Tag Archives: Silver Age

Stretching the Point

We’re at Day Eight of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to hon­or the King in his birth month. A new ele­ment this year is each week hav­ing a theme, this week’s being the Fan­tas­tic Four. If you’ve been fol­low­ing along the pre­vi­ous days, you might be able to guess today’s prompt: Mr. Fantastic.

Reed Richards as Mr. Fan­tas­tic is the bril­liant scientist/inventor and leader of the FF. A fun aspect of the orig­i­nal Jack and Stan run on Fan­tas­tic Four were those scenes where Reed was inten­sive­ly work­ing in his lab over some wild Kir­by-designed piece of equip­ment. I kind of had that in mind when doing this drawing.

If you’ve seen the orig­i­nal run by Jack and Stan, you might rec­og­nize that the way Jack drew Reed kind of mor­phed over the time he was doing the book. Mr. Fan­tas­tic start­ed off a bit thin­ner in the face ini­tial­ly, but got a lit­tle more “robust” lat­er on. I ref­er­enced how Reed looked dur­ing the mid­dle issues of the run here, which many con­sid­er to be the prime peri­od for the book.

The week’s theme is not over! Hav­ing cov­ered the FF them­selves, tune in tomor­row to see who’s up next.

Ever-Lovin’ Blue-Eyed

We’ve reached the sev­enth day of the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son. A cool new aspect he’s intro­duced is themed weeks, where each day’s prompts fit with­in that theme.

If you’ve been fol­low­ing along, this week’s theme is the Fan­tas­tic Four. Today’s prompt is the Thing.

Ben Grimm as the Thing is a char­ac­ter who might appear fair­ly sim­ple and straight­for­ward on the sur­face, but if you’ve read the orig­i­nal run by Jack and Stan, you real­ize there’s more to him than meets the eye. He can be fun­ny, but there’s also under­ly­ing pain and regret, being stuck in this mon­strous form. Lat­er cre­ators have some­times lost that aspect, focus­ing more on the comedic elements.

The Thing is not an easy char­ac­ter to draw! I had a bit of a strug­gle here before I felt like I had it rea­son­ably correct.

Hope you approve. Tune in tomor­row to see who’s next!

He Thinks He’s Hot Stuff!

It’s Day Six of the sec­ond annu­al Jack Kir­by Trib­ute Month, we’re in the midst of Fan­tas­tic Four week, and today’s prompt is the Human Torch.

In his ini­tial appear­ances, he was per­haps a bit too form­less. Jack quick­ly fig­ured this out, and cod­i­fied what we now think of as his clas­sic look. From time to time, some sub­se­quent artists have tried to get cre­ative and find oth­er ways to draw him, but some­how he does­n’t look like him­self when you get too far removed from the tem­plate Jack set.

As men­tioned ear­li­er, I’m try­ing to get some sense of nar­ra­tive into these shots. Where exact­ly is he? Some­place unusu­al, no doubt. Feels like a sto­ry there.

Hope you like what I’ve done here. Tune in tomor­row if you’d like to see who’s up next!

Now You See Her,…

By now you know I’m par­tic­i­pat­ing in the sec­ond annu­al Jack Kir­by Trib­ute Month, cre­at­ed by Howard Simp­son to mark the month of Jack­’s birth (he would turn 107 lat­er this month if he were still with us).

The new thing Howard’s intro­duced this year is weeks that have an over­all theme to each day’s prompts, and this week’s theme is the Fan­tas­tic Four. I did a group shot yes­ter­day, and today’s prompt (the first of the indi­vid­ual shots) is the Invis­i­ble Woman.

At first, her only pow­er was to turn invis­i­ble. But I think Jack and Stan real­ized pret­ty quick­ly that this did­n’t quite give her enough to ful­ly hold her own with the rest of the group. So they had her devel­op an addi­tion­al pow­er: the abil­i­ty to cre­ate force fields. That did the trick.

