­ol­lec­tion that he was the speed­ster of the group. My broth­er does­n’t remem­ber either.

I drew the orig­i­nal draw­ing when I was around 15, I fig­ure. And I admit to cring­ing a lit­tle bit at the draw­ing (those lol­lipop calves!) and some of those cos­tume designs. All I can say in my defense is it was the ’70s, and I guess I was influ­enced a bit too much by some of the trendi­er super­hero cos­tumes of the time. And why so many full face masks? Though I do think the Wiz­ard design is actu­al­ly kind of cool still, even all these years lat­er. Kind of brave to just go full black and white like that.

And that’s an offi­cial wrap for Jack Kir­by Trib­ute Month this year, but I have one more thing I want to post tomor­row. Oh, and for what it’s worth, the Knight of Jus­tice are ™ & © Andy and Mark Lewis.

It’s “Harriet,” not “Hatter”

We’ve made it to day 30 of this year’s Jack Kir­by Trib­ute Month! I was­n’t sure I would make it this far, but here we go. It’s still Granny Good­ness’ Orphan­age week, fea­tur­ing char­ac­ters who grew up in that insti­tu­tion on Apokolips. And today’s prompt is Mad Har­ri­et of the Female Furies!

Like all the Furies, her first appear­ance was in Mis­ter Mir­a­cle #6 (the infa­mous “Funky Flash­man” sto­ry). And she shows evi­dence there of liv­ing up to her name!

She’s a chal­lenge to draw, because while visu­al­ly mem­o­rable, once you get beyond her face and hair, her metal­lic clawed gaunt­let and pow­er spikes, it was like the remain­der of her out­fit did­n’t seem to be quite ful­ly nailed down. Fig­ur­ing out what the rest of her looks like was a chal­lenge, so I took what cues I could from var­i­ous pan­els scat­tered across sev­er­al stories.

I was also unsure what col­or to make her lips, as the col­orist back then kind of did­n’t both­er to give them a col­or. But going with kind of a blue-black for the high­lights seemed fit­ting to me.

One more day left in this year’s Jack Kir­by Trib­ute Month! What’s up next? You’ll have to come back tomor­row to see!

Lashing Out

We’re in the final days of this year’s Jack Kir­by Trib­ute Month, and this week’s theme has been char­ac­ters who grew up in Granny Good­ness’ Orphan­age, that won­der­ful insti­tu­tion on Dark­sei­d’s Apokolips. Today’s prompt is Lashina, mem­ber of the Female Furies.

Her com­bat spe­cial­ty is the use of the var­i­ous whips or lash­es that are part of her uni­form, which she’s very quick to unfurl and use. Her design is sim­ple, but visu­al­ly strik­ing (pun unavoid­able; sor­ry)! With such a sim­ple design, you’d think she’d be easy to draw, but I found that not to be the case. I end­ed up doing it twice here. After I got my first draw­ing done and inked, I real­ized it did­n’t look right, so I redrew her body a sec­ond time, mor­tis­ing out the orig­i­nal and replac­ing it with my sec­ond (improved) drawing.

Hope you enjoyed my take on Lashina. And feel free to tune in again tomor­row to see our next vis­i­tor from Granny Good­ness’ Orphanage!

The Song of Bernadeth

As you might know, we’re in this year’s Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. A new, cool thing Howard intro­duced this year has been weeks with over­all themes to them. This week’s theme is Granny Good­ness’ Orphan­age, with char­ac­ters who grew up there on Apokolips. Today’s prompt is Bernadeth of the Female Furies.

I’ve nev­er attempt­ed to draw her before. Jack gave her a very dis­tinc­tive look. She tend­ed to be a back­ground play­er when the Furies would show up, and did­n’t usu­al­ly get much dia­logue. Prob­a­bly the most screen­time and dia­logue she got was in her first appear­ance, in Mis­ter Mir­a­cle #6 (the infa­mous “Funky Flash­man” sto­ry, where all the Furies first appeared). We learn that she’s the sis­ter of Desaad, Dark­sei­d’s mas­ter tor­tur­er. A cool and dis­pas­sion­ate per­son, her weapon of choice is the Fahrenknife, which can “pen­e­trate dimensionally–and bar­be­cue [you] from the inside!!” Chill­ing idea!

Hope you like my take on her. For who’s next, feel free to come back by here again tomorrow!

No, Not Barbara!

Still doing Jack Kir­by Trib­ute Month, we’re in the midst of Granny Good­ness’ Orphan­age Week, fea­tur­ing char­ac­ters who grew up in that insti­tu­tion on Apokolips. Today’s prompt is the one and only Big Bar­da, erst­while com­man­der of the Female Furies!

There’s some­thing real­ly neat about her bat­tle armor that makes it a fun chal­lenge to wrap your head around and try to draw it. I took a shot at it last year too.

Appar­ent­ly at one point, Jack had want­ed to star Bar­da and the oth­er Furies in their own book, but I gath­er by that point, DC felt sales on the Fourth World books weren’t enough to jus­ti­fy doing it, sadly.

Hope you like my take on Bar­da here, and please feel free to come back by here tomor­row to see who’s next from the Orphanage!

A Walking, Talking Miracle!

It’s day 26 of this year’s Jack Kir­by Trib­ute Month, and the theme we’re work­ing with this week is char­ac­ters raised in Granny Good­ness’ Orphan­age on Apokolips. Today’s prompt is Mis­ter Miracle!

I’ve drawn him before, not just for last year’s Jack Kir­by Trib­ute Month, but also a few times when I was younger. Some­thing about the char­ac­ter caught my eye. I’ve got a soft spot for him. Maybe it was the fact he was the clos­est thing in Kir­by’s Fourth World titles to look­ing like a reg­u­lar super­hero, or the bright col­or scheme. Per­haps it was also the super-sci­en­tif­ic escape act, that had him get­ting out of sit­u­a­tions that looked impos­si­ble. Maybe I was­n’t alone in being fas­ci­nat­ed, because appar­ent­ly sales fig­ures prompt­ed DC to keep Mis­ter Mir­a­cle going longer than any of the oth­er Fourth World titles.

It looks bad for our hero, but I’m sure he’ll get out of this at the last pos­si­ble moment! Tomor­row will be anoth­er for­mer res­i­dent of Granny Good­ness’ Orphanage.

Do the Stomp!

We’re still in Jack Kir­by Trib­ute Month, and a new week means a new theme! This is Granny Good­ness’ Orphan­age Week, fea­tur­ing char­ac­ters who grew up in that august insti­tu­tion on Dark­sei­d’s Apokolips.

Today’s prompt to kick off the theme is the Female Furies, but I’ve decid­ed to go slight­ly off-menu and give you only one Fury today: Stompa.

Stom­pa (and the oth­er Furies) were first intro­duced in Mis­ter Mir­a­cle #6. You can prob­a­bly guess her spe­cial­ty by her name. Sounds sim­ple, but she made very effec­tive use of her abil­i­ty. Stom­pa and the oth­er core Furies appar­ent­ly decid­ed to defect to Earth from Apokolips, and became semi-reg­u­lars in the book for the rest of its run.

I had a bit of a time try­ing to nail down her col­or scheme, as it seemed to sort of shift around a lit­tle bit. I end­ed up with this as a good com­pro­mise for consistency.

Stom­pa was kind of fun to draw! I hope you enjoyed my take, and tune back in tomor­row to see who’s next.

Some Enchantress Evening

If you’ve been fol­low­ing along, you know I’ve been doing Jack Kir­by Trib­ute Month. This has been Asgard Week, fea­tur­ing char­ac­ters from Jack­’s Jour­ney into Mystery/Thor run. And our final vis­i­tor from Asgard this week is the Enchantress!

Her first appear­ance (in Jour­ney into Mys­tery #103) was a fun sto­ry, team­ing her with the Exe­cu­tion­er. Chic Stone’s inks worked well there, espe­cial­ly with a char­ac­ter like the Enchantress. Only a cou­ple years lat­er, it was reprint­ed in the Thor King-Size Spe­cial #1 (AKA Thor Annu­al #2).

The Enchantress’ col­or scheme was a lit­tle dif­fer­ent in her first appear­ance. Instead of the over­all green scheme, her cos­tume includ­ed bright magen­ta! Also, they made her a plat­inum blonde. I liked that idea; it was kind of a unique touch that got lost when they lat­er went with a more con­ven­tion­al blonde col­or. So I made her a plat­inum blonde again here.