Sue Storm was orig­i­nal­ly known as the Invis­i­ble Girl, and it was­n’t until John Byrne’s run on Fan­tas­tic Four in the ’80s (sec­ond best in my opin­ion only to Jack and Stan’s orig­i­nal run!) that she was re-chris­tened the Invis­i­ble Woman. Byrne came up with some of the most cre­ative uses for her pow­ers that had ever been seen, and man­aged to show once and for all that she was a force to be reck­oned with!

Hope you like, and feel free to come back tomor­row to see who’s up next!

Fantastic!

Here’s Day Four of the sec­ond annu­al Jack Kir­by Trib­ute Month, and begin­ning the first full week of August means we also have a new theme this week: the Fan­tas­tic Four. And the first prompt is…the Fan­tas­tic Four?!

Since we also have sep­a­rate prompts for each indi­vid­ual char­ac­ter com­ing up, I thought I might do a “before and after” thing, today being the “before” part of the equa­tion. This was a moment with a lot of dra­ma in their ori­gin sto­ry, so I went with it. I always thought it was cool how Jack chose to ren­der the cos­mic rays as these sort of “lozenge” shapes. Kind of not all that threat­en­ing in them­selves indi­v­d­u­al­ly, but fear­ful because they’re an unknown, and there are so many of them!

I ful­ly admit to appro­pri­at­ing the col­or scheme used in the orig­i­nal ver­sion, because why not? I thought it looked great, and it also kind of reminds me of the almost “pop art” col­or­ing approach used in Alex Ross’ Fan­tas­tic Four: Full Cir­cle (which in my opin­ion is the best ver­sion of these char­ac­ters that I’ve seen in years!).

A note about the FF: while pret­ty much any Mar­vel book Jack had a hand in is worth a look, there are two absolute­ly essen­tial titles he did at Mar­vel that I feel are the tent­posts of his work there, which have to be tak­en into account when apprais­ing that body of work. In them, you see not just an artist and sto­ry­teller work­ing at the height of his craft, but you also get to see some­thing of the man him­self and his inter­ests. Fan­tas­tic Four is one of those books. In it, you get to see Jack­’s fas­ci­na­tion with sci fi, the unknown, and with what might be out there. It’s a theme that runs through much of his work, and we got to see a bit of it pre­vi­ous­ly in Chal­lengers of the Unknown at DC.

I did say two titles, so I’m not going to hold you in sus­pense wait­ing days to hear the sec­ond one. It’s Jour­ney into Mystery/Thor. That’s where you see Jack­’s ongo­ing fas­ci­na­tion with myths and leg­ends, which runs through­out his career.

So who’s first up when we move to the indi­vid­ual mem­bers tomor­row? I’m not going to spoil that. You’ll just have to check in and see!

Oblivious

Fake comic cover for Big Bang Comics' Venus #198, with the character Olivia featured on the cover.As has no doubt become clear, I did a lot of fake cov­ers for “The Big Bang His­to­ry of Comics” issues. This one end­ed up being espe­cial­ly fun, for rea­sons you’ll under­stand when I explain who did what.

This cov­er is for the most part my work. I pen­ciled it, let­tered it, and now col­ored it. The inks? By none oth­er than (drum­roll please) Mr. Mike Roy­er him­self! He was Kir­by’s best inker in the ’70s, no ques­tion in my mind. I still kind of can’t believe this hap­pened. More about that in a minute.

Oblivia came about because I was think­ing of those odd char­ac­ters like the Black Rac­er who would sud­den­ly pop up ran­dom­ly out of nowhere in the midst of Jack­’s Fourth World saga at DC. I start­ed think­ing about what Joe Kingler (Big Bang Comics’ equiv­a­lent for Jack) might have done in the con­text of work­ing on Venus, and the name “Oblivia” popped into my head. It seemed to me very much the sort of “play on words” name that Jack often used. So a Venus cov­er fea­tur­ing her did­n’t at all seem out of line.

When I pen­ciled this cov­er, I had no clue who might end up ink­ing it. I prob­a­bly would­n’t have gone ahead and let­tered it if I had known. So when Big Bang’s Gary Carl­son raised a few pos­si­bil­i­ties for inkers, Mike Roy­er being one of them, it was the no-brain­er of all no-brain­ers to say, “Yes!”

I actu­al­ly had the oppor­tu­ni­ty to pick up the fin­ished cov­er in per­son, and was thrilled with the end result. I got to spend a very fun Sun­day after­noon hang­ing out at Mr. Roy­er’s home, con­vers­ing and hear­ing a lot of great sto­ries about his time in comics, work­ing for Dis­ney doing licens­ing art, plus oth­er top­ics. Again, thanks so much, Mr. Royer!

In col­or­ing this, I heav­i­ly ref­er­enced the way all those Fourth World cov­ers at DC were col­ored. That guid­ed me to go in some direc­tions I prob­a­bly would­n’t have gone if I were just col­or­ing this nor­mal­ly on my own (like knock­ing the gang­sters out all in green), but it helped to real­ly get across the right peri­od look.

Thanks for looking!

Venus Vs. Cupid

Fake comics cover for Big Bang Comics' Venus #169, with Ares looming in the backgroundI’m adding anoth­er to the group of fake cov­ers I had a hand in cre­at­ing some­time back for “The Big Bang His­to­ry of Comics” issues of Big Bang Comics. Cred­its on this one take a lit­tle expla­na­tion. Pen­cils were by Frank Squil­lace, inks and let­ter­ing by me. Frank did a col­or comp on a pho­to­copy with mark­ers, which I marked up with col­or for­mu­la call­outs to cre­ate a col­orist guide.

This cov­er end­ed up being repur­posed as an actu­al Big Bang cov­er for issue #34, with dif­fer­ent trade dress. For that instance, I believe some­one at Image actu­al­ly gen­er­at­ed the col­or file used to print it, based on the col­or guide we’d pro­vid­ed. I don’t think I actu­al­ly did that one myself in Pho­to­shop, because after much search­ing, I don’t seem to have a file for it. Which means the ver­sion you see here has been total­ly recol­ored by me from scratch in Pho­to­shop, ref­er­enc­ing the col­or guide. I tweaked the ren­der­ing in a few spots to plus what was in the print­ed ver­sion a lit­tle bit, so a sharp eye might spot some of those differences.

I sus­pect most vis­i­tors will imme­di­ate­ly real­ize that Frank and I were shoot­ing for a Jack Kir­by style here. I always thought of Big Bang as sort of “comics his­to­ry through a fun­house mir­ror.” It’s known that when Jack Kir­by jumped from Mar­vel to DC, they offered him any book he want­ed. Jack was­n’t com­fort­able with putting any­one out of work, so he said, “give me your least-sell­ing book.” That’s how Jim­my Olsen end­ed up as part of Jack­’s Fourth World Saga at DC. Any­one who’s stud­ied Jack­’s work knows he had a life­long fas­ci­na­tion with myths and leg­ends. So I thought, what if instead of Jim­my Olsen, Jack had tak­en on Won­der Woman? In Big Bang terms, that would’ve trans­lat­ed to Joe Kingler (Big Bang’s Kir­by equiv­a­lent) tak­ing on the char­ac­ter Venus.

This is the first time this has appeared in col­or with the orig­i­nal Venus mast­head. Hope you enjoy it!

The Adventures of Santa Claus

Here’s one that’s been in my head since last Christ­mas, but there was too much going on then for me to get to it in time. So it feels good to final­ly get this real­ized this year!