Tomor­row’s a new week and a new theme! Tune in tomor­row to see.

“Cross the Rainbow Bridge of Asgaaaard,…”

Jack Kir­by Trib­ute Month, and we’re in the back end of Asgard Week. You knew it was inevitable that at some point, the prompt would have to be Thor!

Many of the char­ac­ters I’ve been draw­ing here, I’ve nev­er attempt­ed before. I can’t say that about Thor, though. I’ve drawn him a few times.

Way back when I was try­ing to break into comics, I remem­ber work­ing up a sam­ple page fea­tur­ing Thor. One of the pan­els fea­tured a close-up of an angry Thor, yelling just pri­or to leap­ing on his foe while swing­ing his ham­mer. I had heard that com­ic artists some­times shot pho­to ref­er­ence, so I shot a Polaroid of myself mak­ing the face I want­ed, try­ing to get it just right. The end result was a Thor face that looked a lit­tle too much like me! The les­son as an artist is that using pho­to ref­er­ence, you have to be real­ly care­ful that it does­n’t take over.

I’ve gath­ered that some Sil­ver Age fans back when Thor was first com­ing out made the con­nec­tion that he was kind of Mar­vel’s equiv­a­lent to Super­man: being able to fly, hav­ing super-strength and vir­tu­al invul­ner­a­bil­i­ty. There’s also the aspect of him hav­ing been sent to Earth by his father. A less obvi­ous cor­re­la­tion might be between Thor and the orig­i­nal Cap­tain Mar­vel, as both char­ac­ters make a big mag­i­cal trans­for­ma­tion to get from their civil­ian iden­ti­ties to their hero­ic ones.

Tomor­row’s the finale of Asgard Week. Who’s it going to be? You’ll have to come back to find out!

No, I Am Not Coming with You!

This is now the 22nd day of this year’s Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son), and we’re work­ing our way through Asgard Week. Today’s prompt is Hela, god­dess of Death! Hela presents a strik­ing visual!

Like some oth­er char­ac­ters in the book, it seemed to take a lit­tle bit before she devel­oped a real “fixed” form. It seems she only appeared four times dur­ing Jack­’s run. I don’t have a copy of her ini­tial appear­ance in Jour­ney into Mys­tery #102 (I think in a “Tales of Asgard” back­up),  but when I looked up her sec­ond appear­ance in Thor #133, I was sur­prised. Not only is the draw­ing a bit dif­fer­ent, the col­or scheme does­n’t even include any green in it! It was­n’t until #150 that we got what most peo­ple have come to think of as her clas­sic design.

I’d nev­er tried to draw Hela before, and it was an inter­est­ing chal­lenge to wrap my head around her design, fig­ure out a way to under­stand it so I could draw it. One lib­er­ty I took was the green lips. They did­n’t do that in her appear­ance in #150, but it felt right to me. It’s like it gives her an even more “oth­er­word­ly” feel.

I had fun with this one, so I hope you like it too. Come back tomor­row to see who vis­its us next from Asgard!

Milady

This makes Day 21 now of this year’s Jack Kir­by Trib­ute Month. And we’re work­ing our way through Asgard week, fea­tur­ing char­ac­ters who appeared dur­ing Jack­’s Jour­ney into Mystery/Thor run. Today’s prompt is the Lady Sif!

Ini­tial­ly, the Thor strip in Jour­ney into Mys­tery had a run­ning sub­plot that Thor loved the mor­tal Nurse Jane Fos­ter, who worked for him in his human iden­ti­ty of Dr. Don Blake. Thor’s father Odin had trou­ble with this idea, and Jack and Stan got a lot of “soap opera” style mileage out of this rela­tion­ship for a long time. But some­thing like this could only be car­ried on for so long, with­out it becom­ing tiresome.

So they found a sat­is­fy­ing way to resolve this sto­ry­line in Thor #136, “To Become an Immor­tal!” I don’t want to spoil the sto­ry for those who haven’t read it for them­selves yet, but at the end, Sif shows up. And from that point on, she became a reg­u­lar sup­port­ing char­ac­ter in the book, as the sto­ries became more epic.

An inter­est­ing thing is that Sif’s look kind of fluc­tu­ates a bit more than you’d think. She looks dif­fer­ent­ly on the splash page of issue #137 than she did at the end of #136. Her cos­tume had a lot more detail. She starts off in #137 with a full hel­met sur­round­ing her head (with orna­men­tal wings, no less!), which over time morphs into more of a small hel­met pro­tect­ing just the top of her head, before van­ish­ing entire­ly. Her cos­tume becomes very sim­pli­fied over time too. For my ver­sion, I brought in a lit­tle bit of the orig­i­nal detail, just to make it more interesting.

Tune in tomor­row to see who’s next for Asgard Week!

Big Daddio

We’ve made it to day 20 of this year’s Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son). The theme has been Asgard this week: char­ac­ters who appeared dur­ing Jack Kir­by’s run on Jour­ney into Mystery/Thor. And today’s prompt is none oth­er than Odin!

Fans will know that Odin is the ruler of all Asgard, and Thor’s father. If you’ve read a lot of the Lee/Kirby sto­ries, you’re aware that their rela­tion­ship is com­pli­cat­ed, to say the least.

An inter­est­ing aspect to Odin is that visu­al­ly, apart from hav­ing a sol­id frame and the white hair and beard, he has no fixed look! Pret­ty much every time you see him, his attire is dif­fer­ent. And more often than not, it’s quite ornate! In comics, this is very unusu­al. But appar­ent­ly Jack liked the chal­lenge of com­ing up with some­thing dif­fer­ent for Odin each time you saw him. It was­n’t just from issue to issue; some­times his appar­el would change from scene to scene in the same story!

As a result, what I’ve drawn here is inspired by, but not based off of, any one spe­cif­ic out­fit worn by Odin. I pulled my col­or cues from how he was col­ored too (crazy things some­times like the green shad­ows on the blue gloves!). I don’t know that Jack ever hid a face any­where in his designs, but that felt right to me to do that (as kind of a tip of the hat to Walt Simon­son and his Thor run, sec­ond best only to the orig­i­nal. Simon­son would do things like that).

Hope you like my take on Odin, and tune in tomor­row for our next vis­i­tor from Asgard!

Three Is a Magic Number

Here on the 19th day of Jack Kir­by Trib­ute Month, we’ve moved into Asgard week, fea­tur­ing char­ac­ters from Jack­’s Thor run. Today’s prompt is the War­riors Three! In front from left, we have Hogun the Grim and Fan­dral the Dash­ing. Behind them is Volstagg.

As seen in Thor Annu­al #2 from 1966, the War­riors were good friends of Thor. They would often end up going into bat­tle togeth­er. Fan­dral had a dev­il-may-care atti­tude, smil­ing and jok­ing as he bat­tled, seem­ing­ly mod­eled after Errol Fly­nn (per­haps with Fly­n­n’s ver­sion of Robin Hood in mind). Hogun came by his appel­la­tion “the Grim” hon­est­ly, as he rarely smiled or said much in bat­tle (he appeared to be some­thing of a mash-up of Charles Bron­son and Genghis Khan, odd­ly enough). Vol­stagg at this ear­ly point in time was often more of a com­ic relief fig­ure, though lat­er he was shown to be as brave and respect­ed as the rest. He appears to have been inspired by Shake­speare’s Falstaff.

I’d nev­er attempt­ed to draw these char­ac­ters, so it was fun to take a crack at them! Hope you enjoy, and tune in again tomor­row if you’re curi­ous to see who in the Thor cast shows up next!

Sneaky!

We’ve made it to the 18th day of this year’s Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son)! A new week means a new theme: Asgard week, fea­tur­ing char­ac­ters who appeared in Jack­’s run on Jour­ney into Mystery/Thor. And this first day, the prompt is none oth­er than that wily ras­cal, Loki!

Loki made a pret­ty good ongo­ing threat to Thor and Asgard. He was always very crafty in how he went about his schemes, and even man­aged to gain con­trol of Asgard at one point! A lot has hap­pened to the char­ac­ter in the years since, but that “trick­ster” ele­ment has remained a part of his character.