I’ve always had a soft spot for those DC 80 Pg. Giants and 100 Pg. Super-Spec­tac­u­lars, and the idea of a some­what super­hero-style San­ta Claus 80 Pg. Giant com­ic sound­ed like a fun idea that need­ed to exist. And it’s a giv­en that Go-Go Checks auto­mat­i­cal­ly make any com­ic cov­er better!

Of course, there were a lot of pos­si­ble vil­lains to pick from, but ulti­mate­ly I grav­i­tat­ed towards these. For those who don’t know, Pitch comes from the 1959 Mex­i­can movie San­ta Claus. Voldar and Torg appear in the 1964 “clas­sic” San­ta Claus Con­quers the Mar­tians. The Heat Miser and the Snow Miser show up in the TV spe­cial, The Year With­out a San­ta Claus. And final­ly, Oogie Boo­gie comes from the Dis­ney clas­sic The Night­mare Before Christ­mas. Just real­ized: they’re all in chrono­log­i­cal order. I had­n’t real­ly planned it that way (I was think­ing more about even­ly dis­trib­ut­ing the reds and greens), but so be it!

That’s about all I can think of to say for this image, except: I’d like to wish all my site vis­i­tors a Mer­ry Christ­mas and a Hap­py New Year!

One More for the Road!

Recent vis­i­tors to my site in August will know that I was doing the online Jack Kir­by Trib­ute every day, the brain­child of Howard Simp­son. it was a blast par­tic­i­pat­ing, refresh­ing my appre­ci­a­tion all over again for all the great work Kir­by did over the years.

I stuck to a very spe­cif­ic for­mat with all of these: por­traits in a small square, col­ored with the lim­it­ed palette used in the old comics most of these char­ac­ters orig­i­nal­ly appeared in, even down to the dot pat­terns. And I had in mind that the end goal was to be able to assem­ble them all into one com­pos­ite image. I was­n’t sure how that would work out, but here’s how it did!

This was kind of just a per­son­al challenge/exercise in tak­ing the Trib­ute a step fur­ther. Not sure what hap­pens with it beyond this point.

Hope you enjoyed the ride!

This Is Rather Challenging…

We’re now at Day 12 of Howard Simp­son’s month-long online cel­e­bra­tion of Kir­by, in hon­or of the fact Kir­by was born in August! It’s open to all cre­atives, and you can find the work on your favorite social media plat­forms by using the hash­tag #Kir­b­yArt­Trib­ut­es.

Today’s prompt? The Chal­lengers of the Unknown! It’s my under­stand­ing that this was a left­over con­cept from Kir­by’s ear­li­er part­ner­ship with Joe Simon. As real­ized in the pages of DC’s Show­case #6 (on news­stands in Novem­ber of ’56), the char­ac­ters’ ori­gin might sound a lit­tle famil­iar: four peo­ple attempt­ing an aer­i­al voy­age that end­ed in a crash land­ing which could/should have killed them. But they sur­vived, and came away with a great­ly changed out­look on their lives and their pur­pose mov­ing forward.

The ini­tial install­ments in Show­case were writ­ten by Dave Wood (no rela­tion to Wal­ly Wood). Sales were such that after four install­ments there, the Chal­lengers got their own title by ear­ly 1958. Accord­ing to the cred­its in DC’s Archive Edi­tion reprints, Kir­by actu­al­ly wrote some of the ear­ly scripts in the reg­u­lar title himself.

The strip also fea­tured inks by Wal­ly Wood on many install­ments. Wood was an amaz­ing tal­ent all on his own, and if you’ve nev­er seen Kir­by and Wood paired togeth­er, you might find it hard to imag­ine how it could pos­si­bly work. But it does, and amaz­ing­ly well! It’s like you get the best of both artists: the life, ener­gy and imag­i­na­tion of Kir­by’s pen­cils, with the light­ing and nat­u­ral­ism of Wood’s fin­ish­es. If you’ve nev­er seen their pair­ing, you owe it to your­self to check it out.

Hope you enjoy my salute to Kir­by’s Chal­lengers. And stay tuned!