I’ve said this pre­vi­ous­ly, but Jour­ney into Mystery/Thor is an impor­tant book to look at when study­ing the body of Jack­’s Mar­vel work. All his Mar­vel work is worth look­ing at, but I’ve come to the con­clu­sion that there are two books that are the pil­lars of his Mar­vel work, that must be tak­en into account. I’m talk­ing about the Fan­tas­tic Four, and Jour­ney into Mystery/Thor. Those are the two books where you not only see a storyteller/artist work­ing at the top of their craft, you also get to see a glimpse of Jack Kir­by as a per­son, the things that inter­est­ed and moti­vat­ed him. Thor shows the inter­est that Jack had in myths and leg­ends which ran through his career.

It was fun to take a shot at draw­ing a clas­sic-style Loki here. If you’re curi­ous as to who might be next, pop by again tomorrow!

Wild Thing

Today wraps the sec­ond full week of this year’s Jack Kir­by Trib­ute Month. This week’s theme has been the D.N.Aliens gen­er­at­ed by the DNA Project and the Evil Fac­to­ry, from Jack­’s Jim­my Olsen run. Today’s prompt is Jim­my “Homo-Dis­as­trous” Olsen.

As men­tioned before, one of the tropes that had long been part of Jim­my Olsen sto­ries was to put poor Jim­my through strange changes. And when Jack took over the title, using DNA as a plot ele­ment allowed him to take Jim­my through some very strange trans­for­ma­tions! Most were in the form of clones, but in this instance, Simyan and Mokkari of the Evil Fac­to­ry altered Jim­my him­self into this very sav­age and dan­ger­ous form. They over­es­ti­mat­ed their abil­i­ty to han­dle the altered Olsen. Or some of the oth­er crea­tures he freed from their menagerie.

I must admit that it was kind of fun to draw a sav­age Jim­my Olsen! Hope you enjoyed this, and please tune in again tomor­row to see a new week’s new theme!

It’s All Their Fault!

Today makes day 16 of the sec­ond annu­al Jack Kir­by Trib­ute Month, which means we’re offi­cial­ly over halfway through! If you’ve been keep­ing score, you know that this week’s theme has been the D.N.Aliens cre­at­ed by the DNA Project or the Evil Fac­to­ry, as seen in Kir­by’s run on Jim­my Olsen. Today’s prompts are the heads of the Evil Fac­to­ry, Simyan and Mokkari.

Work­ing on behalf of Dark­seid to wreak hav­oc on Earth from their secret loca­tion, Simyan and Mokkar­i’s Evil Fac­to­ry cre­at­ed a num­ber of crea­tures that they seemed in some cas­es to not even real­ly have any con­trol of. It was sci­ence run amuck! They were def­i­nite­ly respon­si­ble for cre­at­ing some “inter­est­ing” times for our heroes and the DNA Project. There’s also a sense that maybe the alliance between the two is on the frag­ile side, that each has their own inter­ests and ought to watch their back.

These guys were fun to try to draw. It struck me that those facial tat­toos (or mark­ings, or what­ev­er they are) on Mokkari kind of make me think of some­thing Steve Ditko might’ve designed.

Hope you like my take, and stay tuned! There’s one more day of this week’s D.N.Aliens theme, which you’ll see tomorrow!

Don’t Be so Angry!

Today makes day 15 of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. If you’ve been fol­low­ing along, you know the theme this week is the D.N.Aliens from the DNA Project and the Evil Fac­to­ry, as seen in Jack­’s run on Jim­my Olsen. And the prompt for today is Angry Charlie.

Angry Char­lie was a prod­uct and sur­vivor of the Evil Fac­to­ry, but not real­ly bad in him­self. He was more of a chaos agent, act­ing in unpre­dictable ways. His appear­ance was weird and a lit­tle off­putting, yet some­how also man­ag­ing to be kind of cute, in a way. The News­boy Legion (espe­cial­ly Gab­by) kind of adopt­ed him as a pet. Angry Char­lie had an odd propen­si­ty to snack on fur­ni­ture on occasion.

This isn’t the first time I’ve drawn Angry Char­lie! Last year’s Jack Kir­by Trib­ute Month had a prompt for Kir­by’s mon­sters, and out of all the crea­tures I could’ve done, I chose to draw Char­lie. Guess I have a bit of a soft spot for him.

Hope you enjoy, and that you tune in again tomor­row to see the next D.N.Alien!

Takes All Kinds

Here’s day 14 of of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the month of Jack Kir­by’s birth. The theme this week is the D.N.Aliens of the DNA Project and the Evil Fac­to­ry in Jim­my Olsen. And today’s prompt is Arin, the Armored Man.

Arin only appeared in one short tale, part of a few one-shot extras Jack did under the umbrel­la title, “Tales of the DNA Project.” Arin was cre­at­ed by the Project to be able to live and thrive in the vac­u­um of space. He had with him a red back­pack that…well, I don’t want to spoil the sto­ry for those who haven’t read it. We only get to see him for three pages in Jim­my Olsen #146, so who knows what comes next?

Arin seems to be metal­lic in nature, but he appears dif­fer­ent from the kind of shiny met­al com­pos­ing char­ac­ters like the Sil­ver Surfer. I tried to get that sense here too.

I hope you enjoy my take, and feel free to tune in tomor­row for anoth­er D.N.Alien!

 

Two and Two Is…

It’s now day 13 of the sec­ond annu­al Jack Kir­by Trib­ute Month, and we’re in the midst of a week themed for the D.N.Aliens from Jack­’s time on Jim­my Olsen. Today’s prompt is the Four-Armed Ter­ror, anoth­er char­ac­ter I’ve nev­er tried to draw before.

The Ter­ror was part of a batch of D.N.Aliens cooked up in secret by the Evil Fac­to­ry to wreak hav­oc on their oppo­site, the DNA Project. Feed­ing on radioac­tive ener­gy, the Four-Armed Ter­ror and his sib­lings came dan­ger­ous­ly close to end­ing the Project in a nuclear fire­ball! But Super­man saved the day at the last moment.

To be hon­est, the Ter­ror was a bit of a chal­lenge to draw. His appear­ance did­n’t seem to be com­plete­ly locked down, and the inks by Vince Col­let­ta did­n’t real­ly help in that regard either. So hope­ful­ly this com­bines enough of what I saw in all those pan­els to work.

Tune in again tomor­row for anoth­er D.N.Alien!

Think of a Number Between One and Ten…

On day 12 of the sec­ond annu­al Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son), this week’s theme is the D.N.Aliens from Jack­’s time on Jim­my Olsen. Today’s char­ac­ter prompt is Dubbilex.

Dub­bilex was one of the D.N.Aliens from the gov­ern­men­t’s secret DNA Project, intro­duced in Jim­my Olsen. Though per­haps some­what off­putting at first glance, Dub­bilex was actu­al­ly quite friend­ly and intel­li­gent. Though cre­at­ed at the Project, he worked along­side the sci­en­tists, help­ing with research. He was the face of the Project, intro­duced to any vis­it­ing dig­ni­taries who were allowed through their doors. Lat­er in Jack­’s run, Dub­bilex was shown to have devel­oped Telekine­sis too.

I’d nev­er drawn Dub­bilex before (or most of the oth­er char­ac­ters that are prompts for this week). He was fun to take a shot at. Hope you like my take, and that you come back tomor­row to see the next D.N.Alien!

Jolly and Green

We’re at Day 11 of the sec­ond annu­al Jack Kir­by Trib­ute Month, start­ing the sec­ond full week of the month. A new week means a new over­all theme: D.N.Aliens (from the DNA Project and the Evil Fac­to­ry in Jim­my Olsen). Today’s prompt is the Giant Jim­my Olsen.

When Jack Kir­by decid­ed it was time to leave Mar­vel for green­er pas­tures and jumped over to DC, it was a Big Deal! Report­ed­ly, Jack was offered his pick of any DC book he want­ed. Jack though was very much a work­ing man at heart; while he was an artist, he was also very con­scious of the fact he was work­ing hard to pro­vide for his fam­i­ly as best he could. And he was mind­ful that oth­er artists were in the same boat, so he was ret­i­cent to get any­one boot­ed from a reg­u­lar assign­ment that helped to pay their bills. As a result, when offered his choice of any book in the DC line, Jack said, “Give me your worst-sell­ing title,” since he would­n’t be putting any­one out of work by doing that. This is how Jim­my Olsen (of all books) wound up being an inte­gral part of Jack­’s Fourth World Saga at DC.

I’m sure that any reg­u­lar Jim­my Olsen fans’ heads were prob­a­bly spin­ning, over all the wild, crazy action and con­cepts Jack threw at them. DNA? Cloning? The Hairies? The Moun­tain of Judg­ment? In some ways, Jack was prob­a­bly a bit too far ahead of his time for DC, or for most read­ers then. It was­n’t until years lat­er that sub­se­quent Super­man cre­ative staff seemed to final­ly catch up with Jack and revis­it­ed some of his concepts.

Even before Jack took on the book though, there was some­thing of a tra­di­tion of Jim­my Olsen under­go­ing strange changes or trans­for­ma­tions from time to time (look up Giant Tur­tle Boy, for exam­ple). Bring­ing DNA into the sto­ry­telling mix allowed Jack to put a fresh spin on this idea. The Giant Jim­my Olsen was genet­i­cal­ly engi­neered from DNA sam­ples tak­en from Jim­my by the Evil Fac­to­ry. He was cre­at­ed to break into the DNA Project , kill Super­man and destroy the Project.

I don’t know if Jack was respon­si­ble for his col­oration, but some­one must have amused them­selves by col­or­ing Giant Jim­my green, which gave him some­thing in com­mon with a cer­tain big, strong, rag­ing (ahem!) Incred­i­ble char­ac­ter at anoth­er company.

Hope you enjoy, and tune in again tomor­row to see the next D.N.Alien!

I Can Dig It

It’s now the 10th day of the sec­ond annu­al Jack Kir­by Trib­ute Month, devised by Howard Simp­son to hon­or the cre­ative genius of the King. Howard intro­duced a fun new wrin­kle this year, of themed weeks. This week’s theme has been the Fan­tas­tic Four, and on this last day of the week, the final prompt is the Mole Man.

The Mole Man may not be con­sid­ered the FF’s arch­en­e­my, but he has the dis­tinc­tion of being the very first antag­o­nist they faced in their ori­gin sto­ry. Like many of the FF vil­lains, he had more com­plex­i­ty to him than your aver­age com­ic book vil­lain. He com­mand­ed an army of Moloids (which I’ve includ­ed some of here, free of charge) as well as var­i­ous giant under­ground mon­sters. He was bit­ter, yet not entire­ly unsym­pa­thet­ic, hav­ing been shunned and basi­cal­ly dri­ven away by most of the rest of mankind.

While I have (on rare occa­sion) pre­vi­ous­ly attempt­ed to draw some of the oth­er FF char­ac­ters I’ve drawn this week, this is the first time I’ve ever tried to draw the Mole Man. It was fun!

And that wraps up Fan­tas­tic Four week. Tomor­row’s a new week, and a new theme!

You’re All Doomed!

Today makes Day Nine of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the cre­ative genius of Jack Kir­by dur­ing his birth month. We’re in the first full week of the month, and the theme for this week is the Fan­tas­tic Four. Today’s prompt is Dr. Doom.

Vic­tor Von Doom views him­self as being above oth­er men. And yet (though he’d deny it), he’s clear­ly threat­ened by Reed Richards’ genius. He’s a bit more com­plex of a char­ac­ter than your aver­age supervil­lain. Kir­by has been quot­ed as say­ing he was inspired in part by The Man in the Iron Mask, and was try­ing to make him “the clas­sic con­cep­tion of Death,” with­out a hint of mer­cy, by mask­ing him in cold, unmer­ci­ful steel. He viewed Doom as being para­noid, and Doom’s per­fec­tion­ism was what ulti­mate­ly tripped him up and bent his mind.

Dr. Doom’s mask is kind of tricky to draw! It sort of morphs a bit between pan­els and appear­ances, so hope­ful­ly I’ve done it jus­tice here.

Tune in tomor­row for the finale of Fan­tas­tic Four week!

Stretching the Point

We’re at Day Eight of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the King in his birth month. A new ele­ment this year is each week hav­ing a theme, this week’s being the Fan­tas­tic Four. If you’ve been fol­low­ing along the pre­vi­ous days, you might be able to guess today’s prompt: Mr. Fantastic.

Reed Richards as Mr. Fan­tas­tic is the bril­liant scientist/inventor and leader of the FF. A fun aspect of the orig­i­nal Jack and Stan run on Fan­tas­tic Four were those scenes where Reed was inten­sive­ly work­ing in his lab over some wild Kir­by-designed piece of equip­ment. I kind of had that in mind when doing this drawing.

If you’ve seen the orig­i­nal run by Jack and Stan, you might rec­og­nize that the way Jack drew Reed kind of mor­phed over the time he was doing the book. Mr. Fan­tas­tic start­ed off a bit thin­ner in the face ini­tial­ly, but got a lit­tle more “robust” lat­er on. I ref­er­enced how Reed looked dur­ing the mid­dle issues of the run here, which many con­sid­er to be the prime peri­od for the book.

The week’s theme is not over! Hav­ing cov­ered the FF them­selves, tune in tomor­row to see who’s up next.

Ever-Lovin’ Blue-Eyed

We’ve reached the sev­enth day of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. A cool new aspect he’s intro­duced is themed weeks, where each day’s prompts fit with­in that theme.

If you’ve been fol­low­ing along, this week’s theme is the Fan­tas­tic Four. Today’s prompt is the Thing.

Ben Grimm as the Thing is a char­ac­ter who might appear fair­ly sim­ple and straight­for­ward on the sur­face, but if you’ve read the orig­i­nal run by Jack and Stan, you real­ize there’s more to him than meets the eye. He can be fun­ny, but there’s also under­ly­ing pain and regret, being stuck in this mon­strous form. Lat­er cre­ators have some­times lost that aspect, focus­ing more on the comedic elements.

The Thing is not an easy char­ac­ter to draw! I had a bit of a strug­gle here before I felt like I had it rea­son­ably correct.

Hope you approve. Tune in tomor­row to see who’s next!

He Thinks He’s Hot Stuff!

It’s Day Six of the sec­ond annu­al Jack Kir­by Trib­ute Month, we’re in the midst of Fan­tas­tic Four week, and today’s prompt is the Human Torch.

In his ini­tial appear­ances, he was per­haps a bit too form­less. Jack quick­ly fig­ured this out, and cod­i­fied what we now think of as his clas­sic look. From time to time, some sub­se­quent artists have tried to get cre­ative and find oth­er ways to draw him, but some­how he does­n’t look like him­self when you get too far removed from the tem­plate Jack set.

As men­tioned ear­li­er, I’m try­ing to get some sense of nar­ra­tive into these shots. Where exact­ly is he? Some­place unusu­al, no doubt. Feels like a sto­ry there.

Hope you like what I’ve done here. Tune in tomor­row if you’d like to see who’s up next!

Now You See Her,…

By now you know I’m par­tic­i­pat­ing in the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to mark the month of Jack­’s birth (he would turn 107 lat­er this month if he were still with us).

The new thing Howard’s intro­duced this year is weeks that have an over­all theme to each day’s prompts, and this week’s theme is the Fan­tas­tic Four. I did a group shot yes­ter­day, and today’s prompt (the first of the indi­vid­ual shots) is the Invis­i­ble Woman.

At first, her only pow­er was to turn invis­i­ble. But I think Jack and Stan real­ized pret­ty quick­ly that this did­n’t quite give her enough to ful­ly hold her own with the rest of the group. So they had her devel­op an addi­tion­al pow­er: the abil­i­ty to cre­ate force fields. That did the trick.

Sue Storm was orig­i­nal­ly known as the Invis­i­ble Girl, and it was­n’t until John Byrne’s run on Fan­tas­tic Four in the ’80s (sec­ond best in my opin­ion only to Jack and Stan’s orig­i­nal run!) that she was re-chris­tened the Invis­i­ble Woman. Byrne came up with some of the most cre­ative uses for her pow­ers that had ever been seen, and man­aged to show once and for all that she was a force to be reck­oned with!

Hope you like, and feel free to come back tomor­row to see who’s up next!

Fantastic!

Here’s Day Four of the sec­ond annu­al Jack Kir­by Trib­ute Month, and begin­ning the first full week of August means we also have a new theme this week: the Fan­tas­tic Four. And the first prompt is…the Fan­tas­tic Four?!

Since we also have sep­a­rate prompts for each indi­vid­ual char­ac­ter com­ing up, I thought I might do a “before and after” thing, today being the “before” part of the equa­tion. This was a moment with a lot of dra­ma in their ori­gin sto­ry, so I went with it. I always thought it was cool how Jack chose to ren­der the cos­mic rays as these sort of “lozenge” shapes. Kind of not all that threat­en­ing in them­selves indi­v­d­u­al­ly, but fear­ful because they’re an unknown, and there are so many of them!

I ful­ly admit to appro­pri­at­ing the col­or scheme used in the orig­i­nal ver­sion, because why not? I thought it looked great, and it also kind of reminds me of the almost “pop art” col­or­ing approach used in Alex Ross’ Fan­tas­tic Four: Full Cir­cle (which in my opin­ion is the best ver­sion of these char­ac­ters that I’ve seen in years!).

A note about the FF: while pret­ty much any Mar­vel book Jack had a hand in is worth a look, there are two absolute­ly essen­tial titles he did at Mar­vel that I feel are the tent­posts of his work there, which have to be tak­en into account when apprais­ing that body of work. In them, you see not just an artist and sto­ry­teller work­ing at the height of his craft, but you also get to see some­thing of the man him­self and his inter­ests. Fan­tas­tic Four is one of those books. In it, you get to see Jack­’s fas­ci­na­tion with sci fi, the unknown, and with what might be out there. It’s a theme that runs through much of his work, and we got to see a bit of it pre­vi­ous­ly in Chal­lengers of the Unknown at DC.

I did say two titles, so I’m not going to hold you in sus­pense wait­ing days to hear the sec­ond one. It’s Jour­ney into Mystery/Thor. That’s where you see Jack­’s ongo­ing fas­ci­na­tion with myths and leg­ends, which runs through­out his career.

So who’s first up when we move to the indi­vid­ual mem­bers tomor­row? I’m not going to spoil that. You’ll just have to check in and see!

Buncha Dingbats!

We’re at day three of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son! The week’s theme (at least for the three days that fall into August) has been char­ac­ters cre­at­ed by Jack who appeared in DC’s 1st Issue Spe­cial. Today’s prompt is the Ding­bats of Dan­ger Street! From left to right up top are Good Looks, Krunch, and Bananas. At low­er right is Non-Fat.

As men­tioned pre­vi­ous­ly, I nev­er saw any copies of 1st Issue Spe­cial on the spin­ner rack when it was first pub­lished, but lay­ing hands on copies years lat­er did­n’t prove to be too cost­ly. Appear­ing in 1st Issue Spe­cial #6, the Ding­bats is kind of a quirky strip. You get to see Jack­’s sense of humor, but there’s also a bit of an edge to it too, the sense things are dangerous.

Jack and Joe Simon were the pio­neers of the “kid gang” genre in the Gold­en Age, find­ing fun and dra­ma in pulling togeth­er dis­parate per­son­al­i­ties who might rub each oth­er the wrong way on occa­sion, but ulti­mate­ly had each oth­er’s backs. They came up with the Young Allies, Boy Com­man­dos, the News­boy Legion, the Boy Explor­ers, and Boys’ Ranch (maybe oth­ers that I’m not think­ing of at the moment). So this was Jack­’s lat­er attempt at anoth­er group in that vein. Maybe there’s a bit of the Bow­ery Boys in there, or maybe it’s just Jack­’s own expe­ri­ence of grow­ing up in a tough neighborhood.

Though DC only pub­lished the one sto­ry, there were at least two more issues of Ding­bats Jack drew, which were ulti­mate­ly “writ­ten off.” If you want to see those (in col­or, no less!), I high­ly rec­om­mend get­ting your­self a copy of TwoM­or­rows’ Ding­bat Love, which final­ly brings to light a lot of mate­r­i­al Jack did for DC in those days that pre­vi­ous­ly nev­er got to see the light of day.

If you’ve seen the one pub­lished issue, you might at first think, “He col­ored Non-Fat wrong!” Nope! DC got it wrong in the orig­i­nal com­ic! Jack intend­ed that Non-Fat be African-Amer­i­can. There’s even a draw­ing he did of the cast where there are brief descrip­tive notes for each char­ac­ter, and next to Non-Fat, Jack wrote, “Non-Fat is an eager beaver Black kid.” Appar­ent­ly the col­orist who han­dled that issue of 1st Issue Spe­cial did­n’t get that memo!

Like with the oth­er 1st Issue Spe­cial char­ac­ters, this is the first time I ever tried to draw these guys. Hope you enjoy! Stay tuned for tomor­row, and a new theme!

He Always Gets His Man…or at Least He Did that One Time

This is day two of the online sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by artist Howard Simp­son. Like last year, I intend to try to par­tic­i­pate in the fun, and see if I can’t hit each day’s prompt.

As men­tioned yes­ter­day this (short) week’s theme is the three issues of DC’s 1st Issue Spe­cial that fea­tured cre­ations by Jack. Today’s prompt is the ver­sion of Man­hunter that appeared in 1st Issue Spe­cial #5.

This is a dif­fer­ent take on Man­hunter from what Jack and his part­ner Joe Simon had done back in the Gold­en Age, and was also dis­tinct from the crit­i­cal­ly acclaimed ver­sion Archie Good­win and Walt Simon­son had done a cou­ple years ear­li­er as a reg­u­lar back­up strip in Detec­tive Comics. I don’t want to spoil any­thing for those who haven’t yet had a chance to read Jack­’s ver­sion here by say­ing too much, even this many years removed. But I found this take to have sort of a clas­sic, pulpy inspi­ra­tion that I enjoyed. If this had gone on to a series, I would’ve been along for the ride, to see where Jack would’ve tak­en it.

Like I men­tioned yes­ter­day, though I nev­er saw this title on the spin­ner rack when it orig­i­nal­ly came out, I found it not too expen­sive when I went look­ing for it sev­er­al years later.

I’d nev­er tried to draw this ver­sion of Man­hunter, so it was fun to do that. I did­n’t men­tion this yes­ter­day, but some­thing I’m try­ing to do with all of these this time out is to cre­ate some sense of nar­ra­tive, the feel­ing that each of these might be a moment from the midst of a sto­ry. I did some of that last year, but I want to try to con­scious­ly do more of it this year.

Stay tuned for tomorrow’s!

Carrying the Weight of the World

It’s August, and that means it’s also the sec­ond annu­al Jack Kir­by Trib­ute Month (cre­at­ed by Howard Simp­son). Basi­cal­ly there are char­ac­ter prompts for each day. I par­tic­i­pat­ed in this last year (you can find what I did here on the site), and I’m going to try and do them all again this year.

A new wrin­kle for this year’s Kir­by Trib­ute Month is that each week has a spe­cif­ic theme. There are only three days that fall with­in August this first week, and the theme is Kir­by’s issues of DC’s 1st Issue Spe­cial. Today’s prompt is Atlas, who appeared in 1st Issue Spe­cial #1.

I nev­er saw this com­ic on the spin­ner rack back when it came out, but like most of the oth­er issues of this title, it was­n’t too cost­ly to buy when I final­ly came across a copy years lat­er. Atlas is set in an ancient time, seem­ing­ly before writ­ten his­to­ry, and to me feels a bit like Jack­’s take on a Conan the Bar­bar­ian type of char­ac­ter. Like the vast major­i­ty of Jack­’s work, you get to the end of that issue, and it feels like there’s a lot of poten­tial, if he had been giv­en the green light to con­tin­ue the story.

I’d nev­er tried to draw Atlas before, so it was fun to do this! Hope you enjoy, and stay tuned for tomor­row’s entry!

The Supreme Allied Commando!

Here’s anoth­er fake cov­er I drew for Big Bang’s His­to­ry issues. Not only fresh­ly col­ored, but also inked for the first time! A lot of fake cov­ers need­ed to be gen­er­at­ed for those issues, and there was­n’t time to ink them all. Since they were being print­ed pret­ty small, it was okay if some of them were in pen­cils, as long as they were fair­ly clean and tight.

Gary Carl­son had incor­po­rat­ed into the Badge’s back sto­ry that at a cer­tain point dur­ing WWII, he took up anoth­er name for a time and changed his uni­form accord­ing­ly, going into action as the Supreme Allied Com­man­do. I think this is the first time he’s appeared in col­or in this garb.

Ini­tial­ly when I first tack­led design­ing the Badge, I took my inspi­ra­tion from the heroes Simon and Kir­by cre­at­ed for DC (prob­a­bly the Guardian espe­cial­ly). For this ver­sion, I looked back at what they had been doing with Cap­tain Amer­i­ca, of course.

While Cap­tain Amer­i­ca was a patri­ot­ic super­hero (the prime one peo­ple think of from WWII), I real­ized awhile back that Simon and Kir­by’s Cap sto­ries also had some­thing else going on. There was a def­i­nite influ­ence from the “weird men­ace” pulp genre, with the kind of foes they went up against. It was even on the cov­ers, with the mad sci­en­tists per­form­ing unspeak­able exper­i­ments, evil hench­men, deformed mon­sters, and odd men in hood­ed robes who would some­times throw axes. Strange­ly, I’ve rarely heard any­one else call­ing atten­tion to that influence.

That’s why all those things are present here. I even came up with names for the two main bad guys that I jot­ted down on the out­side bor­der of my cov­er: Dr. Von Mungler and his hench­man Oggar.

Enjoy! And with the tim­ing of this post­ing, I wish you a Hap­py Inde­pen­dence Day!

Oblivious

Fake comic cover for Big Bang Comics' Venus #198, with the character Olivia featured on the cover.As has no doubt become clear, I did a lot of fake cov­ers for “The Big Bang His­to­ry of Comics” issues. This one end­ed up being espe­cial­ly fun, for rea­sons you’ll under­stand when I explain who did what.

This cov­er is for the most part my work. I pen­ciled it, let­tered it, and now col­ored it. The inks? By none oth­er than (drum­roll please) Mr. Mike Roy­er him­self! He was Kir­by’s best inker in the ’70s, no ques­tion in my mind. I still kind of can’t believe this hap­pened. More about that in a minute.

Oblivia came about because I was think­ing of those odd char­ac­ters like the Black Rac­er who would sud­den­ly pop up ran­dom­ly out of nowhere in the midst of Jack­’s Fourth World saga at DC. I start­ed think­ing about what Joe Kingler (Big Bang Comics’ equiv­a­lent for Jack) might have done in the con­text of work­ing on Venus, and the name “Oblivia” popped into my head. It seemed to me very much the sort of “play on words” name that Jack often used. So a Venus cov­er fea­tur­ing her did­n’t at all seem out of line.

When I pen­ciled this cov­er, I had no clue who might end up ink­ing it. I prob­a­bly would­n’t have gone ahead and let­tered it if I had known. So when Big Bang’s Gary Carl­son raised a few pos­si­bil­i­ties for inkers, Mike Roy­er being one of them, it was the no-brain­er of all no-brain­ers to say, “Yes!”

I actu­al­ly had the oppor­tu­ni­ty to pick up the fin­ished cov­er in per­son, and was thrilled with the end result. I got to spend a very fun Sun­day after­noon hang­ing out at Mr. Roy­er’s home, con­vers­ing and hear­ing a lot of great sto­ries about his time in comics, work­ing for Dis­ney doing licens­ing art, plus oth­er top­ics. Again, thanks so much, Mr. Royer!

In col­or­ing this, I heav­i­ly ref­er­enced the way all those Fourth World cov­ers at DC were col­ored. That guid­ed me to go in some direc­tions I prob­a­bly would­n’t have gone if I were just col­or­ing this nor­mal­ly on my own (like knock­ing the gang­sters out all in green), but it helped to real­ly get across the right peri­od look.

Thanks for looking!

Venus Vs. Cupid

Fake comics cover for Big Bang Comics' Venus #169, with Ares looming in the backgroundI’m adding anoth­er to the group of fake cov­ers I had a hand in cre­at­ing some­time back for “The Big Bang His­to­ry of Comics” issues of Big Bang Comics. Cred­its on this one take a lit­tle expla­na­tion. Pen­cils were by Frank Squil­lace, inks and let­ter­ing by me. Frank did a col­or comp on a pho­to­copy with mark­ers, which I marked up with col­or for­mu­la call­outs to cre­ate a col­orist guide.

This cov­er end­ed up being repur­posed as an actu­al Big Bang cov­er for issue #34, with dif­fer­ent trade dress. For that instance, I believe some­one at Image actu­al­ly gen­er­at­ed the col­or file used to print it, based on the col­or guide we’d pro­vid­ed. I don’t think I actu­al­ly did that one myself in Pho­to­shop, because after much search­ing, I don’t seem to have a file for it. Which means the ver­sion you see here has been total­ly recol­ored by me from scratch in Pho­to­shop, ref­er­enc­ing the col­or guide. I tweaked the ren­der­ing in a few spots to plus what was in the print­ed ver­sion a lit­tle bit, so a sharp eye might spot some of those differences.

I sus­pect most vis­i­tors will imme­di­ate­ly real­ize that Frank and I were shoot­ing for a Jack Kir­by style here. I always thought of Big Bang as sort of “comics his­to­ry through a fun­house mir­ror.” It’s known that when Jack Kir­by jumped from Mar­vel to DC, they offered him any book he want­ed. Jack was­n’t com­fort­able with putting any­one out of work, so he said, “give me your least-sell­ing book.” That’s how Jim­my Olsen end­ed up as part of Jack­’s Fourth World Saga at DC. Any­one who’s stud­ied Jack­’s work knows he had a life­long fas­ci­na­tion with myths and leg­ends. So I thought, what if instead of Jim­my Olsen, Jack had tak­en on Won­der Woman? In Big Bang terms, that would’ve trans­lat­ed to Joe Kingler (Big Bang’s Kir­by equiv­a­lent) tak­ing on the char­ac­ter Venus.

This is the first time this has appeared in col­or with the orig­i­nal Venus mast­head. Hope you enjoy it!

Getting Animated

Fake comic cover for Adventures of the Knight Watchman #23, with Big Bang Comics' the Knight Watchman and Pink Flamingo facing off.Here’s anoth­er fake com­ic cov­er I gen­er­at­ed for one of “The Big Bang His­to­ry of Comics” issues, this one fea­tur­ing ani­mat­ed-style ver­sions of the Knight Watch­man and his neme­sis, the Pink Flamin­go. With my pen­cils, inks and let­ter­ing, it appeared orig­i­nal­ly in black and white in Big Bang Comics #24. And now for the first time, it’s in col­or here!

I’m sure I don’t have to explain what style I’m going for here. At the time I orig­i­nal­ly did this, I believe I was like­ly still work­ing on X‑Men: the Ani­mat­ed Series. It would be awhile yet before I final­ly got the chance to work on an ani­mat­ed Bat­man project for Warn­ers, on the direct-to-video Bat­man: Mys­tery of the Bat­woman. Thanks to Curt Geda for giv­ing me the call!

Like with some of the oth­er fake cov­ers I did for Big Bang that I’ve post­ed here recent­ly, I tried to take my col­or cues from the source mate­r­i­al I was imi­tat­ing when draw­ing it. Those books were done around the time that Pho­to­shop was start­ing to be used on some comics, and though I don’t think Pho­to­shop was ever used on those Bat­man Adven­tures comics, it did appear to be hav­ing an influ­ence, in that they were clear­ly using a great­ly expand­ed col­or palette from the usu­al Gold­en, Sil­ver or Bronze age style comics cov­ers I usu­al­ly imi­tate. So it was a fun chal­lenge to try to put my head in a lit­tle dif­fer­ent place and work that out.

A unique thing about all those DC comics based on the WB car­toons was that hard-edged shad­ow col­or they used on the art. I’ve seen orig­i­nal b/w art from those comics, and they’d usu­al­ly indi­cate the shad­ow edges direct­ly on there with a fine point red felt pen (I assume drawn in by the inker). Those red lines would be dropped from the final print­ed art, but the col­orists would use them as their guides for exact place­ment of the shad­ow areas. The shad­ow col­or I’m using here is most like­ly not the same one they used back then, but it’s one I’ve used in the past that’s always worked well for me. I felt like it worked well here, too.

Hope you like it!

Bonk, Bonk on the Head!

Fake comic cover for Thunder Girl Adventures #23, featuring Big Bang Comics' Thunder Girl meeting Konga, queen of the Troglodytes.I’ve recent­ly been post­ing a num­ber of fake com­ic cov­ers I did some­time back for Big Bang Comics’ “The Big Bang His­to­ry of Comics” issues. Here’s anoth­er one, new­ly col­ored! Thun­der Girl Adven­tures #23, fea­tur­ing Thun­der Girl meet­ing Kon­ga, Queen of the Troglodytes.

Post­ing this gives me the oppor­tu­ni­ty to talk about artist Bill Fugate. Bill end­ed up being the artist who devel­oped Thun­der Girl’s visu­al design. While I had a lot of respect for my fel­low Big Bang artists, I was an out­right fan of Bil­l’s work. Most of us were try­ing to do dif­fer­ent styles, draw­ing like spe­cif­ic oth­er artists. Bill just drew the way he drew, and he seemed nat­u­ral­ly gift­ed with the kind of car­toon­ing charm to his work that C. C. Beck had. Any time Bill did a Thun­der Girl sto­ry (or Erik Larsen’s Mighty Man), it was a real treat. I wrote a bit more about Bill here. Wish I’d had the oppor­tu­ni­ty at some point to tell him just how much I loved his work!

Back to this cov­er: for the Big Bang Comics His­to­ry issues (mod­eled after The Ster­anko His­to­ry of Comics vol­umes), a lot of cov­ers need­ed to be gen­er­at­ed to fill all those pages. While some ideas were dis­cussed, in a num­ber of cas­es, Big Bang hon­cho Gary Carl­son just kind of let us wing it and come up with what­ev­er seemed right for the par­tic­u­lar char­ac­ter or time peri­od. This cov­er was one of those.

Thun­der Girl was kind of Big Bang’s mash-up/e­quiv­a­lent of both the orig­i­nal Cap­tain Mar­vel and Mary Mar­vel. One of Capt. Mar­vel’s ene­mies was King Kull, the Beast­man. Kind of a pre­his­toric cave­man char­ac­ter. Remem­ber­ing Kull got me won­der­ing what an equiv­a­lent kind of char­ac­ter for Thun­der Girl might be like, hence Kon­ga. In my mind, though, Kon­ga was less vil­lain­ous than comedic, com­ing to the sur­face world look­ing for a mate, and not under­stand­ing how things work up here.

This cov­er was inked by Jef­frey Mey­er (if my mem­o­ry’s cor­rect), with pen­cils, let­ter­ing, and now col­or by me.

There’s a fun­ny sto­ry I prob­a­bly should­n’t get into here about an inter­est­ing fan reac­tion we got to this cov­er when it ini­tial­ly appeared in tiny black and white form. If you ever see me out in the real world, ask me and I’ll tell you about it.

Hope you enjoy this!

Behind the Badge Again

Fake Comic Cover for Red Hot Comics #17, with Big Bang Comics' the Badge and His RookiesI explained last time how, when Big Bang Comics did a cou­ple issues focused on the fic­ti­tious his­to­ry of the com­pa­ny (mim­ic­k­ing Ster­anko’s His­to­ry of Comics vol­umes), they need­ed a whole bunch of fake cov­ers to pull it off and make it all feel believ­able. Here’s anoth­er one from the bunch I generated.

I drew this back then, inked (I believe) by Jeff Mey­er. And now for the first time, appear­ing in col­or! It’s fun to final­ly see this real­ized in this form, after hav­ing it exist only in black and white for all these years.

I’m not exact­ly sure where the idea for this cov­er came from. Per­haps I was think­ing about Simon & Kir­by’s kick-off run of Cap­tain Amer­i­ca, which seemed to draw a lot of inspi­ra­tion from the “weird men­ace” genre of pulps (an ingre­di­ent I’m sur­prised that most peo­ple don’t seem to pick up on). I kin­da wish I could read “The Vam­pire of Var­ney Street!”

I had fun doing this. Hope you enjoy it!

Behind the Badge

Fake Comic Cover Red Hot Comics #14, with Big Bang Comics' the Badge and His RookiesLong­time vis­i­tors to my site might know that back in the ’90s, I was a con­trib­u­tor to Gary Carl­son and Chris Eck­er’s Big Bang Comics. The first issue had­n’t quite come out through Cal­iber yet when I came onboard, I  think, but some mate­r­i­al was already done.

When I met him, Gary was look­ing for some­one to draw a Simon & Kir­by type Gold­en Age char­ac­ter he had in mind called the Badge, and he’d been point­ed my way. I got to have a pret­ty good hand in devel­op­ing the char­ac­ter, his look and that of side­kicks Troop­er and Bob­bie, even mak­ing some sug­ges­tions about the char­ac­ters’ back sto­ries. So I have to admit to feel­ing a bit of pro­pri­etary inter­est in the Badge.

We even­tu­al­ly did a cou­ple issues of Big Bang sub­ti­tled “The Big Bang His­to­ry of Comics,” in imi­ta­tion of the Ster­anko His­to­ry of Comics vol­umes (not real­ly par­o­dy except in the most lov­ing and respect­ful way, because we all had a lot of affec­tion for those books, as they were a gate­way into a life­long inter­est in comics his­to­ry for many of us).

The His­to­ry issues end­ed up being Big Bang Comics #24 and #27. If you’ve seen the Ster­anko books, imi­tat­ing those meant we need­ed a whole bunch of fake cov­ers! So I and a num­ber of oth­er artists set about to gen­er­ate them. I recent­ly made a list, and was shocked to see just how many I did, while simul­ta­ne­ous­ly hold­ing down my day job in animation!

Any­way, to what you’re see­ing here: this was one of the ear­li­est fake cov­ers I gen­er­at­ed for Big Bang. If my mem­o­ry’s right, I think it might even have appeared as far back as the Cal­iber minis­eries. I recall it appear­ing in col­or, but small, like part of a back cov­er ad. Recent­ly, I thought it would be fun to go back and revis­it a num­ber of those old fake cov­ers I did, and give them the full col­or treat­ment they always called out for. Most have nev­er been seen in col­or at all!

The char­ac­ters along the left side were ones I just made up on the spot, but most of them end­ed up appear­ing in Big Bang sto­ries at one point or anoth­er. I sort of thought of Big Bang as “comics his­to­ry through a fun­house mir­ror,” and to that end when I was draw­ing up this cov­er, I just made up char­ac­ters that felt like they were play­ing with some of those famil­iar old Gold­en Age arche­types, but hope­ful­ly also feel­ing like you had­n’t entire­ly seen them before.

Pen­cils, let­ter­ing (and now col­or­ing) are mine; inks were by Jeff Mey­er (I believe), who inked sev­er­al of my fake cov­ers for the His­to­ry issues, and did a nice job of giv­ing them the cor­rect fin­ished look and feel. You can check out anoth­er of our fake cov­er col­lab­o­ra­tions here.

I still have oth­er cov­ers in the pipeline that I might post too, but I had­n’t put any­thing up here in awhile, and thought this might be fun. Hope you enjoy!

And thanks always, Gary, for let­ting me have a lot of fun on the Big Bang play­ground! Those inter­est­ed can check out more recent Big Bang issues over on Indy Plan­et.

Member of the Inker Tribe

Years ago, I thought my life’s career was going to be in comics. My way in appeared to be through ink­ing. To that end, I did what all aspir­ing inkers look­ing to get into comics did at the time: I got my hands on pho­to­copies of pen­ciled pages, then inked them either on vel­lum, or by light-box­ing them onto bris­tol board. While recent­ly dig­ging through some old work, I redis­cov­ered this ink­ing sam­ple that I had total­ly for­got­ten about!

I had gen­er­at­ed a num­ber of ink­ing sam­ples work­ing over sev­er­al dif­fer­ent artists in those days. But for some rea­son, I don’t believe I ever includ­ed this when I sent out copies look­ing for work. Reap­prais­ing it all these years lat­er, it’s bet­ter than some of the oth­er sam­ples I did back then, so I’m not sure why I did­n’t use it. You might rec­og­nize the pho­to­copied lay­out as the work of Jim Star­lin, done for Mar­vel Comics’ War­lock #11 (pg. 14 of the sto­ry). It’s a good, clear lay­out. Pret­ty much all the info you would need as an inker to car­ry it to a fin­ish is there. There are even some sug­ges­tions about lighting.

When I did my inks, I did­n’t have a copy of the fin­ished com­ic to look at. And real­ly, that would’ve defeat­ed the pur­pose, see­ing how the art­work had actu­al­ly been fin­ished. Edi­tors and art direc­tors were look­ing to see how you approach ink­ing, not your pro­cess­ing of some­one else’s inks. And keep in mind, in those days, there was no inter­net where you could go to grab reference.

For post­ing here, I thought it might be fun to also sort of “re-mas­ter” the page, add the speech bal­loons and col­or it, based on how the page appeared in the com­ic. I guess that makes it both some­thing old and some­thing new.

Hope you enjoy!

The Adventures of Santa Claus

Here’s one that’s been in my head since last Christ­mas, but there was too much going on then for me to get to it in time. So it feels good to final­ly get this real­ized this year!

I’ve always had a soft spot for those DC 80 Pg. Giants and 100 Pg. Super-Spec­tac­u­lars, and the idea of a some­what super­hero-style San­ta Claus 80 Pg. Giant com­ic sound­ed like a fun idea that need­ed to exist. And it’s a giv­en that Go-Go Checks auto­mat­i­cal­ly make any com­ic cov­er better!

Of course, there were a lot of pos­si­ble vil­lains to pick from, but ulti­mate­ly I grav­i­tat­ed towards these. For those who don’t know, Pitch comes from the 1959 Mex­i­can movie San­ta Claus. Voldar and Torg appear in the 1964 “clas­sic” San­ta Claus Con­quers the Mar­tians. The Heat Miser and the Snow Miser show up in the TV spe­cial, The Year With­out a San­ta Claus. And final­ly, Oogie Boo­gie comes from the Dis­ney clas­sic The Night­mare Before Christ­mas. Just real­ized: they’re all in chrono­log­i­cal order. I had­n’t real­ly planned it that way (I was think­ing more about even­ly dis­trib­ut­ing the reds and greens), but so be it!

That’s about all I can think of to say for this image, except: I’d like to wish all my site vis­i­tors a Mer­ry Christ­mas and a Hap­py New Year!

A Whole Buncha Stars Here,…You Bet!

I’ve men­tioned before how some­times ideas for art kind of come at me from ran­dom direc­tions, and cer­tain ideas will stick in my head until I do some­thing about them. This is one of those.

Most fans of comics and comics his­to­ry will rec­og­nize the sig­nif­i­cance of All Star Comics. Espe­cial­ly issue #3: it was the first appear­ance of the Jus­tice Soci­ety of Amer­i­ca! The cov­er for #3 is well-known, as it’s been re-cre­at­ed and repur­posed by a num­ber of oth­er artists over the years. I even did it myself once some years back for an FCA cov­er (Faw­cett Col­lec­tors of Amer­i­ca), replac­ing the DC heroes with Fawcett’s.

Less famil­iar are the issues pri­or to #3. I guess once DC had pub­lished Archive Edi­tions con­tain­ing every issue from All Star #3 for­ward, it was decid­ed that they prob­a­bly should com­plete the set and put out an Archive col­lect­ing the first two issues, before the title became about the Jus­tice Soci­ety. Hence vol­ume #0.

On a recent reread of that vol­ume, I was struck by the cov­er of All Star #1. The pub­lished cov­er seemed an after­thought: using exist­ing art pho­to­stat­ted from pre­vi­ous sto­ries and past­ed up, the char­ac­ters look­ing tiny and con­strict­ed in the lay­out. Maybe the issue was run­ning close to the dead­line when they real­ized they still need­ed a cov­er. I start­ed to think, “What might it have looked like if they’d had more time to put it together?”

And as men­tioned up top, the idea stuck, and the only way to get it out of my head was to actu­al­ly do it! So here’s my take on it.

Hope you enjoy it!

Do the Frankenstomp!

It’s that time of year again! Hal­loween! And long-time vis­i­tors to my site might recall that I have some­thing of a loose tra­di­tion of doing Franken­stein-themed stuff in hon­or of the hol­i­day. Here’s this year’s: a sin­gle from the ’60s by the Orloks, doing the Frankenstomp.

There was a big pop cul­ture fas­ci­na­tion with mon­sters in the ’60s, like­ly spurred ini­tial­ly at least in part by TV sta­tions look­ing to fill time, and resort­ing to run­ning old mon­ster movies. They caught on with young view­ers and cre­at­ed a demand for more, result­ing in all kinds of games, mod­els, TV shows, cartoons…and even nov­el­ty 45’s like this.

I’m a big fan of this kind of mid-cen­tu­ry art style (and the style of graph­ic design that goes with it). It’s very sil­hou­ette- and shape-ori­ent­ed. I must con­fess, it does­n’t come entire­ly nat­ur­al to me to try to draw this way (it’s like throw­ing a car in hard reverse, after years of try­ing so hard to get vol­ume and dimen­sion into all my work). But it’s fun to at least attempt it like this every now and then.

Enjoy, and Hap­py Halloween!

Oh, Venus…!

I dis­cov­ered just before the start of this month that there’s some­thing of a social media thing going on at the moment with Big Bang Comics char­ac­ters. #Big­Bang­To­ber appar­ent­ly. As an ear­ly con­trib­u­tor to Big Bang (ear­ly and often, in a vari­ety of ways), I felt like maybe I should con­tribute to the cause. So over on LinkedIn, I’ve been post­ing a num­ber of my old Big Bang pieces.

The attached is one I always want­ed to col­or, but nev­er had the chance to, until now. It’s a faux Gold­en Age cov­er, done as one of many for one of the “Big Bang His­to­ry of Comics” issues. Mod­eled after The Ster­anko His­to­ry of Comics books, Gary Carl­son need­ed a lot of cov­ers to fill out the pages. This was one I came up with. Pen­cils, let­ter­ing (and of course, col­or­ing) are mine. Inks were by Jeff Mey­er, who did a great job of help­ing fur­ther the H.G. Peter art look I was going for here. (I came up with the name “P.G.Harris” as kind of Big Bang’s H.G. Peter equivalent).

Thanks for looking!

Monkey Business

Lancelot Link cover based on Steranko's Nick Fury, Agent of S.H.IE.L.D #6 cover.Hm. How best to explain this thing?

Peri­od­i­cal­ly online, you see that age-old ques­tion pop up again: “Where do ideas come from?” Just speak­ing for myself, they can strike at very odd times. This one hit me as I was dri­ving up I‑5 one day to go vis­it a friend. Just, “boom,” there it was in my brain. And as I’ve men­tioned before, some­times an idea will just lodge itself in my brain, and I can’t get it out unless I actu­al­ly do it. So here it is.

Some of you will know that Lancelot Link, Secret Chimp was a live action Sat­ur­day morn­ing show where they put a bunch of chim­panzees in cos­tumes and filmed them. I think I read some­where that they gave them food or some kind of chew­ing gum to get their mouths mov­ing, and then the voice actors would lat­er dub in their parts, try­ing to get some sem­blance of lip sync. I’m pret­ty sure it’s not exact­ly a show you could do today, for a num­ber of reasons.

Many will also real­ize that this is a re-cre­ation/rein­ter­pre­ta­tion of the cov­er of Nick Fury, Agent of S.H.I.E.L.D. #6, by Jim Ster­anko. Apolo­gies to Mr. Ster­anko, whom I have noth­ing but respect for, but I had to get this out of my brain!

It’s a Gold Key cov­er, and not Mar­vel, because Gold Key was the com­pa­ny who held pret­ty much all the comics licens­es to all the Sat­ur­day morn­ing shows at this point. They actu­al­ly pub­lished Lancelot Link comics back then. Those who’ve seen the show might be won­der­ing, “What’s with the red hair? He did­n’t have that on TV.” The artists drew him that way in the com­ic (I’m guess­ing to make him more visu­al­ly iden­ti­fi­able among all the oth­er chimps in the sto­ries), so I fol­lowed their lead.

This image end­ed up being a lot more com­pli­cat­ed to exe­cute than I had orig­i­nal­ly envi­sioned in my mind. Some­times I think I must have some kind of a masochis­tic streak as an artist. Often I’ll get deep in the midst of things like this, find it more com­plex and involved than I expect­ed, and think, “Why do I always do this to myself?” I’m sure I can’t be the only artist who does this.

Hope you enjoy my silli­ness here!